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Collective Unconscious: Artist Talk with Amanda Stojanov

Amanda Stojanov is an artist, educator, and activist. Her work explores storytelling through multi-tech platforms including VR, immersive audio/visual projection, animation, and others. She has worked with design teams in large design studios, independent agencies, and non-profit organizations, and she continues to work as a freelance art director and designer. Stojanov is a member/co-founder at voidLab and co-founder of voidLab’s panel series DECENTRALIZING THE WEB (, which cultivates critical evaluations of online presence through an intersectional feminist lens. It aims to untangle the psycho-social implications of identity politics on the global web, examining the embedded biases driving dominant modes of representation in digital spaces.

Stojanov has exhibited her work in California, Budapest, and Linz. She is currently an Assistant Professor of Interactive Digital Media in Monmouth University’s Department of Communication. Previously she worked as an educator at Art Center College of Design, UCLA, and Loyola Marymount University.

Stojanov’s work can be seen at:

Strange Radio, Live! Listening to the Deep Connection: Lecture-Performance Transmission with Karen Werner

Strange Radio, Live! is an immersive lecture-performance in story and sound, part of an ongoing series of experimental radio narrowcasts and broadcasts about the stranger, nearness and distance, forced migration, displacement, home, and the intergenerational transmission of memory. Strange Radio’s point of departure is Holocaust postmemory in Vienna, Austria, a sonic portal for sensing experiences of strangers and strangeness in multiple unfolding contexts across the globe. Strange Radio, Live! weaves together personal documentary; disembodied voices and sounds separated from points of origin; fragile signals transmitted through radios and embodied reflections on memory, place, time, and radio—itself a strange medium. Postmemories bounce against histories, sometimes buried and inaudible, in new locations. Tuned into both utopian longings and wounds, Strange Radio is a fragile signal, a love song to radio as a medium, metaphor, and method of deep listening together.

Karen Werner is an award-winning radio artist, audio storyteller, and sociologist. Her audio pieces have been broadcast on community and public radio stations across Europe, North America, Australia, and Israel. They have also been part of numerous live events and art exhibitions. In 2017-2018, Werner created a series of public sound installations at Vienna’s MuseumsQuartier, including “Covenant of the Tongue” and “Zirkus,” which are sonic autoethnographies about Holocaust postmemory in Vienna. Her recent work is in live performance: sound installation meets documentary storytelling meets narrowcast radio transmission. Werner is a 2019 invited artist at the Kone Foundation’s Saari Residence in Finland and was a 2017-2018 Fellow of the Memorial Foundation for Jewish Culture. She received a Tending Space Fellowship from the Hemera Foundation from 2014-2016 for artists with a Buddhist practice.  She is on the faculty of the BFA in Socially Engaged Art Program at Goddard College in Vermont.

Werner’s work can be seen at:

New Stories for the Anthropocene: Artist Talk with Elizabeth Demaray

Elizabeth Demaray is an artist who focuses on the interface between the built and the natural environment. In this vein, she builds listening stations for birds that play human music, cultures lichen on the sides of skyscrapers in New York City, and designs alternative forms of housing for land hermit crabs. These artworks often involve the concept of a biotope, which is a small environment where human and non-human populations overlap.

While in residence at Monmouth University, Demaray will present these projects and will lead a workshop on non-anthropocentric design. She will also be pairing with the campus to create a community-based project that embraces the idea of “trans-species giving.” According to Demaray, the concept of trans-species giving asserts that the commonalities between life forms are such that we may actually be able to give other organisms a “hand up,” notwithstanding our own cultural or species-specific assumptions about the natural world.

Demaray is the recipient of the National Studio Award from the New York Museum of Modern Art/P.S.1 Contemporary Art Center and the New York Foundation for the Arts Fellowship in Sculpture, and was the featured artist at the 2014 Association of Environmental Science Studies symposium, Welcome to the Anthropocene. She lives and works in Brooklyn, New York, and is an associate professor of fine arts and head of the sculpture concentration at Rutgers University, Camden. On the Rutgers, New Brunswick, campus, she is a work group advisor in the Department of Aerospace and Mechanical Engineering and an advisor at The Art and Artificial Intelligence Laboratory at Rutgers University, in the Department of Computer Science, which is dedicated to supporting artistic practice in the fields of computer vision and machine learning.

