Karen Bright: Throughline is an exhibition spanning 40 years of visual work by Karen Bright, Professor from the Department of Art and Design. Bright’s environmentally focused themes serve as the main thread over the 30 year span with consistent narratives on global warming, and climate change. Additional themes in Bright’s work relate to the MeToo movement, prevalent social and cultural issues, and current politics—all rendered as sculptures and paintings using encaustic-based materials.
A Sense of Place in Contemporary Encaustic will be juried by renowned artist and teacher Lisa Pressman, curated by Karen Bright, Professor of Art and Design at Monmouth University, and guest curated by Oregon-based artist Kathleen Curtis Cosgrove. A national roster of artists were reviewed for this juried invitational. In the search for artists, the juror and curators sought out work that fit the theme of place, and also met the criteria for level of aesthetic and technical accomplishment using encaustic-based materials.
An exhibit of photographs by artist/photographer, Mike Frankel that capture many of the historic milestones in rock history including; the first ever appearance of Led Zeppelin in New York City and the Who's first New York City performance of Tommy, along with photographs from the stage at Woodstock. The images have been scanned and printed directly from the 35 mm transparencies. The finished 35 mm slides were composed and exposed with up to 10 images on one frame of film while the action never stopped. There are some compelling single image photographs in the exhibition, but the multiple image photographs vividly demonstrate the power and dynamism of the rock 'n' roll experience.
Concurrently primitive and futuristic, The Earth Harp incorporates sculpting, architecture and sound design, standing at the crossroads of music and art. The Earth Harp was built and developed by William Close, a New York native and alumni at the Art Institute of Chicago. William performs as part of The Earth Harp Collective – a team of musicians, dancers, aerialists and artists.
Amanda Stojanov is an artist, educator, and activist. Her work explores storytelling through multi-tech platforms including VR, immersive audio/visual projection, animation, and others. She has worked with design teams in large design studios, independent agencies, and non-profit organizations, and she continues to work as a freelance art director and designer. Stojanov is a member/co-founder at voidLab and co-founder of voidLab’s panel series DECENTRALIZING THE WEB (projects.dma.ucla.edu/voidlab), which cultivates critical evaluations of online presence through an intersectional feminist lens. It aims to untangle the psycho-social implications of identity politics on the global web, examining the embedded biases driving dominant modes of representation in digital spaces.