Tickets on sale Friday, September 27 at noon to the general public.
Last season’s smash hit A BRONX TALE starring Chazz Palminteri is returning! Academy Award® nominated actor Chazz Palminteri returns to the stage in an unforgettable performance after a successful run on Broadway, where it was praised by the critics and adored by the public. In A Bronx Tale, the celebrated one man show on which he based the legendary movie, Palminteri vividly depicts a young boy’s rough childhood in the 1960s-era Bronx and the unforgettable people he encountered. A classic coming-of-age story reaching ones true potential and trusting one’s heart, A Bronx Tale is directed by four-time Tony Award® winner Jerry Zaks.
Bronx-born and raised Chazz Palminteri was a natural choice to continue the long line of prominent Italian actors in the film industry. In the tradition set forth in the 1970s by such icons as director Martin Scorsese and actors Robert DeNiro, Al Pacino and Joe Pesci, Palminteri has brought grit, muscle and an evocative realism to the sidewalks of his New York neighborhood, violent as they are and were.Born in 1952, Palmintieri grew up in a tough area of the Bronx and it gave young Calogero (Palminteri’s given first name) the life lessons that would later prove very useful to his career. He started out pursuing his craft in studying at the Actor’s Studio with Lee Straussberg. He appeared off-Broadway in the early 1980s while paying his dues as a singer in his own band.
Well known for A BRONX TALE, Palminteri originally wrote the script for the stage and performed it as a one-man show in Los Angeles. It became the hottest property in Hollywood since ROCKY. Mr. Palminteri was offered over a million dollars to walk away from the project and with $200.00 left in the bank he refused. He wanted to play Sonny and write the screenplay. One night Robert DeNiro walked in to see the show and as they say ”the rest is history.” He then moved the production to New York, where it played for four sold-out months and earned him nominations for the New York Outer Critics Circle for both acting and writing. While in New York he completed the screenplay of A BRONX TALE and soon found himself starring opposite Robert DeNiro, who chose the script for his directorial debut. Most recently A Bronx Tale was on Broadway at the Longacre Theater where is finished a successful run and Mr. Palminteri finished closing out the show in the role of Sonny.
Chazz has more than 50 movies to his credit including The Usual Suspects, Bullets Over Broadway (Academy Award nomination), Analyze This, Hurlyburly, Mulholland Falls, Faithful (screenplay also written by Chazz Palminteri), Poolhall Junkies, The Perez Family, Jade, Diabolique, Down to Earth and A Guide to Recognizing Your Saints. Recent films include Final Recourse, Mighty Fine starring Andie MacDowell, Yonkers Joe, Jolene and The Dukes. He has also directed the HBO series “Oz” (episode, “Unnatural Disasters”), Showtime’s “Women vs.Men” and the feature film Noel, starring Susan Sarandon, Penelope Cruz, Robin Williams and Paul Walker. He appeared on the New York stage in the play The Resistible Rise of Arturo Ui starring with Al Pacino, John Goodman, Steve Buscemi and Billy Crudup. Chazz is a member of the Actors Studio in NYC.
The three-day Woodstock music festival in 1969 was the pivotal event of the 1960s peace movement, and this landmark concert film is the definitive record of that milestone of rock & roll history. It’s more than a chronicle of the hippie movement, however; this is a film of genuine historical and social importance, capturing the spirit of America in transition, when the Vietnam War was at its peak and antiwar protest was fully expressed through the liberating music of the time. With a brilliant crew at his disposal (including a young editor named Martin Scorsese), director Michael Wadleigh worked with over 300 hours of footage to create his original 225-minute director’s cut, which was cut by 40 minutes for the film’s release in 1970.
The film deservedly won the Academy Award for Best Documentary, and it’s still a stunning achievement. Abundant footage taken among the massive crowd (“half a million strong”) expresses the human heart of the event, from skinny-dipping hippies to accidental overdoses, to unpredictable weather, midconcert childbirth, and the thoughtful (or just plain rambling) reflections of the festive participants. Then, of course, there is the music–a nonstop parade of rock & roll from the greatest performers of the period, including Crosby, Stills, and Nash, Canned Heat, The Who, Richie Havens, Joan Baez, Ten Years After, Sly & The Family Stone, Santana, and many more. Watching this ambitious film, as the saying goes, is the next best thing to being there–it’s a time-travel journey to that once-in-a-lifetime event.
