Giordano’s passionate tragedy stars tenor Piotr Beczała as the virtuous poet who falls victim to the intrigue and violence of the French Revolution. Following their celebrated recent partnership in Giordano’s Fedora in the 2022–23 Live in HD season, Beczała reunites with soprano Sonya Yoncheva as Chénier’s aristocratic lover, Maddalena di Coigny, with baritone Igor Golovatenko as Carlo Gérard, the agent of the Reign of Terror who seals their fates. Met Principal Guest Conductor Daniele Rustioni takes the podium to lead Nicolas Joël’s gripping staging, which will be transmitted live from the Met stage to Pollak Theatre on December 13.
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Andrea Chénier
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La Bohème
With its enchanting setting and spellbinding score, the world’s most popular opera is as timeless as it is heartbreaking. Franco Zeffirelli’s picture-perfect production brings 19th century Paris to the Met stage as Puccini’s young friends and lovers navigate the joy and struggle of bohemian life. Soprano Juliana Grigoryan is the feeble seamstress Mimì, opposite tenor Freddie De Tommaso as the ardent poet Rodolfo. Keri-Lynn Wilson conducts the November 8 performance, which will be transmitted live from the Met stage to the Pollak Theatre.
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A Night with Monique Marvez
Born and raised in Miami, Monique blends her Cuban-American roots with fearless, insightful comedy that resonates across cultures. Seen on Comedy Central, Showtime, and HBO, she’s also a celebrated writer and radio voice. Her 2024 DryBar special became the channel’s #1 release, amassing over 52 million views and reaching audiences worldwide. With her signature mix of humor and heart, Monique delivers a performance that leaves audiences laughing, thinking, and inspired. 52 million laughs can’t be wrong – see Monique live!
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’60s Girl Groups, Part II
Class Schedule: April 23, 28, & 30, 2026 | 7:30 – 9:00 PM
The early 1960s began the girl group renaissance, with prominent Brill Building songwriters and emerging producers such as Phil Spector crafting hits. Motown would further set the template, with Martha and the Vandellas, the Velvettes, and the Marvelettes inspiring even British Invasion groups. Perhaps no one defined the girl group aesthetic like the Supremes, one of the most successful (and influential) acts of the 1960s.
As the next decade loomed, the girl group genre was not as prominent on the charts. Yet the Honey Cone, the Emotions, the Three Degrees, and LaBelle added a thoroughly modern spin on the girl group sound, adding elements of disco and funk. The Pointer Sisters would achieve even greater success in the late 1970s and 1980s, with the 1990s bringing a new wave of groups such as En Vogue, the Spice Girls, and SWV. The trend continues today with an international flair, as the hugely popular K-Pop genre has redrawn the blueprint with artists such as Blackpink and Twice. Part two travels through these eras, exploring why the girl group genre continues to thrive. Multimedia presentations and discussions will help define how girl groups changed music and pop culture.
Zoom Link will be provided upon registration.
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’60s Girl Groups, Part I
Class Schedule: January 22, 27, & 29, 2026 | 7:30 – 9:00 PM
The 1960s may be remembered for the British Invasion, soul, and the birth of the Beatles and art rock. However, the early-to-mid 1960s is also known for its “girl groups,” trios or quartets singing Brill Building compositions and other pop. Motown also perfected the girl group formula, with the Supremes reigning as one of the most successful and influential acts of the 1960s. Indeed, the girl group tradition continues today with Fifth Harmony, Blackpink, and many others. However, the genre’s roots extend back even further, to the 1960s.
Part one of the “Girl Groups” course will trace the beginnings of these acts, with the 1920s and 1930s producing singers such as the Andrews Sisters and the Boswell Sisters. By the 1950s the McGuire Sisters and the Chordettes picked up the baton, lending a pop sheen to an otherwise jazz-dominated genre. The early 1960s kicked off the genre’s peak, with UK and US acts such as the Vernons Girls, the Shirelles, and the Shangri-Las scoring hits on the charts. Perhaps no one defined the early girl group era like Phil Spector, who produced such groups as the Ronettes and the Crystals. The course will explore these roots and the earliest girl group successes through multimedia presentations and discussion.
