Events

James Levine returns to one of his signature Wagner works conducting this epic comedy—back at the Met for the first time in eight years—about a group of Renaissance “master singers” whose song contest unites a city.

This event WILL be held as scheduled. With the 70th anniversary of the end of World War II coming up on May 8, 2015, Monmouth University is pleased to present five films on the life-and-death decisions that people made in the invaded countries to survive in the war, defend their homeland and beliefs, and protect their families. “In the Fog” is about the Western frontiers of the USSR, 1942. The region is under German occupation.

With Tchaikovsky’s famous, lyrical score, Swan Lake depicts the tragic love between Princess Odette and Prince Siegfried, and will no doubt be performed to perfection by the unparalleled virtuosity of Russia’s great Bolshoi Ballet. This universal and enchanting masterpiece of love, deception and drama is a must.

Throughout his long and distinguished career David Lindley has performed music that redefines the word “eclectic.” He founded and lead the first world music rock band, the Kaleidoscope, has collaborated with artists such as Jackson Browne, Henry Kaiser and Ry Cooder and is leader of his own band El Rayo-X, that integrates American roots music and world beat with a heavy reggae influence. Lindley has been one of Hollywood’s most in demand session musicians playing with Bob Dylan, Rod Stewart, Linda Ronstadt, Crosby and Nash, Warren Zevon, and many others. His live performances incorporate an incredible array of stringed instruments into a unique concert experience. John Hammond, Jr. is one of a handful of white blues musicians who was on the scene at the beginning of the first blues renaissance of the mid-’60s. A Grammy winner whose 50-year career has seen successful collaborations with the likes of Tom Waits, Dr. John, Duane Allman, Robbie Robertson, and G. Love and who once boasted both Eric Clapton and Jimi Hendrix in his band; Hammond does justice to classic blues by combining powerful guitar and harmonica playing with expressive vocals and a dignified stage presence.

The magnetic tenor Vittorio Grigolo takes on the tortured poet and unwitting adventurer of the title of Offenbach’s operatic masterpiece, in the Met’s wild, kaleidoscopic production.