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I Wish That I Had Spoken Only of It All: 20 Years of Sheryl Oring’s I Wish to Say

DiMattio Gallery at Rechnitz Hall

With backgrounds in journalism and fine art, Sheryl Oring began her ongoing project I Wish to Say in 2004 from a concern that many people’s voices were not being heard. She started to take dictation from the public about what they wanted to say to the (next) President. Dressed as a 1960s secretary with a typewriter, she records whatever participants say onto a postcard, making copies with carbon paper. During larger events, a secretarial bank takes dictation. Oring mails the postcards to the White House and exhibits copies. To date she has mailed over 4100 postcards.

Free and open to the public

Michael Anthony Donato: Angels & Devils

Pollak Gallery

Michael Anthony Donato, a School of Visual Arts graduate, is an award-winning children’s book illustrator. His work on Squanto and the First Thanksgiving aired on Showtime and earned honors from the American Library Association. His illustrations for Tales Alive, a collection of global folktales, received a Parents’ Choice Award. Donato also collaborated with Simon & Schuster and the Metropolitan Museum of Art on Voyage Up the Nile. He currently teaches drawing and advanced painting at Monmouth University.

Free and Open to the Public

Mike Richison’s Election Collection: 2004-2024

Rotary Ice House Gallery

Mike Richison’s Election Collection: 2004-2020 showcases 20 years of design and video art inspired by the presidential election cycle. Richison began working with this topic in 2004 when he created a short video loop of George W. Bush drinking water during the debates. This evolved into performances and interactive video projects that break down language into musical and abstract elements.

Free and open to the public

I Wish That I Had Spoken Only of It All

DiMattio Gallery at Rechnitz Hall +1 more

With backgrounds in journalism and fine art, Sheryl Oring began her ongoing project I Wish to Say in 2004 from a concern that many people’s voices were not being heard. She started to take dictation from the public about what they wanted to say to the (next) President. Dressed as a 1960s secretary with a typewriter, she records whatever participants say onto a postcard, making copies with carbon paper. During larger events, a secretarial bank takes dictation. Oring mails the postcards to the White House and exhibits copies. To date she has mailed over 4100 postcards. In this artist talk, Oring will discuss I Wish to Say, now in its 20th year, alongside her other socially practice art projects.

Free and open to the public
Event Series Bring in Da Funk, Part I

Bring in Da Funk, Part I

Virtual

“On the one”—James Brown often defined funk as a groove, emphasizing the first beat, using the ‘one-two-three-four’ downbeat. However, as the Godfather of Soul would agree, funk encompasses more than just a rhythm: it’s about freedom, expression, and dance. If not for funk, disco would have never been born. How did the genre develop, and who were the central figures in the history of funk? This two-session virtual course taught by Kit O’Toole will trace funk through its blues, jazz, soul, New Orleans, and R&B roots. The class will culminate in discussing, among other funk pioneers, three of the music’s most important figures: Brown, Sly and the Family Stone, and George Clinton. The course includes multimedia presentations and class discussions.

$50 (for two sessions)

Prima Facie

Pollak Theatre

Jodie Comer’s (Killing Eve) Olivier and Tony Award-winning performance in Suzie Miller’s gripping one-woman play returns to cinemas.
 
Tessa is a young, brilliant barrister. She has worked her way up from working class origins to be at the top of her game; defending; cross examining and winning. An unexpected event forces her to confront the lines where the patriarchal power of the law, burden of proof and morals diverge.
 
Prima Facie takes us to the heart of where emotion and experience collide with the rules of the game.
 
Justin Martin directs this solo tour de force, captured live in 2022 during a sold out run at the Harold Pinter Theatre in London’s West End.

$23 (adult); $21 (senior); $10 (child); $5 (MU student)