Close Close
  • Visiting Writer: Ed Hirsch

    Edward Hirsch, a MacArthur Fellow, has published nine books of poems, including The Living Fire: New and Selected Poems (2010), which brings together thirty-five years of work, and Gabriel: A Poem (2014), a book-length elegy that The New Yorker called “a masterpiece of sorrow.”  He has also written five prose books, among them A Poet’s Glossary (2014), a complete compendium of poetic terms, and How to Read a Poem and Fall in Love with Poetry (1999), a national bestseller.  He has received numerous awards and fellowships, including the National Book Critics Circle Award, a National Endowment for the Arts Fellowship, and the American Academy of Arts and Letters Award for Literature.  He taught in the Creative Writing Program at the University of Houston for seventeen years.  He now serves as president of the John Simon Guggenheim Memorial Foundation.

    More information: www.edwardhirsch.com

  • Visiting Writer: Jane Hirshfield

    Jane Hirshfield’s poetry speaks to the central issues of human existence—desire and loss, impermanence and beauty, the many dimensions of our connection with others and the wider community of creatures and objects with which we share our lives. Demonstrating with quiet authority what it means to awaken into the full capacities of attention, her work sets forth a hard-won affirmation of our human fate. Described by The New York Times as “radiant and passionate” and by other reviewers as “ethically aware,” “insightful and eloquent,” and as conveying “succinct wisdom,” her subjects range from the metaphysical and passionate to the political, ecological, and scientific to subtle unfoldings of daily life and experience. Her book of essays on the “mind of poetry” and her several collections presenting and co-translating the work of poets from the past have become classics in their fields. An intimate, profound, and generous master of her art, Hirshfield has taught at UC Berkeley, Duke University, Bennington College, and elsewhere, and her many appearances at writers’ conferences and literary festivals in this country and abroad have been highly acclaimed.

    Jane Hirshfield is the author of eight collections of poetry, including the newly published The Beauty (Knopf, 2015); Come, Thief; After (shortlisted for England’s T.S. Eliot Prize and named a “best book of 2006” by the Washington Post, the San Francisco Chronicle, and the London Financial Times); Given Sugar, Given Salt (finalist for the 2001 National Book Critics Circle Award); The Lives of the Heart; and The October Palace, as well as two  books of essays, the newly published Ten Windows: How Great Poems Transform the World (Knopf, 2015) and Nine Gates: Entering the Mind of Poetry. She has also edited and co-translated four books containing the work of poets from the past: The Ink Dark Moon: Love Poems by Komachi & Shikibu, Women of the Ancient Japanese Court; Women in Praise of the Sacred: 43 Centuries of Spiritual Poetry by Women; Mirabai: Ecstatic Poems; and The Heart of Haiku, on Matsuo Basho, named an Amazon Best Book of 2011.

    Hirshfield’s other honors include The Poetry Center Book Award; fellowships from the Guggenheim and Rockefeller Foundations, the National Endowment for the Arts, and the Academy of American Poets; Columbia University’s Translation Center Award; and (both twice) The California Book Award and the Northern California Book Reviewers Award. In 2012 she was received the Donald Hall-Jane Kenyon Prize in American Poetry.

    Hirshfield’s work has appeared in The New Yorker, The Atlantic, The Times Literary Supplement, Harper’s, The Nation, Orion, The American Poetry Review, Poetry, eight editions of The Best American Poetry, five Pushcart Prize Anthologies, and many other publications.  Her work frequently appears on Garrison Keillor’s “Writers Almanac” program and she has been featured in two Bill Moyers PBS television specials. In fall 2004, Jane Hirshfield was awarded the 70th Academy Fellowship for distinguished poetic achievement by The Academy of American Poets, an honor formerly held by such poets as Robert Frost, Ezra Pound, William Carlos Williams, and Elizabeth Bishop. In 2012, she was elected a Chancellor of the Academy of American Poets.

  • Visiting Writer: Laura Kasischke

    Laura Kasischke has published eight collections of poetry and eight novels.  She was the recipient of the National Book Critics Circle Award for Poetry for her collection SPACE, IN CHAINS (Copper Canyon Press, 2011).  She has also been the recipient of a Guggenheim Fellowship, the Rilke Award for Poetry, the Bess Hokin Award from POETRY magazine, and two fellowships from the National Endowment for the Arts.  She is teaches in the MFA Program and the Residential College at the University of Michigan, from which she graduated.  She lives with her husband and son in Chelsea, Michigan.

    More information: www.laurakasischke.com

  • Anything Goes

    November 4, 5, 6, 7 (at 8 p.m.)

    November 8 (at 3 p.m. – Sunday)

    November 11, 12, 13, 14 (at 8 p.m.)

    November 15 (at 3 p.m. – Sunday)

    “In olden days, a glimpse of stocking was looked on as something shocking, now, heaven knows, ANYTHING GOES!” The classic American musical by Cole Porter will be the first musical presented in the fall semester at historic Woods Theatre by Monmouth University’s Department of Music and Theatre Arts. The show, which debuted in 1934, introduced such classic American standards as “You’re the Top”, “I Get A Kick Out of You”, and the title tune, “Anything Goes”. Proof of its popularity is the repeated revivals on Broadway, most recently in 2011 by the Roundabout Theatre Company in NYC.

  • Winter Tapestry: A Holiday Concert

    An evening of seasonal music for choir, orchestra, and handbells performed in the majestic and festive atmosphere of Wilson Hall. The concert is conducted by Professor Michael Gillette and Dr. David M. Tripold and features the Colts Neck Reformed Church Exultation Ringers conducted by Maggie Tripold.

  • Bus Stop by William Inge

    March 2, 3, 4, 5 (at 8 p.m.)

