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  • Woodstock & Beyond: The Visionary Art of Mike Frankel

    An exhibit of photographs by artist/photographer, Mike Frankel that capture many of the historic milestones in rock history including; the first ever appearance of Led Zeppelin in New York City and the Who’s first New York City performance of Tommy, along with photographs from the stage at Woodstock. The images have been scanned and printed directly from the 35 mm transparencies. The finished 35 mm slides were composed and exposed with up to 10 images on one frame of film while the action never stopped. There are some compelling single image photographs in the exhibition, but the multiple image photographs vividly demonstrate the power and dynamism of the rock ‘n’ roll experience.

  • POSTPONED – Second Senior Show: Graphic and Interactive Design

    Featuring the work of Monmouth University graduating seniors who will receive their degrees in Graphic and Interactive Design.

  • Virtual Exhibition – She Persisted: Julia Dzikiewicz

    Please join artist Julia Dzikiewicz for a virtual exhibition of her powerful and engaging artwork. Each week Julia will release a new video of a featured piece in the exhibit. Check back each week for a new piece!

    Suffrage Cat, encaustic mixed media, 60”x 60”, 2020

    Border Crisis, encaustic mixed media with lights, 60”x 60”

    Sandy Hook,” 60″x60″ ,encaustic mixed media with lights, 2019

    Ida B. Wells, 60”x60”, encaustic mixed media, 2016

    The Story of the Ham, 60”x60”, encaustic mixed media, 2012

    Old Film, New Film,” 60″x60″, encaustic mixed media, 2016

    “Suffragist and Zombies,” encaustic mixed media, 60″ x 60″

    “Charlottesville,” encaustic mixed media, 60″x90,” 2019

    “Women’s March 2017″, 60″x96,”  encaustic with crystals and lights, 2017

    “Wendy and Hillary”, 60”x60”, encaustic with crystals 

    Malala and Maria”, 60″ x 60″ encaustic (with crystals and vintage glass beads)

    Election 2016, 60”x60”,Encaustic with Swarovski crystals, encaustic printed paper, and electric lights, 2017

    Me Too, 60”x60”, Mixed media encaustic with lights, 2018

    Overtly political, deeply emotional, and subtly humorous, Julia Dzikiewicz weaves feminist parables into immense encaustic wax paintings. Monumental like an altarpiece, they inflame the spirit; illuminated like a tapestry, they give shape to immortal stories. Yet, Dzikiewicz’s work refuses a singular order. Using ancient wax techniques to explore present-day topics, Dzikiewicz is unflinching. She strikes hot, skewering the heart of the difficult issues she addresses, including themes of violence, racism, and misogyny. As a resident of the Workhouse Arts Center, the grief and triumph of the once imprisoned Suffragists serve as the inspiration for her contemporary tales of women who fight for change or the issues that inspire modern activists.

  • Karen Bright: Throughline

    Karen Bright: Throughline is an exhibition spanning 40 years of visual work by Karen Bright, Professor from the Department of Art and Design. Bright’s environmentally focused themes serve as the main thread over the 30 year span with consistent narratives on global warming, and climate change. Additional themes in Bright’s work relate to the MeToo movement, prevalent social and cultural issues, and current politics—all rendered as sculptures and paintings using encaustic-based materials.

  • POSTPONED – First Senior Show: Fine Art & Animation

    Featuring the work of Monmouth University graduating seniors who will receive their degrees in Fine Art and Animation.

  • Closed: Gina Torello: LightScapes

    Light is a living element, fixed in a moment of time, captured by the lens of a machine or by the hand of man. This light shifts, changes and instantaneously alters landscapes. It illuminates color and contrast, in the key absence of artificial light. Lightscapes is the light in all our scapes, originating from the sun or moon, our natural resource. Lightscapes is the wonder of how light wraps itself around nature in a moment of stillness.

    As you explore Lightscapes, you will be surrounded by examples of how this light pulls you to various environments – evoking emotions, some subtle and some turbulent. The exhibition does not seek to duplicate nature, but instead allows the expressive and intimate use of color and light to dance within the work.

    Leveraging her strong classical European education, Gina Torello’s work is diverse in both media and style. Her sense of expression demonstrates a mastery of color and is captured in her freedom to recreate Lightscapes that speak to the viewer from her soul.

