A Film by Erin Fleming for Paradoxical Paradise: An African American Digital Oral History and Mapping Project of Asbury Park. Featuring Claude Taylor and Madonna Carter Jackson. Presented by the Department of History and Anthropology. Made possible in part by funding from the Diversity Innovation Grant (DIG) program administered by the Intercultural Center and Office […]
A rollicking new comedy by Richard Bean (One Man, Two Guvnors) and Oliver Chris (Twelfth Night).
After an aerial dog fight, Pilot Officer Jack Absolute flies home to win the heart of his old flame, Lydia Languish. Back on British soil, Jack’s advances soon turn to anarchy when the young heiress demands to be loved on her own, very particular, terms. Emily Burns directs this spectacularly entertaining new version of Sheridan’s The Rivals. Featuring a cast including Caroline Quentin, Laurie Davidson, Natalie Simpson and Kelvin Fletcher.
Join us for the first Homecoming in the Colonial Athletic Association as the Hawks take on the University of Rhode Island! The 2022 Homecoming Alumni Tailgate will be held on the practice field this year (new location) to make it easier to head into the game!
Having triumphed at the Met in some of the repertory’s fiercest soprano roles, Sondra Radvanovsky stars as the mythic sorceress who will stop at nothing in her quest for vengeance. Joining Radvanovsky in the Met-premiere production of Cherubini’s rarely performed masterpiece is tenor Matthew Polenzani as Medea’s Argonaut husband, Giasone; soprano Janai Brugger as her rival for his love, Glauce; bass Michele Pertusi as her father, Creonte, the King of Corinth; and mezzo-soprano Ekaterina Gubanova as Medea’s confidante, Neris.
Combating Racial Injustice Through Education Professional Development Series Fall Distinguished Speaker A Conversation With Dr. Bernice A. King – On Building the Beloved Community Co-moderated By Nicole Pulliam, Ph.D. & Vernon Smith, Ph.D. Complimentary Registration At: www.monmouth.edu/sjapd Co-sponsored with The Monmouth University Intercultural Center
This three-session virtual course provides attendees with an introduction to basic modes for telling the stories of their lives. Working in a supportive workshop setting, students will enjoy engaging, wide-ranging discussion about the joys and challenges of bringing their memories to life. Instructor: Mike Farragher, Monmouth University alumnus and author of numerous works of fiction and memoir.
A tour of the magical city, Venice: Infinitely Avant Garde showcases masterpieces by Tiepolo, Canaletto, Rosalba Carriera and the intellectuals who fell in love with Venice: from Canova to Goethe, Lord Byron to Walter Scott, down to the great Hollywood stars drawn to its yearly Film Festival. 1600 years after its legendary foundation, Venice continues to be unique for its urban landscape and for its rich history, but above all, the city is unique for its identity, which combines the charm of decadence with the excitement of being on the cutting edge.
It’s just like book club but with albums! With new advances in technology, the way we consume music through our devices, apps and on demand streaming services like Pandora, Spotify and iTunes is making the idea of the “album” as an art form extinct. Get together with other music enthusiasts on Tuesday nights to discuss some of the greatest records of all-time! Listen to the album beforehand and then come prepared to discuss. This event will feature The Grateful Dead, American Beauty.
Mothermotherland, by Slovo. Theater Group, is an original devised theater performance developed over 5 weeks by Ukrainians in exile with playwright Audrey Rose Dégez. The performance is based on the artists’ personal experiences, the war in Ukraine, and takes inspiration from Mykoly Khyvylovy’s 1924 novella I am (a Romantic), where the head of the local Cheka, a communist law enforcement agency, must decide whether or not to sentence his mother to death in the name of the ideals of the Commune.
Join us for a World Cinema Series film screening/discussion illuminating the theme “Wartime Lives: Enduring and Transcending Violence and Occupation” by analyzing the message and impact of the film The Clay Bird (Bengali, 2002). Set against a 1960’s backdrop leading up to Bangladesh’s independence from Pakistan, THE CLAY BIRD tells the story of Anu, a boy sent away by his father to an Islamic school. Far from his family and the warmth of his region’s Hindu festivities, Anu struggles to break out of his shell and adapt to the school’s harsh monastic life. As the political divisions in the country intensify, an increasing split develops between the school’s students, just as Anu’s parents find themselves growing apart. Rather than be torn in half, Anu must decide which side he falls upon in this complex tale of tolerance, diversity, and the practice of Islam in a crises-ridden world.