    March 6 (Sunday at 3 p.m.)

    March 8, 9, 10 (at 8 p.m.)

    Bus Stop is a romance drama written by one of the great, if underappreciated, playwrights of the 20th century: William Inge. Inge won the Pulitzer Prize for Picnic and his Come Back, Little Sheba won a Tony Award as a play and two Academy Awards for its film version. Bus Stop tells the story of Cherie, an aspiring nightclub singer, and her brash young cowboy suitor, stuck in a Kansas diner during a snowstorm. Its original production in 1955 was nominated for 4 Tony Awards. The film version starred Marilyn Monroe as Cherie.

  • Something’s Happening Here: Spring Showcase

    A musical cavalcade featuring the Monmouth University Chamber and Concert Choirs, Chamber Orchestra, Jazz Ensemble, student bands and soloists. The concert is conducted by Professor Michael Gillette, Professor Bryan Jenner and Dr. David M. Tripold.

  • Lakota Sioux Dance Theatre

    Experience Native American culture through authentic dance, music and ceremony when the Lakota Sioux Dance Theatre performs Ċokata Upō! Ċokata Upō! – Come to the Center is the story of the birth, death and rebirth of a nation. The performance represents an experience the New York Times describes as a “…great sense of theatricality…a visual treat…more than a spectacle…A ritual celebration that made dancing a ceremonial act.” This three-part work celebrates the culture of the Lakota people. Set against a backdrop of spectacular video imagery and accompanied by live traditional, sacred, and courting songs, narratives and creation stories are woven into the fabric of the performance. Under the direction of choreographer Henry Smith, the company includes some of the most highly acclaimed championship performers of the Sioux Nation.

  • A Marvelous Night: The Music of Van Morrison

    New Jersey’s favorite entertainers will take the stage to share the music of Van Morrison with their friends. Legendary front man Rob Paparozzi (Original Blues Brothers Band, Blood Sweat ‘n Tears) and Master Song Stylist Pat Guadagno (BobFest, The Candle Brothers) will lead an all-star band on a musical journey through the lifework of one of the most influential and unusual artists of our time. Last year’s capacity crowd was mesmerized by an eclectic selection of Morrison’s mystical compositions, performed by an ensemble of Jersey musical nobility that included Pam McCoy, Steven Delopoulos (Burlap to Cashmere) Irish Tenor Steve Reilly, Michael Ghegan (Michael Jackson Cirque de Soleil), John Korba, (Hall & Oates, Phoebe Snow, Roseanne Cash) Tom Labella, Joe Bellia & Jillian Reyes McCoy (John Bon Jovi’s Kings of Suburbia). The memorable evening was highlighted by a surprise visit from ‘the worlds most recorded drummer’ Bernard “Pretty” Purdie. The whole crew is back for a transcendental evening of genre defying music presented by Charles Moran and Christopher Neary to benefit Autism Speaks on what is sure to be A Marvelous Night ….. You will be healed! 

    A portion of the proceeds from A Marvelous Night will benefit Autism Speaks, the world’s leading autism science and advocacy organization. Learn more about Autism Speaks at www.autismspeaks.org

  • Madeleine Peyroux

    “The only thing that matters is the song,” says singer-songwriter Madeleine Peyroux. That conviction along with a ‘one of a kind’ voice, has carried the Jazz artist from busking on the streets of Paris, all the way to mainstream recognition. Through intensely distinctive renditions of old classics and modern tunes by the likes of Leonard Cohen and The Beatles, Peyroux has proved to be an uncannily insightful ‘interpreter’ with her consistently impeccable choice of material. Peyroux’s new album, The Blue Room, sees the genre-blending singer reworking some landmark musical gems, in a repeat collaboration with longtime Peyroux producer Larry Klein (Joni Mitchell, Walter Becker, Tracy Chapman, Herbie Hancock). The result is a sophisticated album that rather than just ‘crossing over’, seamlessly fuses musical styles together to create an entirely new sound.

    The Blue Room started life as Klein’s re-examination of Ray Charles’s classic, Modern Sounds In Country And Western Music, but soon moved away from being strictly an homage to that album. “Madeleine and I decided to branch out to other songs we love,” explains Klein, so alongside tunes from the original ABC Paramount project such as “Bye Bye Love,” “Born To Lose,” “You Don’t Know Me” and the anthemic “I Can’t Stop Loving You” are Randy Newman’s “Guilty,” Warren Zevon’s “Desperadoes Under The Eaves” and John Hartford’s “Gentle On My Mind.” “Ray’s ‘cultural landmark’ album has always been a part of me,” says Larry Klein, “…the project naturally came to mind with Madeleine as a part of it.”

    For The Blue Room Larry Klein has again called upon the talents of award-winning engineer/mixer Helik Hadar as well as stellar musicians Dean Parks, Larry Goldings, Jay Bellerose and David Piltch. To this ensemble however, the celebrated producer has added an inspired orchestral element in the shape of Vince Mendoza’s engaging string arrangements (Joni Mitchell, Robbie Williams, Björk and Elvis Costello). Mendoza’s masterful string orchestrations perfectly complement Madeleine’s quest for open musical exploration. The sometimes eerie, often sparse arrangements prove the perfect canvas for Peyroux’s musical palette and seem to effortlessly blend with her voice.

    Peyroux has come a long way from the streets of Paris to the word’s grandest concert halls and collaborating with the some of the world’s finest musicians. Still, where other artists might rest on their laurels and bask in the glory of countless gushing reviews, Peyroux continues to fearlessly explore new territories. The charmingly humble artist who ‘didn’t have any expectation of becoming someone that could make a dent in the outside world.’ has done just that.

    For more information visit: www.madeleinepeyroux.com

    Video: https://vimeo.com/59662338