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On the evening of April 4, 1968, Martin Luther King Jr. was assassinated outside room 306 of The Lorraine Motel in Memphis. What happened inside room 306 the night before the killing is a mystery. In her internationally acclaimed play, The Mountaintop, playwright Katori Hall fantasizes what may have transpired in the overnight hours between the legendary civil rights leader and a seemingly inconsequential hotel maid.
Donizetti’s comic gem L’Elisir d’Amore, staged by Bartlett Sher and conducted by Domingo Hindoyan, stars Pretty Yende as the spirited Adina, with Matthew Polenzani as Nemorino, the simple peasant who falls in love with her. Davide Luciano makes his Met debut as the role of Adina’s arrogant fiancé, Belcore and Ildebrando D’Arcangelo sings the role of the magic potion-peddling Doctor Dulcamara. Domingo Hindoyan makes his company debut conducting.
At a theatre performance of ‘Manon Lescaut’, the young and naive Armand is utterly captivated after meeting the ravishing and most desirable courtesan Marguerite Gautier. Their encounter gives birth to a passionate yet doomed love…
Alexandre Dumas fils’s novel comes to life on the Bolshoi stage, with prima Svetlana Zakharova as the ailing Marguerite seeking love and redemption from her life as a courtesan. The Bolshoi brings choreographer John Neumeier’s work of rare beauty and tragic depth to new emotional heights, accompanied by Chopin’s romantic piano score.
The Wailin’ Jennys are Nicky Mehta, Ruth Moody and Heather Masse – three distinct voices that together
make an achingly perfect vocal sound. Starting as a happy accident of solo singer/songwriters getting
together for a one-time-only performance at a tiny guitar shop in Winnipeg, Manitoba, The Wailin’
Jennys have grown over the years into one of today’s most beloved international folk acts.
Sir David McVicar’s ravishing new production offers a splendid backdrop for two extraordinary sopranos sharing the title role of the jealous prima donna: Sonya Yoncheva (pictured above) and Anna Netrebko. Vittorio Grigolo and Marcelo Álvarez alternate in the role of Tosca’s revolutionary artist lover Cavaradossi, with Željko Lučić and Michael Volle as the depraved police chief Scarpia. Emmanuel Villaume and Bertrand de Billy share conducting duties.
To create his film Rebirth of a Nation, Paul D. Miller aka DJ Spooky, remixed D.W. Griffith’s 1915 epic film The Birth of a Nation. His re-telling
of this overtly racist story depicted in the Reconstruction-era United
States hurtles Griffith’s images into the 21st century. The original film
was based on a novel and theater play by Thomas Dixon entitled The Clansman. By applying DJ technique to cinema, Miller’s new film parallels, deconstructs and remixes the original. He likes to think of it as “film as found object” in the same sense that artists such as Marcel Duchamp, Jeff Koons, Andy Warhol and David Hammons, among many others, have fostered creative investigations into the idea of found objects, cinema and “appropriation art.”
A young Pakistani man is chasing corporate success on Wall Street. He finds himself embroiled in a conflict between his American Dream, a hostage crisis, and the enduring call of his family’s homeland.
An exhibition of paintings by the late Jacob Landau and works by members
of the artist’s circle who were strongly influenced by his vision
including Myron Wasserman, Jack McGovern and Joanne Leone. The exhibition
was curated by Leone who studied with Landau from 1985-2001. This event is
part of the Jewish Cultural Studies Program.
An exciting young cast stars in Franco Zeffirelli’s classic production of La Bohème, the most-performed opera in Met history. Sonya Yoncheva stars as Mimì opposite Michael Fabiano as the passionate writer Rodolfo. Susanna Phillips reprises the role of the flirtatious Musetta and Lucas Meachem sings the role of her lover, the painter Marcello. The cast also features Alexey Lavrov and Matthew Rose as Rodolfo and Marcello’s friends Schaunard and Colline and Paul Plishka as Benoit and Alcindoro in this performance, led by Marco Armiliato.
Acclaimed choreographer and storyteller Carolyn Dorfman has created an exultant “dance-theatre” trilogy that connects us through our common human experience. Told through the lens of a child of a Holocaust survivor, the choreography
illustrates the devastation, yet inspires hope as immigrants journey to a new land that promises new beginnings! Our deepest desires for peace, freedom and family are illuminated in this triumphant work that will make you cry, laugh, think and celebrate the capacity of the human
spirit to rise above all circumstance. Described by critics as “ingenious” (The Star-Ledger) and “emotionally resonant” (The New York Times),
the dance in the Legacy Project brings together Dorfman’s family stories, Jewish history and a universal struggle for identity. This event is part of
the Jewish Cultural Studies Program.
