Wagner’s Lohengrin returns to the Met stage after an absence of 17 years with this atmospheric new staging by François Girard. Yannick Nézet-Séguin conducts a cast led by tenor Piotr Beczała in the title role of the mysterious swan knight. Soprano Tamara Wilson is the virtuous duchess Elsa, falsely accused of murder, going head-to-head with soprano Christine Goerke as the cunning sorceress Ortrud. Bass-baritone Evgeny Nikitin is Ortrud’s power-hungry husband, Telramund, and bass Günther Groissböck is King Heinrich.
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Lohengrin
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Fedora
Giordano’s exhilarating drama Fedora returns to the Met for the first time in 25 years, starring soprano Sonya Yoncheva in the title role of the 19th-century princess who falls in love with her fiancé’s murderer, Count Loris, sung by tenor Piotr Beczała. Soprano Rosa Feola is the Countess Olga, Fedora’s confidante, and baritone Artur Ruciński is the diplomat De Siriex. Marco Armiliato conducts David McVicar’s intricate production, with a fixed set that unfolds to reveal the opera’s settings: a palace in St. Petersburg, a fashionable Parisian salon, and a picturesque villa in the Swiss Alps.
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The Hours
The world-premiere staging of Kevin Puts’s The Hours, adapted from Michael Cunningham’s acclaimed novel, which also served as the inspiration for the Oscar-winning film, arrives in cinemas this December. In her highly anticipated return to the Met, soprano Renée Fleming joins soprano Kelli O’Hara and mezzo-soprano Joyce DiDonato to portray three women from different eras who grapple with their inner demons and their roles in society. Phelim McDermott, who recently created the Met’s acclaimed production of Philip Glass’s Akhnaten, directs this compelling drama, and Yannick Nézet-Séguin takes the podium to conduct Puts’s powerful score.
“The Hours contains themes of suicide. If you or someone you know is considering self-harm or suicide, help is available from the Suicide and Crisis Lifeline by dialing 988 or visiting 988lifeline.org.”
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La Traviata
Soprano Nadine Sierra stars as the self-sacrificing courtesan Violetta—one of opera’s ultimate heroines—in Michael Mayer’s vibrant production of Verdi’s beloved tragedy. Tenor Stephen Costello is her self-centered lover Alfredo, alongside baritone Luca Salsi as his disapproving father and Maestro Daniele Callegari on the podium.
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Medea
Having triumphed at the Met in some of the repertory’s fiercest soprano roles, Sondra Radvanovsky stars as the mythic sorceress who will stop at nothing in her quest for vengeance. Joining Radvanovsky in the Met-premiere production of Cherubini’s rarely performed masterpiece is tenor Matthew Polenzani as Medea’s Argonaut husband, Giasone; soprano Janai Brugger as her rival for his love, Glauce; bass Michele Pertusi as her father, Creonte, the King of Corinth; and mezzo-soprano Ekaterina Gubanova as Medea’s confidante, Neris.
***Please note it is also HOMECOMING on campus this day – please plan to arrive early to secure parking and let the gate attendants know that you are on campus to see the opera. ***
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Fire Shut Up in My Bones – Special Encore Presentation
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Purchasing tickets in advance is STRONGLY encouraged. Due to distanced seating in the theatre, capacity is limited and walk-ups might not be able to be accommodated.Terence Blanchard’s Fire Shut Up in My Bones, the second opera from the six-time Grammy Award–winning and Oscar-nominated trumpeter and composer—who is also known for scoring Spike Lee films—makes history this season as the first opera by a Black composer to be performed by the Met. Blanchard’s groundbreaking masterpiece weaves together jazz, gospel, and classical styles to tell a powerful story of resilience and self-discovery.
The critically acclaimed production, which also features standout choreography by Camille A. Brown, including a show-stopping step dance in Act III, stars an exceptional cast including baritone Will Liverman and sopranos Angel Blue and Latonia Moore. Don’t miss the landmark production—hailed as “a watershed moment for American opera” by The Washington Post
Content Advisory: Fire Shut Up in My Bones addresses adult themes and contains some adult language.
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Ariadne auf Naxos
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Purchasing tickets in advance is STRONGLY encouraged. Due to distanced seating in the theatre, capacity is limited and walk-ups might not be able to be accommodated.Soprano Lise Davidsen makes her Live in HD debut in one of her signature roles, the mythological Greek heroine of Strauss’s enchanting masterpiece. The outstanding cast also features mezzo-soprano Isabel Leonard as the Composer of the opera-within-an-opera around which the plot revolves, with soprano Brenda Rae as the spirited Zerbinetta and tenor Brandon Jovanovich as Ariadne’s lover, the god Bacchus. Marek Janowski conducts.
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Turandot
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Purchasing tickets in advance is STRONGLY encouraged. Due to distanced seating in the theatre, capacity is limited and walk-ups might not be able to be accommodated.Ukrainian soprano Liudmyla Monastyrska stars in the title role of the legendary cold-hearted princess—seen live in cinemas on May 7. Tenor Yonghoon Lee is the bold prince determined to win Turandot’s love, alongside soprano Ermonela Jaho as the devoted servant Liù legendary bass Ferruccio Furlanetto as the blind king Timur. Marco Armiliato conducts Puccini’s stirring score. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe.
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Lucia Di Lammermoor
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Purchasing tickets in advance is STRONGLY encouraged. Due to distanced seating in the theatre, capacity is limited and walk-ups might not be able to be accommodated.Soprano Nadine Sierra takes on one of the repertory’s most formidable and storied roles, the haunted heroine of Donizetti’s Lucia di Lammermoor, in an electrifying new staging by Australian theater and film director Simon Stone, conducted by Riccardo Frizza. Tenor Javier Camarena adds to the bel canto fireworks as Lucia’s beloved, Edgardo, with baritone Artur Ruciński as her overbearing brother, Enrico, and bass Matthew Rose as her tutor, Raimondo.
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Hamlet
Prior to purchasing tickets please review our COVID-19 Safety Measures and Policies.
Purchasing tickets in advance is STRONGLY encouraged. Due to distanced seating in the theatre, capacity is limited and walk-ups might not be able to be accommodated.When Australian composer Brett Dean’s Hamlet had its world premiere at the Glyndebourne Festival in 2017, The Guardian declared, “New opera doesn’t often get to sound this good … Shakespeare offers a gauntlet to composers that shouldn’t always be picked up, but Dean’s Hamlet rises to the challenge.” On June 4, this riveting contemporary masterpiece appears live in cinemas, with Neil Armfield, who directed the work’s premiere, bringing his acclaimed staging to the Met. Many of the original cast members have followed, including tenor Allan Clayton in the title role. Nicholas Carter makes his Met debut conducting a remarkable ensemble, which also features soprano Brenda Rae as Ophelia, mezzo-soprano Sarah Connolly as Gertrude, baritone Rod Gilfry as Claudius, and bass-baritone John Relyea the ghost of Hamlet’s father.