Study Abroad 101
Pozycki Hall, Room 204Do you want to learn more about studying abroad? Join us each Wednesday for information on studying abroad. Speak to students who have participated in our programs. Get some answers […]
Do you want to learn more about studying abroad? Join us each Wednesday for information on studying abroad. Speak to students who have participated in our programs. Get some answers […]
This year being the 50th anniversary of the emergence of hip hop, on February 22nd, the Bruce Springsteen Archives & Center for American Music in association with Blue Hawk Records presents “Hip Hop in the Round,” an evening of conversation and music featuring hip hop artists from Monmouth University and Asbury Park.
This three-session virtual course taught by Mike Farragher (88) builds on the wildly popular Intro to Memoir Writing workshops with an emphasis on character development, dialogue, and scene setting that will make any story a page turner. Practical lessons are interspersed with writing prompts to get the creativity going during this 3 week course. No prior writing experience needed and all levels welcome!
Los Lobos has sold millions of records, won prestigious awards and made fans around the world. But perhaps its most lasting impact will be how well its music embodies the idea of America as a cultural melting pot. In it, styles like son jarocho, norteño, Tejano, folk, country, doo-wop, soul, R&B, rock ’n’ roll and punk all come together to create a new sound that’s greater than the sum of its parts.
Sam Lipsyte is the author of five novels and two short-story collections, including The Ask, Hark and No One Left to Come Looking for You. His fiction and nonfiction have appeared in The New Yorker, Harper’s, The Paris Review, n+1, Noon, Open City, The Quarterly and Best American Short Stories, among other places. A Guggenheim Fellow and winner of the Believer Book Award, he lives in New York City and teaches at Columbia University’s School of the Arts.
Do you want to learn more about studying abroad? Join us each Wednesday for information on studying abroad. Speak to students who have participated in our programs. Get some answers […]
Join us for a World Cinema Series film screening/discussion illuminating the theme “Wartime Lives: Enduring and Transcending Violence and Occupation” by analyzing the message and impact of the film As We Forgive (2009). Directed by Laura Waters Hinson and narrated by Mia Farrow comes the award-winning documentary of two Rwandan women who struggle with the face-to-face encounter with the men who slaughtered their families during the 1994 genocide. These women and men speak for a nation still wracked by the grief of a genocide that killed one in eight Rwandans. Overwhelmed by an enormous backlog of court cases, the government released 50,000 perpetrators back to the very communities they helped to destroy. Without the hope of full justice, Rwanda has turned to a new solution of reconciliation. Come experience through their eyes the journey from death to life through forgiveness.
A witch hunt is beginning in Arthur Miller’s captivating parable of power with Erin Doherty (The Crown) and Brendan Cowell (Yerma). Raised to be seen but not heard, a group of young women in Salem suddenly find their words have an almighty power. As a climate of fear, vendetta and accusation spreads through the community, no one is safe from trial. Lyndsey Turner (Hamlet) directs this contemporary new staging, designed by Tony Award-winner Es Devlin (The Lehman Trilogy). Captured live from the Olivier stage at the National Theatre.
Monmouth University brings Henrik Ibsen’s scandalous 19th century masterpiece into the modern era. A Doll’s House follows a vibrant but sheltered housewife as she navigates a world in which women have no autonomy. As events spiral beyond her control, Nora’s journey of self awareness builds toward one of the most controversial endings in theatrical history. Directed by Sheri Anderson.
Monmouth University brings Henrik Ibsen’s scandalous 19th century masterpiece into the modern era. A Doll’s House follows a vibrant but sheltered housewife as she navigates a world in which women have no autonomy. As events spiral beyond her control, Nora’s journey of self awareness builds toward one of the most controversial endings in theatrical history. Directed by Sheri Anderson.