By Tennessee Williams
Directed by Benedict Andrews
Tennessee Williams’ twentieth century masterpiece
Cat on a Hot Tin Roof
played a strictly limited season in London’s West End in 2017. Following his smash hit production of
A Streetcar Named Desire,
Benedict Andrews’ ‘thrilling revival’ (New York Times) stars Sienna Miller alongside, Jack O’Connell and Colm Meaney.
On a steamy night in Mississippi, a Southern family gather at their cotton plantation to celebrate Big Daddy’s birthday. The scorching heat is almost as oppressive as the lies they tell. Brick and Maggie dance round the secrets and sexual tensions that threaten to destroy their marriage. With the future of the family at stake, which version of the truth is real – and which will win out?
“A bold reimagining…innovative and powerfully acted”
“A brilliant, lacerating account of the play… unforgettable”
“Miller and O’Connell get to a raw and naked truth”
Shakespeare’s most intense and terrifying tragedy, directed by Rufus Norris (The Threepenny Opera, London Road), will see Rory Kinnear (Young Marx, Othello) and Anne-Marie Duff (Oil, Suffragette) return to the National Theatre to play Macbeth and Lady Macbeth.
The ruined aftermath of a bloody civil war. Ruthlessly fighting to survive, the Macbeths are propelled towards the crown by forces of elemental darkness.
Based on the acclaimed novel by Mark Haddon, adapted by Simon Stephens
‘A phenomenal combination of storytelling and spectacle’ (The Times)
‘Dazzlingly inventive’ (Evening Standard)
The Curious Incident of the Dog in the Night-time returns to selected international cinemas in 2018.
Captured live from the National Theatre in London, this critically acclaimed production directed by Marianne Elliot (Angels in America, War Horse) has astonished audiences around the world and has received seven Olivier and five Tony Awards®. Christopher, fifteen years old, stands beside Mrs Shears’ dead dog. It has been speared with a garden fork, it is seven minutes after midnight and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain, exceptional at maths while ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched and he distrusts strangers. But his detective work, forbidden by his father, takes him on a frightening journey that upturns his world.
Production photography by Manuel Harlan
by Polly Stenham (after Strindberg)
Vanessa Kirby (The Crown, NT Live: A Streetcar Named Desire) and Eric Kofi Abrefa (The Amen Corner) feature in the cast of this brand new production, directed by Carrie Cracknell (NT Live: The Deep Blue Sea) and broadcast live from the National Theatre to cinemas.
Wild and newly single, Julie throws a late night party. In the kitchen, Jean and Kristina clean up as the celebration heaves above them. Crossing the threshold, Julie initiates a power game with Jean – which rapidly descends into a savage fight for survival.
This new version of August Strinberg’s play Miss Julie, written by Polly Stenham, remains shocking and fiercely relevant in its new setting of contemporary London.
Show image photograph (Vanessa Kirby and Eric Kofi Abrefa) by Rosaline Shahnavaz
Please note that Julie will contain strobe lighting.’ If you’re able to, please could you place signage outside the screenings to let audiences know that there will be strobe lighting.
RUN TIME: 95 Minutes
By William Shakespeare
★★★★★ ‘Ian McKellen reigns supreme in this triumphant production.’ (Daily Telegraph)
Broadcast live from London’s West End, see Ian McKellen’s ‘extraordinarily moving portrayal’ (Independent) of King Lear in cinemas.
Chichester Festival Theatre’s production received five-star reviews for its sell-out run, and transfers to the West End for a limited season. Jonathan Munby directs this ‘nuanced and powerful’ (The Times) contemporary retelling of Shakespeare’s tender, violent, moving and shocking play.
Considered by many to be the greatest tragedy ever written, King Lear sees two ageing fathers – one a King, one his courtier – reject the children who truly love them. Their blindness unleashes a tornado of pitiless ambition and treachery, as family and state are plunged into a violent power struggle with bitter ends.
Show image photograph (Ian McKellen) by Andy Gotts
by Alan Bennett
Multi-award-winning drama The Madness of George III will be broadcast live to cinemas, in National Theatre Live’s first ever broadcast from Nottingham Playhouse.Written by one of Britain’s best-loved playwrights Alan Bennett (The History Boys, The Lady in the Van), this epic play was also adapted into a BAFTA Award-winning film following its premiere on stage in 1991.
The cast of this new production includes Olivier Award-winners Mark Gatiss (Sherlock, Wolf Hall, NT Live Coriolanus) in the title role, and Adrian Scarborough (Gavin and Stacey, Upstairs Downstairs, After the Dance).
It’s 1786 and King George III is the most powerful man in the world. But his behaviour is becoming increasingly erratic as he succumbs to fits of lunacy. With the King’s mind unravelling at a dramatic pace, ambitious politicians and the scheming Prince of Wales threaten to undermine the power of the Crown, and expose the fine line between a King and a man.
Show image photograph (Mark Gatiss) by Creative by Wren
by William Shakespeare
Broadcast live from the National Theatre, Ralph Fiennes and Sophie Okonedo play Shakespeare’s famous fated couple in his great tragedy of politics, passion and power.
Caesar and his assassins are dead. General Mark Antony now rules alongside his fellow defenders of Rome. But at the fringes of a war-torn empire the Egyptian Queen Cleopatra and Mark Antony have fallen fiercely in love. In a tragic fight between devotion and duty, obsession becomes a catalyst for war.
Director Simon Godwin returns to National Theatre Live screens with this hotly anticipated production, following broadcasts of Twelfth Night, Man and Superman and The Beaux’ Stratagem.
Show image photograph (Ralph Fiennes and Sophie Okonedo) by Jason Bell
I’m Not Running is an explosive new play by David Hare, premiering at the National Theatre and broadcast live to cinemas.
Pauline Gibson has spent her life as a doctor, the inspiring leader of a local health campaign. When she crosses paths with her old boyfriend, a stalwart loyalist in Labour Party politics, she’s faced with an agonising decision.
What’s involved in sacrificing your private life and your piece of mind for something more than a single issue? Does she dare?
Hare was recently described by The Washington Post as ‘the premiere political dramatist writing in English’. His other work includes Pravda and Skylight, broadcast by National Theatre Live in 2014.