{"id":40802289871,"date":"2025-08-06T15:51:53","date_gmt":"2025-08-06T19:51:53","guid":{"rendered":"https:\/\/www.monmouth.edu\/news\/?p=40802289871"},"modified":"2025-08-18T09:37:02","modified_gmt":"2025-08-18T13:37:02","slug":"prof-emerita-gac-artigas-publishes-in-literary-magazine-caratula","status":"publish","type":"post","link":"https:\/\/www.monmouth.edu\/news\/prof-emerita-gac-artigas-publishes-in-literary-magazine-caratula\/","title":{"rendered":"Prof. Emerita Gac-Artigas Publishes in Literary Magazine Car\u00e1tula"},"content":{"rendered":"\n<p>Priscilla Gac-Artigas, Ph.D., professor emerita in the Department of World Languages and Cultures, recently published an essay, \u201c<a href=\"https:\/\/www.caratula.net\/putinoika-de-giannina-braschi-colectficcion-y-poetica-de-la-descomposicion\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u2018Putinoika\u2019 de Giannina Braschi: colectficci\u00f3n y po\u00e9tica de la descomposici\u00f3n<\/a>\u201d (\u201c\u2018Putinoika\u2019 by Giannina Braschi: Collectfiction and the Poetics of Decomposition\u201d) in the literary magazine \u201c<a href=\"https:\/\/www.caratula.net\/\" target=\"_blank\" rel=\"noreferrer noopener\">Car\u00e1tula<\/a>,\u201d no 127, August 2025.<\/p>\n\n\n\n<p>In this critical essay, Gac-Artigas examines \u201cPutinoika\u201d (2024), the latest and most daring work by Puerto Rican writer Giannina Braschi, through the lens of collectfiction\u2014a literary concept Gac-Artigas herself coined to describe texts that transcend personal testimony to embody a collective voice. In \u201cPutinoika,\u201d the author contends, Braschi shifts from an individual \u201cI\u201d to a plural \u201cwe,\u201d constructing a poetics of resistance in which the reader is no longer a passive observer but an active participant in the reimagining of history, memory, and political agency.<\/p>\n\n\n\n<p>Gac-Artigas highlights how \u201cPutinoika\u201d disintegrates the boundaries of identity and genre: the poetic voice in the book morphs fluidly into dictators, victims, gods, beasts, and madmen, reflecting the chaos of contemporary global politics. Gac-Artigas argues that central figures like Vladimir Putin and Donald Trump are not simply caricatured but exposed as grotesque performances of authoritarianism and populism. Through irony, satire, and poetic excess, Braschi denounces the erosion of language and truth in an age of spectacle, disinformation, and militarized power.<\/p>\n\n\n\n<p>The essay emphasizes performative language, fragmented structure, and polyphonic narrative of &#8220;Putinoika&#8221;as key elements of collectfiction. Braschi invites the reader into an unsettling, immersive experience\u2014one that rejects neutrality and demands ethical engagement. Her writing, Gac-Artigas argues, is a kind of \u201ctheater of decomposition\u201d in which language, bodies, and ideologies collapse onstage, forcing the reader to confront the violence of the world not as an onlooker, but as a witness and co-creator.<\/p>\n\n\n\n<p>Finally, the article positions \u201cPutinoika\u201d as a paradigmatic example of poetic collectfiction, comparable in scope and ambition to \u201cY todos \u00e9ramos actores, un siglo de luz y sombra\u201d [\u201cAnd All of Us Were Actors, A Century of Light and Shadow\u201d] (2016) by Chilean author Gustavo Gac-Artigas. Like that earlier work, \u201cPutinoika\u201d breaks with traditional narrative and testimony, creating a collective voice from fragments, contradictions, and ruptures. In doing so, Braschi offers not a solution, but a radical invitation: to inhabit the void, to engage imagination where meaning collapses, and to reclaim the power to rewrite the outcomes of history.