Location: Wilson Hall
Katie Ford is the author of Deposition, Colosseum, and the forthcoming Blood Lyrics (Graywolf Press, 2014). Ford is the recipient of a Lannan Literary Fellowship and the Larry Levis Prize. Colosseum was named among the “Best Books of 2008” by Publishers Weekly and the Virginia Quarterly Review. Her poems have appeared in The New Yorker, Poetry, The Paris Review, The American Poetry Review, Ploughshares, and many other journals. She teaches at Franklin & Marshall College and lives in Philadelphia with her husband, the novelist Josh Emmons, and their young daughter.
Jan Beatty’s fourth full-length book, The Switching/Yard, was published by the University of Pittsburgh Press in February, 2013. A limited edition chapbook, Ravage, was published by Lefty Blondie Press in 2012. Other books include Red Sugar, finalist for the 2009 Paterson Poetry Prize; Boneshaker, finalist, Milton Kessler Award; Mad River, Agnes Lynch Starrett Prize—all published by the University of Pittsburgh Press. Her chapbook, Ravenous, won the 1995 State Street Prize.
Other awards include the $15,000 Creative Achievement Award in Literature from the Heinz Foundation, the Pablo Neruda Prize for Poetry, Discovery/The Nation Prize finalist, and two fellowships from the Pennsylvania Council on the Arts. Individual poems have appeared in journals such as TriQuarterly, Gulf Coast, Court Green, and Best American Poetry 2013. Her poetry has appeared in anthologies published by Autumn House Press, Coffee House Press, Houghton Mifflin, Oxford University Press, University of Illinois Press, Kent State University Press, and the University of Iowa Press. Beatty’s work has earned writing fellowships at the Santa Fe Arts Institute; the MacDowell Colony; Ragdale; the Montana Artist Refuge; Jentel, Wyoming; Ucross, Wyoming; Hedgebrook, Washington; Whooping Crane Trust, James L. Grahl Research Center; and Leighton Studios at Banff, Alberta, Canada. Her essays on writing have appeared in anthologies by Autumn House Press, Creative Nonfiction, and The State University of New York Press. She has read her work widely, at venues such as the Los Angeles Times Book Festival, the Geraldine R. Dodge Festival, Split This Rock Poetry Festival, Sarah Lawrence College, and the KGB Bar in New York City.
Beatty worked as a waitress for fifteen years, and as a welfare caseworker, an abortion counselor, and a social worker and teacher in maximum-security prisons. She is the managing editor of MadBooks, a small press that has published a series of books and chapbooks by women writers. For the past twenty years, Beatty has hosted and produced Prosody, a public radio show on NPR affiliate WESA-FM featuring the work of national writers. She has lectured in writing workshops across the country, and has taught at the university level for over twenty years at the University of Pittsburgh, Carnegie Mellon University, and Carlow. Beatty directs the creative writing program at Carlow University, where she runs the Madwomen in the Attic writing workshops and teaches in the MFA program.
Anna Journey is the author of the poetry collections Vulgar Remedies (Louisiana State University Press, 2013) and If Birds Gather Your Hair for Nesting (University of Georgia Press, 2009), which was selected by Thomas Lux for the National Poetry Series. Her poems have appeared in American Poetry Review, The Best American Poetry, FIELD, The Kenyon Review, The Southern Review, and elsewhere. Her creative nonfiction appears or is forthcoming in At Length, Better, The Southern Review, and elsewhere. She’s received fellowships in poetry from Yaddo and the National Endowment for the Arts, and she teaches creative writing in Pacific University’s Master of Fine Arts in Writing program.
Location: Wilson Auditorium
Location: Pollak Theatre
President Obama’s Inaugural Poet, Richard Blanco was made in Cuba, assembled in Spain, and imported to the United States—meaning his mother, 7 months pregnant, and the rest of the family arrived as exiles from Cuba to Madrid where he was born. Only 45 days later, the family emigrated once more and settled in Miami. His acclaimed first book of poetry, City of a Hundred Fires, explores the yearnings and negotiation of cultural identity as a Cuban- American, and received the Agnes Starrett Poetry Prize. His second book, Directions to The Beach of the Dead, won the Beyond Margins Award from the PEN American Center for its continued exploration of the universal themes of cultural identity and homecoming.