Demaray’s work can be seen at:

Queer Longings: A Performative Lecture on Anna Elizabeth Dickinson’s Failed Theatrical Career

Location: Lauren K. Woods Theatre

In this work in progress, solo performer Elizabeth Whitney explores the career of Anna Elizabeth Dickinson–a provocative abolitionist and suffragist who enjoyed national fame on the lyceum circuit, was shunned by critics as a playwright and actor in late 1800s New York City, and eventually institutionalized.  This new project uses Dickinson’s championed form of the lecture as performance to look at themes of madness, failure, and obscurity in the life of a queer artist.

Dr. Whitney will lead a performance workshop Thurs. 9/26 11:30 a.m. to 12:45 p.m. in Plangere 235.

Art Now: R. Luke Dubois

Location: Pollak Theatre

R. Luke DuBois is a composer, artist, and performer who explores the temporal, verbal, and visual structures of cultural and personal ephemera. He holds a doctorate in music composition from Columbia University, and has lectured and taught worldwide on interactive sound and video performance. He has collaborated on interactive performance, installation, and music production work with many artists and organizations including Toni Dove, Todd Reynolds, Jamie Jewett, Bora Yoon, Michael Joaquin Grey, Matthew Ritchie, Elliott Sharp, Michael Gordon, Maya Lin, Bang on a Can, Engine 27, Harvestworks, and LEMUR, and was the director of the Princeton Laptop Orchestra for its 2007 season.

Stemming from his investigations of “time-lapse phonography,” his work is a sonic and encyclopedic relative to time-lapse photography. Just as a long camera exposure fuses motion into a single image, his projects reveal the average sonority, visual language, and vocabulary in music, film, text, or cultural information. Exhibitions of his work include the Insitut Valencià d’Art Modern, Spain; 2008 Democratic National Convention, Denver; Weisman Art Museum, Minneapolis; San Jose Museum of Art; National Constitution Center, Philadelphia; Cleveland Museum of Contemporary Art, Daelim Contemporary Art Museum, Seoul; 2007 Sundance Film Festival; the Sydney Film Festival; the Smithsonian American Art Museum; and PROSPECT.2 New Orleans. His work and writing has appeared in print and online in The New York Times, National Geographic, and Esquire Magazine.

An active visual and musical collaborator, DuBois is the co-author of Jitter, a software suite for the real-time manipulation of matrix data developed by San Francisco-based software company Cycling’74. He appears on nearly twenty-five albums both individually and as part of the avant-garde electronic group The Freight Elevator Quartet. He currently performs as part of Bioluminescence, a duo with vocalist Lesley Flanigan that explores the modality of the human voice, and in Fair Use, a trio with Zach Layton and Matthew Ostrowski that looks at our accelerating culture through electronic performance and remixing of cinema.

Watch an interview with the artist here

Art Now: Jennifer Levonian – Stop Motion Painter

Jennifer Levonian creates animations and paintings in Philadelphia, PA. Her work has been screened and exhibited across the United States, including at the Philadelphia Museum of Art; the National Museum for Women in the Arts and the National Portrait Gallery, Washington, D.C. In 2009, she was awarded a Pew Fellowship in the Arts. In addition to delivering an artist lecture and screening a few of her short films, Jennifer will lead a workshop on stop motion animation.

More info at



directed by Donna M. Nudd

CO-SPONSORS OF EVENT: Disabilities Awareness Month Committee, The
Department of Communication, CommWorks: Students Committed to
Performance, Office of Student Activities

DESCRIPTION OF SHOW: Not quite blind as a bat, but definitely deaf as
a doornail, Terry Galloway is the modern medical accident who’s asking
tough questions about disability, queerness, performance, and more in
Out All Night and Lost My Shoes, one of the foundational texts in the
history of disability performance. It’s one hour of pure, energetic
theater that mixes poetry, storytelling, stand- up, New Vaudeville and
plain old corny vaudeville in a charged, moving celebration of life –
hers and that of all oddballs.

Artist bios:

Terry Galloway (writer/performer) is a little “d” deaf, queer writer
and performer. She gained a reputation for playing comic male roles on
stage (and off) as a performer and Research Associate of the University
of Texas’ alternative Shakespeare Festival, Shakespeare at Winedale; and
at Esther’s Follies, the longest running musical comedy theater in the
Southwest, of which she was a founding member. In New York she wrote and
performed mixed drag cabarets and one woman shows for venues as diverse
as American Place Theater to W.O.W. Cafe. Her plays and performance
pieces, including Heart of a Dog, Out All Night and Lost My Shoes, Lardo
Weeping and In the House of the Moles, have since been produced around
the world in venues ranging from the Xteresa in Mexico City and the Zap
Club in Brighton, England.