This three-part lecture-demonstration focuses on Jimi Hendrix and his contemporaries. Told through photographs and guitar technique demonstrations Jimy Bleu focuses on Hendrix’ rise to super-stardom, his tremendous impact on Popular and ‘serious music’, his indefinable musical style, his virtually unknown potential as a spiritual leader and his political awakening which coincided with the turbulent times of that era in the United States. Bleu’s research, documentation and musical illustrations stand alone in presenting the most comprehensive and at times unheard viewpoints and topics about this remarkable musician. Learn why almost 50 years after his death the iconic Jimi Hendrix is still incredibly relevant and named “The Greatest Guitarist of All Time”!
Leonard J. Eisenberg tells the story of Jimi Hendrix through photos taken by him at three concerts in the 1960’s and recently published in his book “Photographing Jimi Hendrix.” In 1968 Leonard was three feet away from the guitar god at The Boston Garden allowing him an unprecedented point of view. His photos of Hendrix at Woodstock have been seen around the world and photos from The Carousel in Framingham, MA are renowned. Hear the stories of how these amazing images came to be.
Join Elliott Landy, official Woodstock 1969 photographer as he presents a journey highlighting Jimi Hendrix, iconic photos of Woodstock and the events and personalities of the historic late 1960’s era while telling the behind the scenes stories captured by his camera lens. His instantly recognizable photographs of Jimi Hendrix, Janis Joplin, The Band, Bob Dylan, Van Morrison, pre Vietnam protests and legendary performers still resonate with audiences today.
Singer-songwriter Colin Hay is most beloved for his intimate, confessional live shows but most widely known for being an influential and celebrated frontman of Men at Work, responsible for penning several pop hits of the early ’80s including (The Land) Down Under and Who Can it Be Now. After Men At Work, Hay embarked on a solo career, debuting in 1987 with Looking For Jack and continued to release critically acclaimed solo material throughout the 2000’s, Hay contributed I Just Don’t Think I’ll Ever Get Over You to the soundtrack of Garden State and has had roles in other cult movies and television shows. In 2017, Hay recorded and released his 13th solo album, Fierce Mercy.
“The Smithereens roared into the breach. They are one of those rare bands who produce great-sounding recordings… and sound even greater live.” -Kevin Coughlon
Special guest vocalist Marshall Crenshaw will be joining Jim Babjak, Dennis Diken and Mike Mesaros of The Smithereens.
Known for their catchy 1960s-influenced power pop that inspired countless alternative rockers, The Smithereens gained popularity with “11” the album that spawned college campus favorites “A Girl Like You”, “Blood and Roses” & “Blue Period”. In April of 2011 Smithereens released “2011” their first album of new material in 12 years. Produced by Don Dixon (who helmed “Especially For You”, the group’s breakout debut), the seminal New Jersey rockers picked up right where they left off: with irresistibly catchy hooks and rapturously fuzzed-out guitars. Now they’re back on the road with their catalog of classic hits as well as new favorites. Following the sad passing of lead vocalist Pat DiNizio in 2017, original members Jim Babjak (guitar & vocals), Dennis Diken (drums & percussion) and Mike Mesaros on bass guitar carry on the Smithereens legacy.
Over the course of a recording career that’s spanned three decades, 13 albums and hundreds of songs, Marshall Crenshaw’s musical output has maintained a consistently high level of artistry, craftsmanship and passion, endearing him to a broad and loyal fan base. After getting an early break playing John Lennon in a touring company of the Broadway musical Beatlemania, Crenshaw began his recording career with the now-legendary indie single “Something’s Gonna Happen.” The Eighties saw Marshall hit the charts again with “Someday, Someway,” “Cynical Girl,” “Whenever You’re On My Mind,” “Maryanne,” “You’re My Favorite Waste of Time” and more compositions covered by artists including Ronnie Spector, Gin Blossoms and Bette Midler. Crenshaw is recognized as one of the era’s preeminent rock ’ n’ rollers, confirmed by such subsequent albums as Field Day, Downtown, Mary Jean & 9 Others, Good Evening, Life’s Too Short, Miracle of Science, #447, What’s in the Bag? and Jaggedland.
Starring the author and Broadway star of the show, Steve Solomon. This show has now become one of the longest running one-man comedies in history! The show just celebrated its four thousandth performance.
In My Mother’s Italian, My Father’s Jewish & I’m in Therapy! – using dialects, accents and sound effect, Steve brings to the stage dozens of wild characters we all relate to; all brought to life by Steve’s comedy magic. His four shows have had audiences in three countries guffawing since 2003. Almost one million people have seen his shows. The audience follows along on this wonderfully funny journey about growing up, mixed marriages, ex-wives, dogs, cats, dieting, and dozens of other side-splitting situations we can all relate to.
