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2 events,
Karen Bright: Throughline is an exhibition spanning 40 years of visual work by Karen Bright, Professor from the Department of Art and Design. Bright’s environmentally focused themes serve as the main thread over the 30 year span with consistent narratives on global warming, and climate change. Additional themes in Bright’s work relate to the MeToo movement, prevalent social and cultural issues, and current politics—all rendered as sculptures and paintings using encaustic-based materials. 
An exhibit of photographs by artist/photographer, Mike Frankel that capture many of the historic milestones in rock history including; the first ever appearance of Led Zeppelin in New York City and the Who’s first New York City performance of Tommy, along with photographs from the stage at Woodstock. The images have been scanned and printed directly from the 35 mm transparencies. The finished 35 mm slides were composed and exposed with up to 10 images on one frame of film while the action never stopped. There are some compelling single image photographs in the exhibition, but the multiple image photographs vividly demonstrate the power and dynamism of the rock ‘n’ roll experience. |
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This three-part lecture-demonstration focuses on Jimi Hendrix and his contemporaries. Told through photographs and guitar technique demonstrations Jimy Bleu focuses on Hendrix’ rise to super-stardom, his tremendous impact on Popular and ‘serious music’, his indefinable musical style, his virtually unknown potential as a spiritual leader and his political awakening which coincided with the turbulent times of that era in the United States. Bleu’s research, documentation and musical illustrations stand alone in presenting the most comprehensive and at times unheard viewpoints and topics about this remarkable musician. Learn why almost 50 years after his death the iconic Jimi Hendrix is still incredibly relevant and named “The Greatest Guitarist of All Time”!
Free and open to the public
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The three-day Woodstock music festival in 1969 was the pivotal event of the 1960s peace movement, and this landmark concert film is the definitive record of that milestone of rock & roll history. It’s more than a chronicle of the hippie movement, however; this is a film of genuine historical and social importance, capturing the spirit of America in transition, when the Vietnam War was at its peak and antiwar protest was fully expressed through the liberating music of the time. With a brilliant crew at his disposal (including a young editor named Martin Scorsese), director Michael Wadleigh worked with over 300 hours of footage to create his original 225-minute director’s cut, which was cut by 40 minutes for the film’s release in 1970.
Free and open to the public
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The Bruce Springsteen Archives and Center for American Music at Monmouth University will present An Evening with Tone, featuring David Sancious, Ernest “Boom” Carter, and Gerald Carboy, hosted by Bob Santelli, Founding Executive Director of the Grammy Museum, on Sunday, October 6th, at 7PM in the Pollak Theater on the university campus. The event is free and open to the public. |
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Sarfraz Manzoor delved deep into his Bruce Springsteen fandom in his memoir Greetings from Bury Park, which has been adapted into the film Blinded By The Light. Join us as Sarfraz takes us behind the scenes through his journey from Springsteen fan to writer and director. |
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It’s just like a book club but with albums! Get together with other music enthusiasts on Tuesday nights to discuss some of the greatest records of all-time! Listen to the album beforehand and then come prepared to discuss … there will be special guest moderators and panelists at each event! |
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Strange Radio, Live! is an immersive lecture-performance in story and sound, part of an ongoing series of experimental radio narrowcasts and broadcasts about the stranger, nearness and distance, forced migration, displacement, home, and the intergenerational transmission of memory. Strange Radio’s point of departure is Holocaust postmemory in Vienna, Austria, a sonic portal for sensing experiences of strangers and strangeness in multiple unfolding contexts across the globe. Strange Radio, Live! weaves together personal documentary; disembodied voices and sounds separated from points of origin; fragile signals transmitted through radios and embodied reflections on memory, place, time, and radio—itself a strange medium. Postmemories bounce against histories, sometimes buried and inaudible, in new locations. Tuned into both utopian longings and wounds, Strange Radio is a fragile signal, a love song to radio as a medium, metaphor, and method of deep listening together. |
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Help us mark the seventh anniversary of Hurricane Sandy. Readers will present stories that have been posted to “9 Feet High,” part of the Just Beachy/After Sandy installation now on view in Rechnitz Hall’s DiMattio Gallery. We invite you to participate by reading your own story, or listen as you hear your own story being read. Join us as your Sandy experience is acknowledged through the spoken word. Your story deserves to be heard! |
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This annual lecture series brings top scholars in the fields of digital humanities, media studies, the history of the book, print culture, and children’s literature to Monmouth University every fall. STRANGER THAN FICTION: THE NOVEL IN WEB 2.0 A Talk by Dr. Priya Joshi Professor of English Temple University Fan sites, new writing platforms, and […] |
