Featuring the work of Monmouth University graduating seniors who will receive their degrees in Graphic and Interactive Design.
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POSTPONED – Second Senior Show: Graphic and Interactive Design
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Virtual Exhibition – She Persisted: Julia Dzikiewicz
Please join artist Julia Dzikiewicz for a virtual exhibition of her powerful and engaging artwork. Each week Julia will release a new video of a featured piece in the exhibit. Check back each week for a new piece!
Suffrage Cat, encaustic mixed media, 60”x 60”, 2020
Border Crisis, encaustic mixed media with lights, 60”x 60”
Sandy Hook,” 60″x60″ ,encaustic mixed media with lights, 2019
Ida B. Wells, 60”x60”, encaustic mixed media, 2016
The Story of the Ham, 60”x60”, encaustic mixed media, 2012
“Old Film, New Film,” 60″x60″, encaustic mixed media, 2016
“Suffragist and Zombies,” encaustic mixed media, 60″ x 60″
“Charlottesville,” encaustic mixed media, 60″x90,” 2019
“Women’s March 2017″, 60″x96,” encaustic with crystals and lights, 2017
“Wendy and Hillary”, 60”x60”, encaustic with crystals
Malala and Maria”, 60″ x 60″ encaustic (with crystals and vintage glass beads)
Election 2016, 60”x60”,Encaustic with Swarovski crystals, encaustic printed paper, and electric lights, 2017
Me Too, 60”x60”, Mixed media encaustic with lights, 2018
Overtly political, deeply emotional, and subtly humorous, Julia Dzikiewicz weaves feminist parables into immense encaustic wax paintings. Monumental like an altarpiece, they inflame the spirit; illuminated like a tapestry, they give shape to immortal stories. Yet, Dzikiewicz’s work refuses a singular order. Using ancient wax techniques to explore present-day topics, Dzikiewicz is unflinching. She strikes hot, skewering the heart of the difficult issues she addresses, including themes of violence, racism, and misogyny. As a resident of the Workhouse Arts Center, the grief and triumph of the once imprisoned Suffragists serve as the inspiration for her contemporary tales of women who fight for change or the issues that inspire modern activists.
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Karen Bright: Throughline
Karen Bright: Throughline is an exhibition spanning 40 years of visual work by Karen Bright, Professor from the Department of Art and Design. Bright’s environmentally focused themes serve as the main thread over the 30 year span with consistent narratives on global warming, and climate change. Additional themes in Bright’s work relate to the MeToo movement, prevalent social and cultural issues, and current politics—all rendered as sculptures and paintings using encaustic-based materials.
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The Smithereens with Guest Vocalist Marshall Crenshaw
“The Smithereens roared into the breach. They are one of those rare bands who produce great-sounding recordings… and sound even greater live.” -Kevin Coughlon
Special guest vocalist Marshall Crenshaw will be joining Jim Babjak, Dennis Diken and Mike Mesaros of The Smithereens.
Known for their catchy 1960s-influenced power pop that inspired countless alternative rockers, The Smithereens gained popularity with “11” the album that spawned college campus favorites “A Girl Like You”, “Blood and Roses” & “Blue Period”. In April of 2011 Smithereens released “2011” their first album of new material in 12 years. Produced by Don Dixon (who helmed “Especially For You”, the group’s breakout debut), the seminal New Jersey rockers picked up right where they left off: with irresistibly catchy hooks and rapturously fuzzed-out guitars. Now they’re back on the road with their catalog of classic hits as well as new favorites. Following the sad passing of lead vocalist Pat DiNizio in 2017, original members Jim Babjak (guitar & vocals), Dennis Diken (drums & percussion) and Mike Mesaros on bass guitar carry on the Smithereens legacy.
Over the course of a recording career that’s spanned three decades, 13 albums and hundreds of songs, Marshall Crenshaw’s musical output has maintained a consistently high level of artistry, craftsmanship and passion, endearing him to a broad and loyal fan base. After getting an early break playing John Lennon in a touring company of the Broadway musical Beatlemania, Crenshaw began his recording career with the now-legendary indie single “Something’s Gonna Happen.” The Eighties saw Marshall hit the charts again with “Someday, Someway,” “Cynical Girl,” “Whenever You’re On My Mind,” “Maryanne,” “You’re My Favorite Waste of Time” and more compositions covered by artists including Ronnie Spector, Gin Blossoms and Bette Midler. Crenshaw is recognized as one of the era’s preeminent rock ’ n’ rollers, confirmed by such subsequent albums as Field Day, Downtown, Mary Jean & 9 Others, Good Evening, Life’s Too Short, Miracle of Science, #447, What’s in the Bag? and Jaggedland.
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POSTPONED – My Mother’s Italian, My Father’s Jewish & I’m In Therapy!
Starring the author and Broadway star of the show, Steve Solomon. This show has now become one of the longest running one-man comedies in history! The show just celebrated its four thousandth performance.
In My Mother’s Italian, My Father’s Jewish & I’m in Therapy! – using dialects, accents and sound effect, Steve brings to the stage dozens of wild characters we all relate to; all brought to life by Steve’s comedy magic. His four shows have had audiences in three countries guffawing since 2003. Almost one million people have seen his shows. The audience follows along on this wonderfully funny journey about growing up, mixed marriages, ex-wives, dogs, cats, dieting, and dozens of other side-splitting situations we can all relate to.
