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  • Life of Pi

    ★★★★★
    ‘Puppetry, projection and magic
    combine to stunning effect in a
    superlative stage adaptation.’
    The Stage

    Puppetry, magic, and storytelling combine in a unique, Olivier Award winning stage adaptation of the best-selling novel. Filmed in stunning 4k, the story of a 16-year-old boy stranded on a lifeboat with a hyena, zebra, orangutan, and a Royal Bengal tiger is brought vividly to life. Hiran Abeysekara (A Midsummer Night’s Dream) plays Pi Patel, joined on stage by Mina Anwar (The Thin Blue Line), Raj Ghatak (The Kite Runner), and Nicholas Khan (NT Live: The Beaux Stratagem).

    This epic staging of Yann Martel’s tale of endurance and hope is
    adapted by Lolita Chakrabati and directed by Max Webster (Henry V).
    The production has been met with strong critical acclaim across
    national press, including many five-star reviews.

  • Class of 1975 Golden Hawks Brunch (Homecoming and Reunion Weekend)

    The Class of 1975, plus any other graduates who have already celebrated a 50th reunion, are invited to a special brunch to celebrate this milestone. Graduates from the Class of 1975 will receive their commemorative 50th Reunion pin.

  • Roger McGuinn Music Lecture

    Experience the magic of rock history with Rock & Roll Hall of Famer and The Byrds co-founder, Roger McGuinn, as he shares rare video, unforgettable stories, and the songs that defined a generation.

    By 1964, Roger McGuinn was already an experienced figure in both the New York and Los Angeles music scenes when he co-founded the band that would become the Byrds, alongside Gene Clark and David Crosby. Before forming the Byrds, McGuinn had toured and performed as a guitarist and banjo player with the Limeliters, the Chad Mitchell Trio, and Bobby Darin. He also served as musical director for Judy Collins #3. After the Byrds disbanded in 1973, McGuinn embarked on a solo career, releasing five albums with Columbia Records and continuing to tour.

    This workshop entry is free with the purchase of a concert ticket. Please call the Box Office at 732-263-6889 to get your complimentary ticket. 

  • El Último Sueño de Frida y Diego

    On May 30, the Metropolitan Opera’s 2025–26 Live in HD season comes to a close with a live
    transmission of American composer Gabriela Lena Frank’s first opera, a magical-realist portrait of Mexico’s painterly power couple Frida Kahlo and Diego Rivera, with libretto by Pulitzer Prize–winning playwright Nilo Cruz. Fashioned as a reversal of the Orpheus and Euridice myth, the story depicts Frida, sung by leading mezzo-soprano Isabel Leonard, leaving the underworld on the Day of the Dead and reuniting with Diego, portrayed by baritone Carlos Álvarez. The famously feuding pair briefly relive their tumultuous love, embracing both the passion and the pain before bidding the land of the living a final farewell. Music Director Yannick Nézet-Séguin conducts the Met-premiere staging of Frank’s opera, a “confident, richly imagined score” (The New Yorker) that “bursts with color and fresh individuality” (Los Angeles Times). The vibrant new production, taking enthusiastic inspiration from Frida and Diego’s paintings, is directed and choreographed by Deborah Colker.

  • Roger McGuinn

    The legendary cofounder of The Byrds gives a solo performance of a lifetime. As an indisputable industry icon, he delivers the gift of an evening that is as intimate as it is spellbinding.

    By 1964, Roger McGuinn was already an experienced figure in both the New York and Los Angeles music scenes when he co-founded the band that would become the Byrds, alongside Gene Clark and David Crosby. Before forming the Byrds, McGuinn had toured and performed as a guitarist and banjo player with the Limeliters, the Chad Mitchell Trio, and Bobby Darin. He also served as musical director for Judy Collins #3. After the Byrds disbanded in 1973, McGuinn embarked on a solo career, releasing five albums with Columbia Records and continuing to tour.

    Roger McGuinn continues to captivate audiences with performances that are as enchanting and powerful as ever. His shows offer a rare opportunity to spend an evening with a true master, blending intimacy with a sense of wonder. Through storytelling and song, he guides listeners on a journey filled with familiar classics and fresh discoveries from the folk tradition he holds dear. A Grammy Award-winning artist, McGuinn tours globally, sharing the music and memories of his enduring and ever-evolving career.

