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MET OPERA: Les Pêcheurs de Perles (Encore)
Bizet’s gorgeous opera of lust and longing set in the Far East returns to the Met stage for the first time in 100 years. Soprano Diana Damrau stars as Leïla, the beautiful Hindu priestess pursued by rival pearl divers competing for her hand. Her suitors are tenor Matthew Polenzani and baritone Mariusz Kwiecien, who sing the lilting duet “Au fond du temple saint,” which opera fans know and adore. Director Penny Woolcock explores the timeless themes of pure love, betrayal, and vengeance in a production that vividly creates an undersea world on the stage of the Met. Conductor Gianandrea Noseda brings his romantic flair to the lush score from the composer of Carmen.Tickets on sale Friday, July 24 -
MET OPERA: Turandot (Encore)
Nina Stemme, one of opera’s greatest dramatic sopranos, takes on the title role of the proud princess of legendary China. Tenor Marco Berti is Calàf, the brave prince who sings “Nessun dorma” and wins her hand. Franco Zeffirelli’s golden production is conducted by Paolo Carignani.
Tickets on sale Friday, July 24
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MET OPERA: Manon Lescaut (Encore)
The Met stage ignites when soprano Kristine Opolais and tenor Roberto Alagna join forces in Puccini’s obsessive love story. Opolais sings the title role of the country girl who transforms herself into a Parisian temptress, while Roberto Alagna is the dashing student who desperately woos her. Director Richard Eyre places the action in occupied France in a film noir setting. “Desperate passion” is the phrase Puccini himself used to describe the opera that confirmed his position as the preeminent Italian opera composer of his day. Met Principal Conductor Fabio Luisi leads the stirring score.
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MET OPERA: Madama Butterfly (Encore)
Anthony Minghella’s breathtaking production has thrilled audiences ever since its premiere in 2006. One of the world’s foremost Butterflys, soprano Kristine Opolais, takes on the title role, and Roberto Alagna sings Pinkerton, the naval officer who breaks Butterfly’s heart. Karel Mark Chichon conducts.
Tickets on sale Friday, July 24
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ART NOW: Eric Barry Drasin and Phillip David Stearns
Demonstration: 4:30 pm Rechnitz Hall room 216
Artist Lecture: 6:00 pm Wilson Auditorium
Eric Barry Drasin is a Brooklyn-based artist, musician and curator working at the intersection of digital media, performance and installation. Rooted in the Expanded Cinema tradition, his work explores the relationship between composition, interface, performance, score, and synesthetic audiovisual systems.
Phillip David Stearns is also based in Brooklyn. His work is centered on the use of electronic technologies and electronic media to explore dynamic relationships between ideas and material. Deconstruction, reconfiguration, and extension are key methodologies and techniques employed in the production of works that range from audio visual performances, electronic sculptures, light and sound installation, digital textiles, and other oddities both digital and material.
Phillip David Stearn’s website
Eric and Phil will give a joint artist lecture as well as lead a demonstration of their tools and techniques.
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Visiting Writer: Alex Gilvarry
Alex Gilvarry is the author of the novel, From the Memoirs of a Non-Enemy Combatant (Viking). He was selected as a “5 Under 35” nominee by the National Book Foundation in 2014 and received the Hornblower Award at the 2012 New York City Book Awards. He has been a Norman Mailer fellow and a visiting scholar at the Harry Ransom Center at the University of Texas, Austin. His essays and criticism have appeared in Vogue, The Nation, Boston Globe, and have been broadcast on NPR’s All Things Considered. His next novel, Eastman Was Here, is forthcoming from Viking/Penguin in 2016. He is the Artist-in-Residence at Monmouth University where he teaches creative writing.
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Anything Goes
November 4, 5, 6, 7 (at 8 p.m.)
November 8 (at 3 p.m. – Sunday)
November 11, 12, 13, 14 (at 8 p.m.)
November 15 (at 3 p.m. – Sunday)
“In olden days, a glimpse of stocking was looked on as something shocking, now, heaven knows, ANYTHING GOES!” The classic American musical by Cole Porter will be the first musical presented in the fall semester at historic Woods Theatre by Monmouth University’s Department of Music and Theatre Arts. The show, which debuted in 1934, introduced such classic American standards as “You’re the Top”, “I Get A Kick Out of You”, and the title tune, “Anything Goes”. Proof of its popularity is the repeated revivals on Broadway, most recently in 2011 by the Roundabout Theatre Company in NYC.
