Karen Bright: Throughline is an exhibition spanning 40 years of visual work by Karen Bright, Professor from the Department of Art and Design. Bright’s environmentally focused themes serve as the main thread over the 30 year span with consistent narratives on global warming, and climate change. Additional themes in Bright’s work relate to the MeToo movement, prevalent social and cultural issues, and current politics—all rendered as sculptures and paintings using encaustic-based materials.
An exhibit of photographs by artist/photographer, Mike Frankel that capture many of the historic milestones in rock history including; the first ever appearance of Led Zeppelin in New York City and the Who's first New York City performance of Tommy, along with photographs from the stage at Woodstock. The images have been scanned and printed directly from the 35 mm transparencies. The finished 35 mm slides were composed and exposed with up to 10 images on one frame of film while the action never stopped. There are some compelling single image photographs in the exhibition, but the multiple image photographs vividly demonstrate the power and dynamism of the rock 'n' roll experience.
A Sense of Place in Contemporary Encaustic will be juried by renowned artist and teacher Lisa Pressman, curated by Karen Bright, Professor of Art and Design at Monmouth University, and guest curated by Oregon-based artist Kathleen Curtis Cosgrove. A national roster of artists were reviewed for this juried invitational. In the search for artists, the juror and curators sought out work that fit the theme of place, and also met the criteria for level of aesthetic and technical accomplishment using encaustic-based materials.
Sondheim's game-changing musical is a sophisticated and honest look at modern adult relationships. From musical theatre's most renowned composer, Company is largely regarded as a trailblazer of the dark-comedy, modern-musical genre and the winner of seven Tony Awards, including Best Musical, Best Score, Best Lyrics and Best Book.
Taije Silverman is the author of Houses Are Fields, a book of poems published in 2009 by Louisiana University Press. Her Selected Poems of Giovanni Pascoli (translated from the Italian with Marina Della Putta Johnston) will be published by Princeton University Press in fall 2019. Recent poems and translations have been in The Best American Poetry 2017 and The Best American Poetry 2016, Harvard Review, The Nation, Agni, The Kenyon Review, and elsewhere. Her poems are forthcoming in The Gettysburg Review, Five Points, and The Georgia Review. She is the recipient of a 2017 Pushcart Prize, the 2016 Anne Halley Prize for best poem in The Massachusetts Review, a 2011 Fulbright Award, the 2010-11 W.K. Rose Fellowship from Vassar College, and residencies from the MacDowell Colony, Yaddo, and the Virginia Center for the Creative Arts. Houses Are Fields appeared in Italian translation in 2013 (Le Case Sono Campi, trans. Giorgia Pordenoni, Oedipus Edizioni). Silverman previously taught at the University of Bologna, where she was a Fulbright Scholar, and at Emory University, where she was the Creative Writing Fellow.
THE PRADO MUSEUM: A COLLECTION OF WONDERS celebrates the 200th anniversary of the storied Prado Museum -- one of the most-visited museums in the world. Hosted by Academy Award winner Jeremy Irons, this cinematic journey offers viewers a spell-binding experience, telling the story of Spain and beyond, through the works of Vélazquez, Rubens, Titian, Mantegna, Bosch, Goya, El Greco, and more.