Louise Glück is one of America’s finest contemporary poets. Winner of the Pulitzer Prize, Glück is a former Poet Laureate of the United States and the author of a dozen widely acclaimed books. Stephen Dobyns, writing in the New York Times Book Review, said “no American poet writes better than Louise Glück, perhaps none can lead us so deeply into our own nature.” Pulitzer Prize winner Robert Hass has called her “one of the purest and most accomplished lyric poets now writing.”
Location: Wilson Auditorium
Willis Barnstone was born in Lewiston, Maine, and educated at Bowdoin, Columbia, and Yale. He taught in Greece at the end of the civil war (1949-51), in Buenos Aires during the Dirty War, and during the Cultural Revolution went to China, where he was later a Fulbright Professor of American Literature at Beijing Foreign Studies University (1984-1985). His publications include Modern European Poetry (Bantam, 1967), The Other Bible (HarperCollins, 1984) The Secret Reader: 501 Sonnets (New England, 1996), a memoir biography With Borges on an Ordinary Evening in Buenos Aires (Illinois, 1993), and To Touch the Sky (New Directions, 1999). His literary translation of the New Testament The New Covenant: The Four Gospels and Apocalypse was published by Riverhead Books in 2002. Most recently, he has published two more collections of translations: The Complete Poems of Sappho and The Restored New Testament: A New Translation with Commentary, Including the Gnostic Gospels Thomas, Mary, and Judas. A Guggenheim Fellow and Pulitzer Prize finalist in poetry, Barnstone is Distinguished Professor at Indiana University.
Aliki Barnstone is a poet, translator, critic, and editor. Her books of poems are Blue Earth (Iris, 2004), Wild With It (Sheep Meadow, 2002), a National Books Critics Circle Notable Book, Madly in Love (Carnegie-Mellon, 1997), Windows in Providence (Curbstone, 1981), and The Real Tin Flower (which was introduced by Anne Sexton and was published by Macmillan in 1968, when she was twelve years old). Her translation, The Collected Poems of C.P. Cavafy came out with W.W. Norton in 2006. In 2007, Changing Rapture: Emily Dickinson’s Poetic Development appeared with University Press of New England. She has two books of poems forthcoming: Dr. God, Dear Dr. Heartbreak: New and Selected Poems (the Sheep Meadow Press) and Bright Body (White Pine Press). Barnstone spent the fall of 2006 in Greece as a Senior Fulbright Scholar. Her project was to write a sequence of poems in the voice of an imaginary poet, Eva Victoria Perera, a Sephardic Jew from Thessaloniki, who survives the Holocaust. She is Professor of English in the Creative Writing Program at the University of Missouri, Columbia.
Tony Barnstone is The Albert Upton Professor of English Language and Literature at Whittier College and holds a Masters in English and Creative Writing and Ph.D. in English Literature from U.C. Berkeley. He has won fellowships and poetry awards from the National Endowment for the Arts, the California Arts Council, the Pushcart Prize, the Paumanok Poetry Award, the Randall Jarrell Poetry Prize, The Sow’s Ear Poetry Contest, the Milton Dorfman Poetry Prize, the National Poetry Competition (Chester H. Jones Foundation), the Pablo Neruda Prize in Poetry, the Cecil Hemley Award, and the Poetry Society of America. In 2006 he won the Benjamin Saltman Award in Poetry for his manuscript The Golem of Los Angeles, which was published by Red Hen Press in 2007. He won the John Ciardi Prize in Poetry in 2008 for Tongue of War and won the grand prize in the Strokestown International Poetry Festival, in Strokestown, Ireland, in 2008.
His first book of poetry, Impure, a finalist for the Walt Whitman Prize of the Academy of American Poets, the National Poetry Series Prize, and other national literary competitions, appeared with the University Press of Florida in June of 1999. He is also the author of a chapbook of poems, Naked Magic. His second book of poems, Sad Jazz: Sonnets appeared in 2005 with Sheep Meadow Press. His most recent book of poems, The Golem of Los Angeles, won the Benjamin Saltman Award in Poetry and was published in late 2007 by Red Hen Press. His new project is Pulp Sonnets, a collection of poems based upon classic pulp fiction, comic books, and horror, film noir and sci-fi movies.