    Come explore Lightscapes for yourself. In her retrospective exhibit, Gina Torello demonstrates how light intertwines the subject matter of her oils, pastels, printmaking, photography and sculpture in the Ice House Gallery. Gina Torello is a Professor in Monmouth University’s Department of Art and Design.

    Artist’s website:  www.ginatorello.studio

  • Vincent DiMattio: DreamPaths and Napkin Drawings

    An exhibit of drawings on napkins and new works by Vincent DiMattio. DiMattio earned his MFA from Southern Illinois University and his BFA from Massachusetts College of Art. He joined Monmouth University’s faculty in 1968 where he served as the department chair for 13 years and as gallery director for more than 20 years. He has shown his work internationally in Madrid, Spain; San Juan, Puerto Rico and Pueblo, Mexico. He has also exhibited throughout the United States, and at both the Newark and Trenton Museums.

  • Jacob Landau: Exploring the Colors

    An exhibition of works exploring the world of colors created by the American artist, humanist, and teacher Jacob Landau. Born in Philadelphia in 1917, Jacob Landau launched his career as an illustrator, winning national prizes at age 16 and a scholarship to the Philadelphia College of Art. He had over sixty one-person shows and was the recipient of many awards, including Guggenheim and National Arts Council grants. Many of his works are featured in permanent collections, such as the Philadelphia Museum of Art and the Museum of Modern Art in New York. A master teacher, he retired as professor emeritus at New York’s Pratt Institute. In 1996, he was awarded an honorary Doctorate in Fine Arts by Monmouth University.

    For Jacob Landau “art enables us to see the world whole and undivided.” As a humanist his art was devoted to the unity of the imagination. And at its center lies Landau’s desire for justice in the world. In the current exhibit his celebration of our love of color, shared across so many cultures, is inseparable from his humanist conviction. Color and drawing, Landau once declared, are the “twin fundaments of my style.” And he has been praised by fellow artists and critics as a colorist. His dazzling palette and expressive line exhilarate us. We find ourselves transported by their exuberant life, colors that rise up and sing for us in a work titled Flight. And yet his love affair with color does not blind him to the world of injustice.

    On the one hand, his red and orange and yellow, and green and blue watercolors of gorgeous promise, so exquisitely handled in a radically imagined portrait of Isaiah dazzle us with life. But by the same token, Landau by these colors insists on the social justice that Isaiah declaimed. Justice, the artist makes clear in his beautiful and unsettling riot of forms, that he expects of us.

    Uniquely, his canvass of many colors dazzles and disturbs. His understated colors in Apocalypsis fill us with foreboding, and he asks, “Whose apocalypse is it anyway ours or God’s?” Just like Landau to leave us with an uncomfortable question in the language of subtle colors. At the same time, we see a bold backdrop of brilliant yellow across the way in his Oracle 1, dramatizing the hope that resides in the human heart. A yellow we can’t shake as we walk away.

    The exhibition features a selection of some twenty-one works. All are from Monmouth University’s extensive collection of Jacob Landau’s work, comprising over 300 prints, drawings and paintings. The collection was gifted to Monmouth University in 2008 by the Jacob Landau Institute of Roosevelt, NJ. This exhibit is co-sponsored by the Jewish Culture Studies Program and the Honors School of Monmouth University.

    Docent tours are available (for times, contact Professor Noel Belinski 732-263-5425; email:  nbelinsk@monmouth.edu).

  • Mike Quon

    Born into the world of art and design, Mike Quon learned the ropes early on from his father who was an art director and an animator and promotional artist at Disney working on classics like Dumbo and Fantasia. After graduating from UCLA School of the Arts, Mike launched his own career as an art director at J. Walter Thompson and Young and Rubicam before establishing his award-winning design office in New York City 30 years ago. Since then, Mike’s bold and bright promotional illustrations for advertising and editorial campaigns, his graphic design collateral and packaging, and his hand-crafted logos have been seen around the world, helping to promote events like the Summer Olympics and build lasting brand identities for consumer products, businesses and nonprofits.

  • “The Other Vincent” Documentary Film Premiere and Closing Reception

    Please join us for the closing reception of  Vincent DiMattio/50 a retrospective of work by Vincent DiMattio celebrating his 50 years as a professor in Monmouth University’s Department of Art & Design at 6:30 PM in the Pollak, DiMattio & Ice House Galleries. After the reception, there will be the premiere of a documentary film The Other Vincent at 7:30 PM in Pollak Theatre about Vincent DiMattio’s 50 year journey at Monmouth University as an artist and educator.