Had there been a planetarium in 19th-century Galicia, or a kosher deli in Depression-era Kentucky, Andy Statman’s music might have been playing in the background. Meandering through time, geography and culture in a few passionate, organic gusts of music, neither the man nor his inimitable hybrid sound has a very clearly defined “before” or “after.” Statman, one of his generation’s premier mandolinists and clarinetists, thinks of his compositions as “a spontaneous, American-roots form of very personal, prayerful Hasidic music, by way of avant-garde jazz.” Presented by the Jewish Cultural Studies Program at Monmouth University.