  • Tristan und Isolde

    Please note that this Metropolitan Opera event will start at 12pm.

    After years of anticipation, a truly unmissable event arrives at Pollak Theatre on March 21 as the electrifying Lise Davidsen tackles one of the ultimate roles for dramatic soprano: the Irish princess Isolde in Wagner’s transcendent meditation on love and death. Heroic tenor Michael Spyres stars opposite Davidsen as the love-drunk Tristan. The momentous occasion also marks the advent of a new, Met-debut staging by Yuval Sharon—hailed by The New York Times as “the most visionary opera director of his generation” and the first American to direct an opera at the famed Wagner festival in Bayreuth—as well as Music Director Yannick Nézet-Séguin’s first time leading Tristan und Isolde at the Met. Mezzo-soprano Ekaterina Gubanova reprises her portrayal of Brangäne, alongside bass-baritone Tomasz Konieczny, who sings Kurwenal after celebrated Met appearances in Wagner’s Der Fliegende Holländer and Ring cycle. Bass-baritone Ryan Speedo Green makes an important role debut as King Market.

  • I Puritani

    For gorgeous melody, spellbinding coloratura, and virtuoso vocal fireworks, I Puritani has few equals. On January 10, the first new Met production of Bellini’s final masterpiece in nearly 50 years—a striking staging by Charles Edwards, who makes his company directorial debut after many successes as a set designer—arrives in cinemas worldwide. The Met has assembled a  world-beating quartet of stars, conducted by Marco Armiliato, for the demanding principal roles. Soprano Lisette Oropesa and tenor Lawrence Brownlee are Elvira and Arturo, brought together by love and torn apart by the political rifts of the English Civil War, with baritone Artur Ruciński as Riccardo, betrothed to Elvira against her will, and bass-baritone Christian Van Horn as Elvira’s sympathetic uncle, Giorgio.

  • Eugene Onegin

    Following her acclaimed 2024 company debut in Puccini’s Madama Butterfly, soprano Asmik Grigorian returns to the Met as Tatiana, the lovestruck young heroine in this ardent operatic adaptation of Pushkin. Baritone Igor Golovatenko also stars as the urbane Onegin, who realizes his affection for her all too late.

    Tchaikovsky’s universally beloved melodic gifts are at their most powerful and multilayered in this opera, featuring rich ensembles, buoyant dance numbers, and some of the most striking vocal solos in the repertory.

  • La Sonnambula

    Following triumphant Live in HD performances in Gounod’s Roméo et Juliette, Verdi’s La Traviata, and Donizetti’s Lucia di Lammermoor, Nadine Sierra summits another peak of the soprano repertoire as Amina, who sleepwalks her way into audiences’ hearts in Bellini’s poignant tale of love lost and found. In his new production, Rolando Villazón—the tenor who has embarked on a brilliant second career as a director—retains the opera’s original setting in the Swiss Alps but uses its somnambulant plot to explore the emotional and psychological valleys of the mind. Tenor Xabier Anduaga co-stars as Amina’s fiancé, Elvino, alongside soprano Sydney Mancasola as her rival, Lisa, and bass Alexander Vinogradov as Count Rodolfo. Riccardo Frizza takes the podium for one of opera’s most ravishing works, which will be transmitted live from the Met stage to Pollak Theatre on October 18.

    Due to wet ground conditions, there will be no parking on the Pollack/Great Lawnfield tomorrow. Please park in the soccer fields or identify yourself to the football parking assistants as performing art patrons, and the fee will be waived.

    Thank you, and enjoy the show!

  • Arabella

    Music by Richard Strauss | Libretto by Hugo von Hofmannsthal

    On November 22, Strauss’s elegant romance brings the glamour and enchantment of 19th-century Vienna to Pollak Theatre in a sumptuous production by legendary director Otto Schenk that “is as beautiful as one could hope” (The New York Times). Soprano Rachel Willis-Sørensen stars as the title heroine, a young noblewoman in search of love on her own terms. Radiant soprano Louise Alder is her sister, Zdenka, and bass-baritone Tomasz Konieczny is the dashing count who sweeps Arabella off her feet.