Karen Bright: Throughline is an exhibition spanning 40 years of visual work by Karen Bright, Professor from the Department of Art and Design. Bright’s environmentally focused themes serve as the main thread over the 30 year span with consistent narratives on global warming, and climate change. Additional themes in Bright’s work relate to the MeToo movement, prevalent social and cultural issues, and current politics—all rendered as sculptures and paintings using encaustic-based materials.
A Sense of Place in Contemporary Encaustic will be juried by renowned artist and teacher Lisa Pressman, curated by Karen Bright, Professor of Art and Design at Monmouth University, and guest curated by Oregon-based artist Kathleen Curtis Cosgrove. A national roster of artists were reviewed for this juried invitational. In the search for artists, the juror and curators sought out work that fit the theme of place, and also met the criteria for level of aesthetic and technical accomplishment using encaustic-based materials.
An exhibit of photographs by artist/photographer, Mike Frankel that capture many of the historic milestones in rock history including; the first ever appearance of Led Zeppelin in New York City and the Who's first New York City performance of Tommy, along with photographs from the stage at Woodstock. The images have been scanned and printed directly from the 35 mm transparencies. The finished 35 mm slides were composed and exposed with up to 10 images on one frame of film while the action never stopped. There are some compelling single image photographs in the exhibition, but the multiple image photographs vividly demonstrate the power and dynamism of the rock 'n' roll experience.
Anthony Minghella’s vividly cinematic staging returns to cinemas, featuring soprano Hui He in the devastating title role. Pier Giorgio Morandi conducts one of opera’s most beautiful and heartbreaking scores, with a cast that also includes tenor Piero Pretti as Pinkerton, baritone Paulo Szot as Sharpless, and mezzo-soprano Elizabeth DeShong as Suzuki.
Dance meets film meets virtual reality: Bridgman|Packer Dance will present Voyeur, their highly acclaimed work that received a 2017 New York Dance and Performance Award. Featuring choreographer/performers Art Bridgman and Myrna Packer’s innovative work in “Video Partnering”—the integration of live performance and video technology— Voyeur is inspired by artist Edward Hopper’s world of color, light, perspective, and under-the-surface eroticism. Fragmented moments of private lives are witnessed through windows and doorways. As the performers merge and collide with the video imagery, the presence of a seen or unseen viewer lies at the heart of Voyeur. Voyeur will be paired with other work from Bridgman|Packer Dance’s repertory.
Sondheim's game-changing musical is a sophisticated and honest look at modern adult relationships. From musical theatre's most renowned composer, Company is largely regarded as a trailblazer of the dark-comedy, modern-musical genre and the winner of seven Tony Awards, including Best Musical, Best Score, Best Lyrics and Best Book.