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    300 Level Courses

AR 311 - Drawing 3

Seeing the figure, objects, and the environment; exploring all possible avenues of expression resulting from the experience of seeing; drawing experiences in various media. Six hours per week. Prerequisites: AR-113, AR-114, AR-191 and AR-192.

AR 313 - Lighting Techniques

A studio course that explores the photograph in contemporary art. Photography's integral tie to light serves as the backbone of this course as it investigates the alternative and contemporary spaces used by photographic artists. Digital and analog tools and skills blur as students are encouraged to experiment and challenge their ideas of what defines a photograph. Teaches studio lighting as it applies to fine art and commercial photography. Includes technical instruction in the lighting studio as well as on location with both portable lights and natural light. Defined by critiques and continues technical and conceptual advancement. Prerequisites: AR-183, and AR-253 or AR-374.

AR 323 - Documentary Photography and Video

By investigating documentary-style photography and video this course concentrates on using images to tell stories. Working both independently and in small groups producing documentary photography and video, students explore the role of documentary photography and video in society. Prerequisite: AR-181.

AR 325 - Writing Supplement for Art and Design

The writing component for co-registered studio classes which integrates a fifteen-page research paper. Emphasis is placed on the quality of writing and research. Prerequisites: EN-101 and EN-102 or permission of the instructor. Corequisite: A 200-, 300-, or 400-level studio course.

AR 326 - Writing Supplement for Art and Design

The writing component for co-registered studio classes which integrates a fifteen-page research paper. Emphasis is placed on the quality of writing and research. Prerequisites: EN-101 and EN-102 or permission of the instructor. Corequisite: A 200-, 300-, or 400-level studio course.

AR 335 - BFA Internship/Seminar

Internship experience with the development of occupational or professional competence in the career setting. Combines both internship work experience at an approved work location with a structured seminar class. The seminar component of this course will also guide students through the process of resume writing, interviewing techniques, and best business practice. On-site design or animation work internship (fifteen to twenty hours per week for a total of 150 hours) plus four, three hour seminar sessions with faculty. This course may be repeated once for credit. Prerequisites: AR-371 and AR-393.

AR 342 - History of New and Expanded Media in Art

A survey of computer-based new media and ephemeral expanded media in art with emphasis on the later twentieth century to the present. Topics could include the use of computing, robotics, biotech research, virtual reality, performance, and social practice in art while critically reflecting on the aesthetic, cultural, social, and political contexts within which these media emerged. Prerequisites: EN-101 and EN-102 or permission of the instructor.

AR 347 - History of Photography

A topically arranged survey of world photography, this course takes as its central concern the multiple purposes to which photography has been adapted since its "discovery" in the early nineteenth century. Although the relationship between photography and fine art is considered, the many non-art uses of the medium are also discussed in an attempt to better understand the cultural contexts in which photography has been employed. Prerequisites: EN-101 and EN-102, or permission of the instructor.

AR 349 - Asian Art Survey

Important Artistic Monuments from India, China and Japan. Since Buddhism is a connecting link for Asian cultures, emphasis is placed on Buddhist art. Prerequisites: EN-101 and EN-102 or permission of the instructor.

AR 351 - Methods of Teaching Art I

The history and philosophy of art education; the construction of art curricula and the exploration of teaching methods; media and tools appropriate for the educational level. Methods I deals with the needs of the elementary school child. The course includes research-based pedagogical strategies for teaching linguistically diverse students, those with diverse learning needs, incorporating instructional technology into the classroom and utilizing data to inform instruction. Clinical Hours required. Open to Art majors only. Also listed as ED-351. Prerequisites: AR-114, AR-116, and AR-192 and a minimum G.P.A. of 3.00.

AR 352 - Methods of Teaching Art II

The history and philosophy of art education; the construction of art curricula and the exploration of teaching methods; media and tools appropriate for the educational level. Methods II deals with the needs of the adolescent. The course includes research-based pedagogical strategies for teaching linguistically diverse students, those with diverse learning needs, incorporating instructional technology into the classroom and utilizing data to inform instruction. Clinical Hours required. Open to Art majors only. Also listed as ED-352.

AR 371 - Graphic Design Studio III

Marks the transition from graphic design fundamentals to more complex visual problem solving. Projects focus on corporate identity and branding, including client research, design briefs, creative exploration and implementation. Other projects include multi-page magazine and poster design. Professional preparation of work for commercial use is an integral part of this course. Prerequisites: AR-269 and AR-270.

AR 374 - Digital Imaging

Advanced concepts and creative techniques in digital imaging using Adobe Photoshop. Projects build on all previously learned software, specifically the Adobe Creative Suite. Assignments will include aspects of fine art and large format printing along with issues relating to the professional printing industry. Prerequisite: AR-273.

AR 381 - Print: Intaglio/Relief

Introduction to the printmaking techniques of relief printing; linocut, woodcut, and etching; hard and soft ground, and aquatint. Six hours per week. Department chair approval is required for non-art majors. Prerequisites: AR-191 and AR-192.

AR 383 - Web Design/Interactive I

An introduction to web design and production. Covers an overview of the creation of websites and the use of web graphics, web programming, and multimedia through web-based software programs. Fundamentals of graphic production, layout design, web typography, and the principles of Interaction Design and UX Design are discussed. Prerequisite: AR-253 or AR-374.

AR 386 - Principles of 3-D Animation

Students will learn the basic theories and principles of 3D computer animation and advances techniques of object building using Maya. Students will gain experience with basic animating, texturing, rendering, and constructing complex 3D objects in Maya. Prerequisite: AR-172 or AR-181.

AR 390 - Animation/Motion Graphics I

An introduction to the art of time-based, graphic storytelling. Emphasis will be placed on the creation of engaging digital environments through the thoughtful integration, manipulation and orchestration of audio, video, still and three-dimensional imagery. Prerequisite: AR-181 or AR-374.

AR 391 - Animation/Motion Graphics 2

Explores the commercial and experiential nature of motion graphics. Projects for this advanced course expand upon established time-based narrative structures for film, video and television. Emphasis is placed on a keen awareness of syntactic elements that constitute the grammar of motion (scale, position, color, and tempo), which sheds light upon how audiences interpret moving images. Study and application of literary theory provides a substantive framework from which to create and critique projects. Concept development through research, writing, storyboarding and editing are absolutely essential. Prerequisite: AR-390.

AR 393 - 3-D Animation Production

Concepts, tools and techniques employed in animated storytelling. Students will pre-visualize their projects through storyboarding, planning, and assembling shots in sequence. Students will learn how to combine sound with advanced 3D computer animation. Audio/visual synchronization as well as character lip syncing with phonemes will be explored. Students will construct complex 3D animated stories in Maya and complete a fully animated piece. Prerequisite: AR-387.

AR 399 - Independent Study in Art

Guided research - a studio project or art history topic. Weekly consultation. May be elected for a total of six credits.

AR ARHS003 - Early Renaissance Art & Society

ARH501 Refer to course description at Regent's University London.