Monmouth University brings Henrik Ibsen’s scandalous 19th century masterpiece into the modern era. A Doll’s House follows a vibrant but sheltered housewife as she navigates a world in which women have no autonomy. As events spiral beyond her control, Nora’s journey of self awareness builds toward one of the most controversial endings in theatrical history. Directed by Sheri Anderson.
Monmouth University brings Henrik Ibsen’s scandalous 19th century masterpiece into the modern era. A Doll’s House follows a vibrant but sheltered housewife as she navigates a world in which women have no autonomy. As events spiral beyond her control, Nora’s journey of self awareness builds toward one of the most controversial endings in theatrical history. Directed by Sheri Anderson.
Monmouth University brings Henrik Ibsen’s scandalous 19th century masterpiece into the modern era. A Doll’s House follows a vibrant but sheltered housewife as she navigates a world in which women have no autonomy. As events spiral beyond her control, Nora’s journey of self awareness builds toward one of the most controversial endings in theatrical history. Directed by Sheri Anderson.
Monmouth University brings Henrik Ibsen’s scandalous 19th century masterpiece into the modern era. A Doll’s House follows a vibrant but sheltered housewife as she navigates a world in which women have no autonomy. As events spiral beyond her control, Nora’s journey of self awareness builds toward one of the most controversial endings in theatrical history. Directed by Sheri Anderson.
Monmouth University brings Henrik Ibsen’s scandalous 19th century masterpiece into the modern era. A Doll’s House follows a vibrant but sheltered housewife as she navigates a world in which women have no autonomy. As events spiral beyond her control, Nora’s journey of self awareness builds toward one of the most controversial endings in theatrical history. Directed by Sheri Anderson.
Monmouth University brings Henrik Ibsen’s scandalous 19th century masterpiece into the modern era. A Doll’s House follows a vibrant but sheltered housewife as she navigates a world in which women have no autonomy. As events spiral beyond her control, Nora’s journey of self awareness builds toward one of the most controversial endings in theatrical history. Directed by Sheri Anderson.
by James Graham
directed by Jeremy Herrin
inspired by the documentary by Morgan Neville and Robert Gordon
David Harewood (Homeland) and Zachary Quinto (Star Trek) play feuding political rivals in James Graham’s (Sherwood) multiple award-winning new drama.
In 1968 America, as two men fight to become the next president, all eyes are on the battle between two others: the cunningly conservative William F. Buckley Jr., and the unruly liberal Gore Vidal.
During a new nightly television format, they debate the moral landscape of a shattered nation. As beliefs are challenged and slurs slung, a new frontier in American politics is opening and television news is about to be transformed forever.
Jeremy Herrin (All My Sons) directs this blistering political thriller, filmed live in London’s West End.
Dinty W. Moore is a celebrated American essayist and a pioneering, early practitioner of creative nonfiction. He received the Grub Street National Book Prize for Non-Fiction for his memoir, Between Panic and Desire, in 2008 and, more recently, is also the author of the memoir To Hell With It: Of Sin and Sex, Chicken Wings, and Dante’s Entirely Ridiculous, Needlessly Guilt-Inducing Inferno, the writing guides The Story Cure, Crafting the Personal Essay, and The Mindful Writer, and many other books and edited anthologies.
Curator Victoria Reis, Founder & Artistic Director of Transformer Arts Organization, will highlight innovative contemporary platforms artists and arts organizations have initiated nationally to develop, create, and present art. Showcasing a range of visual art practices, including performative, experiential, social, and pedagogical, Do You Know Where Your Art Comes From? investigates current and future models of art organizing.
Transformer is a Washington DC based arts organization that develops multi-faceted exhibition and program platforms to advance emerging contemporary artists & arts practices.
Victoria Reis is a curator, writer, and arts organizer who has been actively supporting contemporary visual artists and arts organizations within local, national, and international contexts since 1991.
In 2002, Reis co-founded Transformer, an internationally recognized non-profit visual arts organization based in Washington, DC. Since 2006, Reis has been leading Transformer as its Executive & Artistic Director, curating and presenting substantial exhibitions and programs in support of emerging artists, innovative cultural production, and new & best practices within contemporary visual art. Reis has established comprehensive cultural partnerships & collaborations with an extensive range of arts, educational, and diplomatic organizations and institutions. She has launched and advanced the careers of several hundred artists.
In May 2017, Reis expanded Transformer’s programming to include Siren Arts, an Asbury Park, NJ based summer residency program for emerging visual artists working within the performance art discipline. Siren Arts will be presenting its 7th season of programming summer 2023. Reis is a Founding Member of Common Field, a national network of art spaces and artist-led initiatives. She has been a member of ArtTable since 2000. In 2018, she joined the Board of Directors of Monmouth Arts, a non-profit arts organization supporting artists and arts organizations throughout Monmouth County, NJ.
Feminist theatre/performance studies scholar and artist Dr. Tessa Carr will give an artist talk about her experiences directing plays and developing devised performances with college students and in communities using a feminist ethics of care.
Artist Talk: Monday, March 20, 2023, 4:30-5:30 SC 202B
Tessa Carr serves as Associate Professor of Theatre and Artistic Director of Mosaic Theatre Company at Auburn University in Auburn, Alabama. She earned her Ph.D. from the University of Texas at Austin in Communication Studies with an emphasis in Performance Studies and a portfolio in Women’s and Gender Studies. Her research focuses on devised performance in practice and theory, autobiographical performance, feminist performance strategies and performance as pedagogy. She is currently co-authoring a manuscript with Dr. Deanna Shoemaker about collaborative performance as a social justice communicative intervention. She writes, directs, and facilitates performance throughout the year in the mainstage season at Auburn University and with Mosaic Theatre Company.