You don’t have to be Italian or Jewish to love Steve Solomon — all you need to know is what it’s like to leave a family dinner with heartburn and a headache. Prepare to laugh until you cry as Steve brings to life over twenty wacky characters in a show that’s one part lasagna, one part kreplach and two parts Prozac.
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Collective Unconscious: Artist Talk with Amanda Stojanov
Amanda Stojanov is an artist, educator, and activist. Her work explores storytelling through multi-tech platforms including VR, immersive audio/visual projection, animation, and others. She has worked with design teams in large design studios, independent agencies, and non-profit organizations, and she continues to work as a freelance art director and designer. Stojanov is a member/co-founder at voidLab and co-founder of voidLab’s panel series DECENTRALIZING THE WEB (projects.dma.ucla.edu/voidlab), which cultivates critical evaluations of online presence through an intersectional feminist lens. It aims to untangle the psycho-social implications of identity politics on the global web, examining the embedded biases driving dominant modes of representation in digital spaces.
Stojanov has exhibited her work in California, Budapest, and Linz. She is currently an Assistant Professor of Interactive Digital Media in Monmouth University’s Department of Communication. Previously she worked as an educator at Art Center College of Design, UCLA, and Loyola Marymount University.
Stojanov’s work can be seen at: https://amandastojanov.com/
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CANCELLED – Mr. Ray
Mr. RAY brings flavor and funk in his interactive children’s show for ages 2-6. Children around New Jersey continue to grow up with his original favorites like Ellie the Elephant, ROY G BIV and Boo Boos Go Away as well as rockin’ renditions of primary school and adult favorites. From Bob Marley’s Three Little Birds to Woody Guthrie’s classic This Land is Your Land, expect kids to dance, clap, and wiggle about. mr. RAY’s show engages kids’ minds and bodies leaving them inspired to be kind to everyone, to create and dream, and to stay healthy and active.
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POSTPONED – Edda Glass and Max Hatt
Max Hatt / Edda Glass have “an incomparable spook” (Nashville Scene) and “a unique sound” (Larry Groce, NPR), comprised of Glass’s unmistakable voice and Hatt’s lyrical guitar. Originally based in Montana, their award-winning original music and unique interpretations of American and Brazilian standards have taken them all the way to New York City’s Lincoln Center, DC’s Kennedy Center, NPR Mountain Stage, Sundance Film Fest and Wilco’s Solid Sound Festival. Praised for her “impeccable vocal command” (PopMatters) and compared to a gamut of singers from Astrud Gilberto to Billie Holiday, Glass’s voice is ultimately “one of a kind…you cannot confuse her with another artist” (New York Theatre Guide). Hatt’s equally distinctive guitar work combines the harmonic innovations of jazz with the melodic resonance of folk, creating music that’s “subtly poignant, elegantly funky, and haunting without trying to be” (Nels Cline, Wilco). Together, Max Hatt / Edda Glass evoke a world that stretches from the beaches of Rio de Janeiro to the prairies of the American west, telling stories of little people on great plains, and leaving audiences with a feeling both light and deep.
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Cherish the Ladies
Cherish The Ladies are a Grammy Award nominated Irish-American super group that formed in 1985 to celebrate the rise of extraordinary women in what had been a male-dominated Celtic music scene. They’ve brought their signature blend of virtuosic instrumental talents, beautiful vocals, and stunning step dancing to the White House, the Olympics, and to PBS with their television special, An Irish Homecoming, which recently received an Emmy Award.
Now in their 35th year as a band, their new album, Heart of the Home, embraces the gift of music passed down from generations. As their reputation and admiration from both fans and critics alike continues to grow, Cherish The Ladies blazes forward into another decade of music making.
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Black Like Me: An Exploration of the Word N—–
Black Like Me: An Exploration of the Word N—– is a multidisciplinary work that explores the reverb of a single word in a global community. It considers the effects of the word n—– , all its permutations, its history, and its casual use in Hip Hop culture. In collaboration with two of America’s leading Black media-design technologists and local activists, it asks if it is possible to redefine a word that was intended to belittle a people. Black Like Me combines physical, verbal, visual and sonic language to tell five narratives and perspectives in a unique way.
Jade Solomon Curtis is a dance artist and choreographer who integrates classical and African-American vernacular movements with mixed-media and Hip Hop culture. Through the lens of a contemporary black woman, Curtis’ works ponder tradition and reinvention, social justice, social constructs as well as intuition and logic–often resulting in the subversion of an idea. She is the founder of Solo Magic, a non-profit arts initiative collaborating with innovative artists to create socially relevant performances. She is a 2018 Artist Trust Fellow and a 2017 University of South Carolina Inaugural Visiting Fellow. Curtis was an artist-in-residence at SLIPPAGE Lab at Duke University this March. She is also the subject of an Emmy Award-winning short film, Jade Solomon Curtis, directed by Ralph Bevins.
Some of the content in this performance may not be appropriate for young children.
The presentation of Black Like Me: An Exploration of the Word N—– was made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Charitable Foundation and The Andrew W. Mellon Foundation.
