Met Music Director Yannick Nézet-Séguin leads an accomplished ensemble in Poulenc’s devastating modern masterpiece of faith and martyrdom. Isabel Leonard is the young Blanche de La Force, opposite Met legend Karita Mattila as the First Prioress.
An exhibit of drawings on napkins and new works by Vincent DiMattio. DiMattio earned his MFA from Southern Illinois University and his BFA from Massachusetts College of Art. He joined Monmouth University’s faculty in 1968 where he served as the department chair for 13 years and as gallery director for more than 20 years. He has shown his work internationally in Madrid, Spain; San Juan, Puerto Rico and Pueblo, Mexico. He has also exhibited throughout the United States, and at both the Newark and Trenton Museums.
Voyage through the masterpieces and obsessions of the genius and founder of Impressionism, Claude Monet. An art-world disruptor at the turn of the 20th century whose obsession with capturing light and water broke all convention, Monet revolutionized Modern Art with his timeless masterpieces.
An in-depth, exclusive tour led by Monet scholars of the museums that house the largest collections of the prolific artist's lilies paintings including the Musée Marmottan Monet, the Orsay Museum, the world-famous panels at L'Orangerie and concluding with Monet's own house and gardens at Giverny, the site where his fascination for water lilies was born.
Academy Award®-winner Helen Mirren (The Queen), plays Queen Elizabeth II in the Tony Award®-winning production of The Audience. Captured live from London’s West End in 2013, the original broadcast returns to cinemas to mark National Theatre Live’s 10th birthday. For 60 years, Queen Elizabeth II has met with each of her 12 prime ministers in a private weekly meeting. This meeting is known as The Audience. No one knows what they discuss, not even their spouses. From the old warrior Winston Churchill, to Iron Lady Margaret Thatcher and finally David Cameron, the Queen advises her prime ministers on all matters both public and personal. Through these private audiences, we see glimpses of the woman behind the crown and witness the moments that shaped a monarch.
Carmen is as sensual and free-spirited as ever as she finds herself caught in a love triangle. The passionate one act ballet by Cuban choreographer Alberto Alonso, originally conceived for legendary Bolshoi prima ballerina Maya Plisetskaya, will captivate audiences alongside Petrushka, a new creation for the Bolshoi by contemporary choreographer Edward Clug. The double-bill event for cinemas encapsulates and showcases the soul of Russian Ballet.