A remarkable young writer, Matthew Dickman won the APR/Honnickman First Book Prize for All-American Poem (2008), chosen by Tony Hoagland and published by Copper Canyon Press. A book of great hopefulness, gratitude, and praise, it plumbs the ecstatic nature of daily life, where pop culture and sacred longing go hand in hand. The work is expansive and intimate, rushing forth like a river, with a fluid unstoppable energy. Matthew Lippman praises it thus: “The language is a music, and one has to understand that when you jump into the poems they will take you places you could have never imagined.” Dorianne Laux says his poems are “Ravenous for life, for love, for forgiveness.”
His poems have appeared in a wide range of publications, including The New Yorker and Tin House. He has received fellowships for his work from the Michener Center for Writers, the Vermont Studio Centers, and the Fine Arts Work Center in Provincetown. Matthew has been profiled in Poets & Writers and The New Yorker; with his twin brother, poet Michael Dickman. He lives in Portland, Oregon.
Michael Dickman began writing poems “after accidentally reading a Neruda ode.” His first collection is The End of the West (2009) from Copper Canyon Press. A brilliant debut, his poetry breathes in the entire world, it’s delights, cruelty, boredom, and griefs, and breathes out a prayer, one that holds both grace and suffering, equally, lightly. “There is only this world and this world // What a relief / created // over and over.” Franz Wright calls him a young poetic genius with a “style like no one else’s” and elucidates, “With the utmost gravity as well as a kind of cosmic wit, Michael Dickman’s poems give a voice to the real life sorrows, horrors, and indomitable joys which bind together the vast human family.”
Tóibín was born in Ireland in 1955. He is the author of six novels including The Blackwater Lightship and The Master, both shortlisted for the Man Booker Prize, and the winner of a Los Angeles Times Book Prize. His nonfiction includes The Sign of the Cross and Love in a Dark Time. He writes frequently for such publications as the London Review of Books and the New York Review of Books. He was a fellow at the Center for Scholars and Writers at New York Public Library, and has taught at Stanford, Princeton, and American universities, as well as the New School, in the United States. His books have been translated into eighteen languages.
Nicole Cooley grew up in New Orleans, Louisiana. Her new book of poems, Breach, about Hurricane Katrina and its aftermath, will be published by Louisiana State University Press in March 2010. Her first book of poetry, Resurrection, won the 1995 Walt Whitman Award and was published by LSU Press in 1996. Her second book of poetry, The Afflicted Girls, about the Salem witch trials of 1692, came out with LSU Press in April 2004 and was chosen as one of the best poetry books of the year by Library Journal. She also published a novel Judy Garland, Ginger Love, with Regan Books/Harper Collins (1998). She has received a Discovery/The Nation Award, a National Endowment for the Arts Grant and the Emily Dickinson Award from the Poetry Society of America.
Her poems have appeared in The Nation, Poetry, Missouri Review, Pleaides, and Mississippi Review, among other magazines. She is an associate professor of English and Creative Writing at Queens College—City University of New York where she directs the new MFA program in creative writing and literary translation.
Part of the South-Central-Eastern Europe: Legacies and Identities Project
Born and raised in Romania, Mihaela Moscaliuc came to the United States in 1996 to complete graduate work in American literature. She received an M.A. from Salisbury University, an M.F.A. in poetry from New England College, and a Ph.D. in American Literature from the University of Maryland. Her poetry collection, Father Dirt (winner of the Kinereth Gensler Award) appeared from Alice James Books in 2010, and her co-translation of Carmelia Leonte’s Death Searches for You a Second Time was published by Red Dragonfly Press in 2003. She has lectured on Eastern European American immigration literature, Roma/Gypsy culture, and translation theory at universities in the US and in Europe. Her translations of Romanian poetry appear in Arts & Letters, Mississippi Review, Connecticut Review, America, Absinthe,and Mid-American Review. She has published poems, reviews, and articles in The Georgia Review, Prairie Schooner, TriQuarterly, New Letters, Poetry International,Pleiades, Interculturality and Translation, Soundings, and Orient and Orientalisms in American Poetry and Poetics (Frankfurt: Lang, 2009).