Zoom Link will be provided upon registration.
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Disco Inferno!, Part II
Class Schedule: December 11, 16, & 18, 2025 | 7:30 – 9:00 PM
By the late 1970s, disco dominated the airwaves and conquered film, television, advertising, and fashion. Its ubiquity, however, led to an inevitable backlash in the form of Chicago’s infamous “Disco Demolition Night” event at Comiskey Park. Did that signal the end of the genre? Hardly—it merely changed labels, transforming its sound and becoming “House” or “Electronic Dance Music (EDM).” In the present day, artists such as Dua Lipa, Beyoncé, and Sabrina Carpenter have incorporated the sound into their own music.
Part two of Disco Inferno continues the journey through the history of disco, moving from the late 1970s peak into House music and through the present day. How did disco evolve through the 1970s? How did the genre alter music and popular culture? Why has the music endured? All of these questions will be explored through multimedia presentations and class discussions. Students will learn about the peak of disco and its longevity, key artists, and how the genre evolved into House and EDM.
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History of Motown Records
Class Schedule: November 6, 13, & 20, 2025 | 7:30 – 9:00 PM
In Detroit in the 1960’s Motown Records produced hits as efficiently as the Ford Motor Company produced automobiles. It was the “Sound of Young America” conceived by Berry Gordy J and sung by performers like The Supremes, The Temptations, Marvin Gaye and Stevie Wonder. Using audio and visual content, we’ll trace the amazing musical journey from the power soul of “Dancing in The Streets” and “I Heard It Through the Grapevine” to the psychedelic soul of “What’s Going On” and “Papa Was A Rollin’ Stone” to the pop soul of The Jackson 5. Timeless music that moved us then and moves us now.
Zoom Link will be provided upon registration.
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Marc Cohn & Shawn Colvin Together Onstage
Get ready for a special night of incredible music as Grammy winners Marc Cohn and Shawn Colvin take the stage together at Pollak Theatre.
Colvin brings her signature blend of sharp wit, emotional depth, and lyrical elegance to songs that unfold with grace, humor, and vulnerability. Her music, filled with clever turns of phrase and slow-burning catharsis, invites listeners into deeply personal yet universal experiences.
Cohn, known for his timeless hit “Walking in Memphis,” combines the precision of a brilliant tunesmith with the soul of a true troubadour. With a voice rich in feeling and stories drawn from life and love, he captures moments both poignant and joyful, leaving a lasting emotional imprint.
Experience the songs you love— and the stories behind them— in one extraordinary night of music.
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The Fifth Step
The Fifth Step
by David Ireland | directed by Finn den HertogOlivier Award-winner Jack Lowden (Slow Horses, Dunkirk) is joined by Emmy and BAFTA-winner Martin Freeman (The Hobbit, The Responder) in the critically acclaimed and subversively funny new play by David Ireland.
After years in the 12-step programme of Alcoholics Anonymous, James becomes a sponsor to newcomer Luka. The pair bond over black coffee, trade stories and build a fragile friendship out of their shared experiences. But as Luka approaches step five – the moment of confession – dangerous truths emerge, threatening the trust on which both of their recoveries depend.
Finn den Hertog directs the provocative and entertaining production filmed live from @sohoplace on London’s West End.
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Mrs. Warren’s Profession
Mrs. Warren’s Profession
by Bernard Shaw | directed by Dominic CookeFive-time Olivier Award winner Imelda Staunton (The Crown) joins forces with her real-life daughter Bessie Carter (Bridgerton) for the very first time, playing mother and daughter in Bernard Shaw’s incendiary moral classic.
Vivie Warren is a woman ahead of her time. Her mother, however, is a product of that old patriarchal order. Exploiting it has earned Mrs. Warren a fortune – but at what cost?
Filmed live from the West End, this new production reunites Staunton with director Dominic Cooke (Follies, Good), exploring the clash between morality and independence, traditions and progress.