Karen Bright: Throughline is an exhibition spanning 40 years of visual work by Karen Bright, Professor from the Department of Art and Design. Bright’s environmentally focused themes serve as the main thread over the 30 year span with consistent narratives on global warming, and climate change. Additional themes in Bright’s work relate to the MeToo movement, prevalent social and cultural issues, and current politics—all rendered as sculptures and paintings using encaustic-based materials.
A Sense of Place in Contemporary Encaustic will be juried by renowned artist and teacher Lisa Pressman, curated by Karen Bright, Professor of Art and Design at Monmouth University, and guest curated by Oregon-based artist Kathleen Curtis Cosgrove. A national roster of artists were reviewed for this juried invitational. In the search for artists, the juror and curators sought out work that fit the theme of place, and also met the criteria for level of aesthetic and technical accomplishment using encaustic-based materials.
An exhibit of photographs by artist/photographer, Mike Frankel that capture many of the historic milestones in rock history including; the first ever appearance of Led Zeppelin in New York City and the Who's first New York City performance of Tommy, along with photographs from the stage at Woodstock. The images have been scanned and printed directly from the 35 mm transparencies. The finished 35 mm slides were composed and exposed with up to 10 images on one frame of film while the action never stopped. There are some compelling single image photographs in the exhibition, but the multiple image photographs vividly demonstrate the power and dynamism of the rock 'n' roll experience.
The story of a family and a company that changed the world, told in three parts on a single evening. Academy Award-winner Sam Mendes (Skyfall, The Ferryman) directs Simon Russell Beale, Adam Godley and Ben Miles who play the Lehman Brothers, their sons and grandsons. On a cold September morning in 1844 a young man from Bavaria stands on a New York dockside. Dreaming of a new life in the new world. He is joined by his two brothers and an American epic begins. 163 years later, the firm they establish – Lehman Brothers – spectacularly collapses into bankruptcy, and triggers the largest financial crisis in history. This critically acclaimed and five-time Olivier Award nominated play features stunning set design from Es Devlin (NT Live: Hamlet) and will be broadcast live from London’s West End as part of National Theatre Live’s 10th Birthday season.
Take a trip down memory lane an immerse yourself in the unforgettable, electrifying experience of seeing Jimi Hendrix in concert. Using wardrobe and set materials from the Hendrix tours of the 60s, this reproduction meticulously re-creates the look and sound of Jimi Hendrix’s most historic concerts. Truly, Kiss The Sky presents the world’s most historically accurate Jimi Hendrix tribute show.
This three-part lecture-demonstration focuses on Jimi Hendrix and his contemporaries. Told through photographs and guitar technique demonstrations Jimy Bleu focuses on Hendrix' rise to super-stardom, his tremendous impact on Popular and 'serious music', his indefinable musical style, his virtually unknown potential as a spiritual leader and his political awakening which coincided with the turbulent times of that era in the United States. Bleu's research, documentation and musical illustrations stand alone in presenting the most comprehensive and at times unheard viewpoints and topics about this remarkable musician. Learn why almost 50 years after his death the iconic Jimi Hendrix is still incredibly relevant and named “The Greatest Guitarist of All Time”!
The three-day Woodstock music festival in 1969 was the pivotal event of the 1960s peace movement, and this landmark concert film is the definitive record of that milestone of rock & roll history. It's more than a chronicle of the hippie movement, however; this is a film of genuine historical and social importance, capturing the spirit of America in transition, when the Vietnam War was at its peak and antiwar protest was fully expressed through the liberating music of the time. With a brilliant crew at his disposal (including a young editor named Martin Scorsese), director Michael Wadleigh worked with over 300 hours of footage to create his original 225-minute director's cut, which was cut by 40 minutes for the film's release in 1970.