You don’t have to be Italian or Jewish to love Steve Solomon — all you need to know is what it’s like to leave a family dinner with heartburn and a headache. Prepare to laugh until you cry as Steve brings to life over twenty wacky characters in a show that’s one part lasagna, one part kreplach and two parts Prozac.
Max Hatt / Edda Glass’s award-winning original music and unique interpretations of American and Brazilian standards have “an incomparable spook” (Nashville Scene) and “a unique sound” (NPR). Telling stories of little people on great plains, the duo evokes a world that stretches from the beaches of Rio de Janeiro to the prairies of the American west, leaving audiences with a feeling both light and deep. As heard on NPR Mountain Stage, NYC’s Lincoln Center, DC’s Kennedy Center, and Wilco’s Solid Sound Festival.
Max Hatt / Edda Glass’s award-winning original music and unique interpretations has “an incomparable spook” (Nashville Scene) and “a unique sound” (NPR). As heard on NPR Mountain Stage, NYC’s Lincoln Center, DC’s Kennedy Center, and Wilco’s Solid Sound Festival.
Max Hatt / Edda Glass have “an incomparable spook” (Nashville Scene) and “a unique sound” (Larry Groce, NPR), comprised of Glass’s unmistakable voice and Hatt’s lyrical guitar. Originally based in Montana, their award-winning original music and unique interpretations of American and Brazilian standards have taken them all the way to New York City’s Lincoln Center, DC’s Kennedy Center, NPR Mountain Stage, Sundance Film Fest and Wilco’s Solid Sound Festival. Praised for her “impeccable vocal command” (PopMatters) and compared to a gamut of singers from Astrud Gilberto to Billie Holiday, Glass’s voice is ultimately “one of a kind…you cannot confuse her with another artist” (New York Theatre Guide). Hatt’s equally distinctive guitar work combines the harmonic innovations of jazz with the melodic resonance of folk, creating music that’s “subtly poignant, elegantly funky, and haunting without trying to be” (Nels Cline, Wilco). Together, Max Hatt / Edda Glass evoke a world that stretches from the beaches of Rio de Janeiro to the prairies of the American west, telling stories of little people on great plains, and leaving audiences with a feeling both light and deep.
Cherish The Ladies are a Grammy Award nominated Irish-American super group that formed in 1985 to celebrate the rise of extraordinary women in what had been a male-dominated Celtic music scene. They’ve brought their signature blend of virtuosic instrumental talents, beautiful vocals, and stunning step dancing to the White House, the Olympics, and to PBS with their television special, An Irish Homecoming, which recently received an Emmy Award.
Now in their 35th year as a band, their new album, Heart of the Home, embraces the gift of music passed down from generations. As their reputation and admiration from both fans and critics alike continues to grow, Cherish The Ladies blazes forward into another decade of music making.
Black Like Me: An Exploration of the Word Nigger is a multidisciplinary work that explores the reverb of a single word in a global community. It considers the effects of the word nigger, all its permutations, its history, and its casual use in Hip Hop culture. In collaboration with two of America’s leading Black media-design technologists and local activists, it asks if it is possible to redefine a word that was intended to belittle a people. Black Like Me combines physical, verbal, visual and sonic language to tell five narratives and perspectives in a unique way.
Jade Solomon Curtis is a dance artist and choreographer who integrates classical and African-American vernacular movements with mixed-media and Hip Hop culture. Through the lens of a contemporary black woman, Curtis’ works ponder tradition and reinvention, social justice, social constructs as well as intuition and logic–often resulting in the subversion of an idea. She is the founder of Solo Magic, a non-profit arts initiative collaborating with innovative artists to create socially relevant performances. She is a 2018 Artist Trust Fellow and a 2017 University of South Carolina Inaugural Visiting Fellow. Curtis was an artist-in-residence at SLIPPAGE Lab at Duke University this March. She is also the subject of an Emmy Award-winning short film, Jade Solomon Curtis, directed by Ralph Bevins.
The presentation of Black Like Me: An Exploration of the Word Nigger was made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Charitable Foundation and The Andrew W. Mellon Foundation.
This event is sold out, but if you would like to be put on the waitlist please call the box office at 732.263.6889.
An annual holiday tradition, Father Alphonse Stephenson and the Orchestra of Saint Peter by the Sea return for their 29th concert of carols and
seasonal favorites. Conductor Father Alphonse Stephenson, who is a Brigadier General in the US Air National Guard, holds a honorary doctorate of music from Monmouth University and was the music director for the 1980’s Broadway run of A Chorus Line, provides humorous and personal anecdotes amidst a program of holiday classics and carols performed flawlessly by his 42-piece orchestra and distinguished vocalists.