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Lakota Sioux Dance Theatre
Experience Native American culture through authentic dance, music and ceremony when the Lakota Sioux Dance Theatre performs Ċokata Upō! Ċokata Upō! – Come to the Center is the story of the birth, death and rebirth of a nation. The performance represents an experience the New York Times describes as a “…great sense of theatricality…a visual treat…more than a spectacle…A ritual celebration that made dancing a ceremonial act.” This three-part work celebrates the culture of the Lakota people. Set against a backdrop of spectacular video imagery and accompanied by live traditional, sacred, and courting songs, narratives and creation stories are woven into the fabric of the performance. Under the direction of choreographer Henry Smith, the company includes some of the most highly acclaimed championship performers of the Sioux Nation.
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Madeleine Peyroux
“The only thing that matters is the song,” says singer-songwriter Madeleine Peyroux. That conviction along with a ‘one of a kind’ voice, has carried the Jazz artist from busking on the streets of Paris, all the way to mainstream recognition. Through intensely distinctive renditions of old classics and modern tunes by the likes of Leonard Cohen and The Beatles, Peyroux has proved to be an uncannily insightful ‘interpreter’ with her consistently impeccable choice of material. Peyroux’s new album, The Blue Room, sees the genre-blending singer reworking some landmark musical gems, in a repeat collaboration with longtime Peyroux producer Larry Klein (Joni Mitchell, Walter Becker, Tracy Chapman, Herbie Hancock). The result is a sophisticated album that rather than just ‘crossing over’, seamlessly fuses musical styles together to create an entirely new sound.
The Blue Room started life as Klein’s re-examination of Ray Charles’s classic, Modern Sounds In Country And Western Music, but soon moved away from being strictly an homage to that album. “Madeleine and I decided to branch out to other songs we love,” explains Klein, so alongside tunes from the original ABC Paramount project such as “Bye Bye Love,” “Born To Lose,” “You Don’t Know Me” and the anthemic “I Can’t Stop Loving You” are Randy Newman’s “Guilty,” Warren Zevon’s “Desperadoes Under The Eaves” and John Hartford’s “Gentle On My Mind.” “Ray’s ‘cultural landmark’ album has always been a part of me,” says Larry Klein, “…the project naturally came to mind with Madeleine as a part of it.”
For The Blue Room Larry Klein has again called upon the talents of award-winning engineer/mixer Helik Hadar as well as stellar musicians Dean Parks, Larry Goldings, Jay Bellerose and David Piltch. To this ensemble however, the celebrated producer has added an inspired orchestral element in the shape of Vince Mendoza’s engaging string arrangements (Joni Mitchell, Robbie Williams, Björk and Elvis Costello). Mendoza’s masterful string orchestrations perfectly complement Madeleine’s quest for open musical exploration. The sometimes eerie, often sparse arrangements prove the perfect canvas for Peyroux’s musical palette and seem to effortlessly blend with her voice.
Peyroux has come a long way from the streets of Paris to the word’s grandest concert halls and collaborating with the some of the world’s finest musicians. Still, where other artists might rest on their laurels and bask in the glory of countless gushing reviews, Peyroux continues to fearlessly explore new territories. The charmingly humble artist who ‘didn’t have any expectation of becoming someone that could make a dent in the outside world.’ has done just that.
For more information visit: www.madeleinepeyroux.com
Video: https://vimeo.com/59662338
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Ethel with Robert Mirabal
Continuing a deeply successful six-year collaboration inspired by ceremonies dedicated to the Sun, ETHEL and Robert Mirabal, Native American musician, instrument builder and three time GRAMMY® Award winner present their next evolution of the cross-cultural concert experience. The inspiration this time is Water as the embodiment of Spirit, and its essential role in Life on Earth. The audience is immersed in a flow of music, narrative, and ritual, that evokes timeless Native American traditions through contemporary musical artistry. As delivered by these master performers, the effect is breathtaking, even ecstatic. To complement the music created by ETHEL and Mirabal exclusively for this program, ETHEL will also perform part of Gabriela Lena Frank’s epic Andean Walkabout and Phil Kline’s gorgeous The River.
“Indefatigable and eclectic” (The New York Times), “vital and brilliant” (The New Yorker), at the heart of ETHEL is a collaborative ethos—a quest for a common creative expression forged in the celebration of community.
A Native American “Renaissance man”—musician, composer, painter, master craftsman, poet, actor, screenwriter, horseman and farmer—Mirabal travels extensively throughout the world, offering “exquisitely nuanced flute playing” (The New York Times) and creating music that honors the spirits of the earth.
More information at: http://www.ethelcentral.org/