<\/p>\n\n\n\n\n","protected":false},"excerpt":{"rendered":"<p>Priscilla Gac-Artigas, Ph.D., professor emerita in the Department of World Languages and Cultures, recently published an essay, \u201c\u2018Putinoika\u2019 de Giannina Braschi: colectficci\u00f3n y po\u00e9tica de la descomposici\u00f3n\u201d (\u201c\u2018Putinoika\u2019 by Giannina Braschi: Collectfiction and the Poetics of Decomposition\u201d) in the literary magazine \u201cCar\u00e1tula,\u201d no 127, August 2025. In this critical essay, Gac-Artigas examines \u201cPutinoika\u201d (2024), the [&hellip;]<\/p>\n","protected":false},"author":633,"featured_media":40802266289,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[423],"tags":[],"person":[5845],"audience":[8],"school":[26,2023,239],"program":[],"class_list":["post-40802289871","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faculty-perspectives","person-patricia-gac-artigas","audience-faculty","school-school-of-humanities-and-social-sciences","school-spanish","school-foreign-language-studies"],"squareimage":{"id":40802284730,"rendered":"<img width=\"667\" height=\"667\" style=\"object-position: 47.605% 45.685%\" src=\"https:\/\/www.monmouth.edu\/news\/wp-content\/uploads\/sites\/16\/2024\/10\/Gac-Artigas-square.jpg\" class=\"attachment-full size-full\" alt=\"Prof. Emerita Gac-Artigas\" decoding=\"async\" loading=\"lazy\" srcset=\"https:\/\/www.monmouth.edu\/news\/wp-content\/uploads\/sites\/16\/2024\/10\/Gac-Artigas-square.jpg 667w, https:\/\/www.monmouth.edu\/news\/wp-content\/uploads\/sites\/16\/2024\/10\/Gac-Artigas-square-300x300.jpg 300w, https:\/\/www.monmouth.edu\/news\/wp-content\/uploads\/sites\/16\/2024\/10\/Gac-Artigas-square-150x150.jpg 150w, https:\/\/www.monmouth.edu\/news\/wp-content\/uploads\/sites\/16\/2024\/10\/Gac-Artigas-square-560x560.jpg 560w, https:\/\/www.monmouth.edu\/news\/wp-content\/uploads\/sites\/16\/2024\/10\/Gac-Artigas-square-280x280.jpg 280w, https:\/\/www.monmouth.edu\/news\/wp-content\/uploads\/sites\/16\/2024\/10\/Gac-Artigas-square-120x120.jpg 120w\" sizes=\"auto, (max-width: 667px) 100vw, 667px\" \/>","original":{"url":"https:\/\/www.monmouth.edu\/news\/wp-content\/uploads\/sites\/16\/2024\/10\/Gac-Artigas-square.jpg","width":667,"height":667}},"_links":{"self":[{"href":"https:\/\/www.monmouth.edu\/news\/wp-json\/wp\/v2\/posts\/40802289871","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.monmouth.edu\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.monmouth.edu\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.monmouth.edu\/news\/wp-json\/wp\/v2\/users\/633"}],"replies":[{"embeddable":true,"href":"https:\/\/www.monmouth.edu\/news\/wp-json\/wp\/v2\/comments?post=40802289871"}],"version-history":[{"count":6,"href":"https:\/\/www.monmouth.edu\/news\/wp-json\/wp\/v2\/posts\/40802289871\/revisions"}],"predecessor-version":[{"id":40802290044,"href":"https:\/\/www.monmouth.edu\/news\/wp-json\/wp\/v2\/posts\/40802289871\/revisions\/40802290044"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.monmouth.edu\/news\/wp-json\/wp\/v2\/media\/40802266289"}],"wp:attachment":[{"href":"https:\/\/www.monmouth.edu\/news\/wp-json\/wp\/v2\/media?parent=40802289871"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.monmouth.edu\/news\/wp-json\/wp\/v2\/categories?post=40802289871"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.monmouth.edu\/news\/wp-json\/wp\/v2\/tags?post=40802289871"},{"taxonomy":"person","embeddable":true,"href":"https:\/\/www.monmouth.edu\/news\/wp-json\/wp\/v2\/person?post=40802289871"},{"taxonomy":"audience","embeddable":true,"href":"https:\/\/www.monmouth.edu\/news\/wp-json\/wp\/v2\/audience?post=40802289871"},{"taxonomy":"school","embeddable":true,"href":"https:\/\/www.monmouth.edu\/news\/wp-json\/wp\/v2\/school?post=40802289871"},{"taxonomy":"program","embeddable":true,"href":"https:\/\/www.monmouth.edu\/news\/wp-json\/wp\/v2\/program?post=40802289871"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}