Her writing life has been as varied as her performing life and she has
published dozens of articles, poems, personal essays and monologues in
magazines, books, and journals including Texas Monthly, the Austin
Chronicle, The American Voice, Cast Out: Queer Lives in Theater,
Sleepaway: Writers on Summer Camp and With Wings, an anthology of
writing by women with disabilities. Her memoir, Mean Little Deaf Queer,
was published by Beacon Press in 2009.

Donna Marie Nudd (Director/Dramaturge) is a Professor in the
Department of Communication at Florida State University. Her essays have
appeared in numerous academic journals and books. She has served as
director and dramaturge for Terry Galloway’s one-woman shows that were
produced in Edinburgh, London, New York, Toronto, Mexico City and
numerous alternative venues throughout the U.S. In 1987, Donna Marie
Nudd also co-founded an alternative theatre/media company, the Mickee
Faust Club, with Terry Galloway in Tallahassee, Florida. The Club’s most
recent work is a compilation of comic disability-themed video shorts
called Mickee Faust’s Gimp Parade. In 2000, Nudd and Galloway jointly
received a lifetime achievement award, the “Leslie Irene Coger Award”
from the National Communication Association for their distinguished
record of work in performance.



Screening Artist talk

Tues. Nov. 30, 2010 at The ShowRoom in Asbury Park, 6:30 p.m.

Co-sponsored by The ShowRoom

DESCRIPTION OF WORK: Through the performative strategy of what they call formational interventions, Hillerbrand+Magsamen’s work interstices between art and cultural geography by exploring perceptions of language, identity, media, and family within a uniquely American subjectivities and created system.

ARTIST BIOS: The work of the collaborative artistic and curatorial team of Hillerbrand+Magsamen has been shown internationally in screenings and exhibitions including Ann Arbor Film Festival, Boston Underground Film Festival, LA Freewaves New Media Art Festival, Stuttgarter Filmwinter, the Aurora Picture Show, Chicago Underground Film Festival and the Dallas Video Festival, the Hudson River Museum, Boston Center for the Arts Mills Gallery, Light Factory Contemporary Museum of Photography and Film and the Dallas Contemporary.

They have been awarded the Lower Manhattan Cultural Council’s Residency in New York City, a residency at the Experimental Television Center and an Ohio Arts Council Individual Creativity Award. They have also received a Carol Crow Fellowship from the Houston Center for Photography and a Houston Arts Alliance Artist Grant.

They live and work in Houston TX where Mary Masgamen is the curator for the mirco-cinema The Aurora Picture Show and Stephan Hillerbrand teaches in the University of Houston Digital Media Program.

Shadow Puppies


Electronic Sounds Visions


DESCRIPTION OF WORK: Shadow Puppies is an internationally celebrated
cutting edge trio that conjures rich, complex, and entrancing worlds of
electronic sound and vision in real-time. Using electric guitars, an
arsenal of objects, electronics, homebrew computer software, and
original digital technologies, audiences experience an uninterrupted
journey through sonic eruptions, video hallucinations, and aggressive,
entrancing mediascapes.


Kurt Ralske’s work has been exhibited internationally, including at
the 2009 Venice Biennale, the Guggenheim Bilbao, and the Los Angeles
Museum of Contemporary Art. Kurt is the recipient of a Rockefeller
Foundation Media Arts Fellowship, and received First Prize at the
Transmediale International Media Art Festival in Berlin in 2003. Kurt
programmed and co-designed the 9-channel video installation that is
permanently in the lobby of the MoMA in NYC.

Hans Tammen has received a Fellowship from the New York Foundation of
the Arts (NYFA) and has recorded on labels such as Innova, ESP-DISK,
Nur/Nicht/Nur, Creative Sources, Leo Records, Potlatch, Cadence, and

Nick Didkovsky has received commissioning grants from The Mary
Flagler Cary Charitable Trust, Meet the Composer’s Commissioning/Music
USA, the Jerome Foundation, the Aaron Copland Fund and was awarded a New
York Foundation for the Arts Computer Arts Fellowship. He has performed
at the Whitney Museum of American Art and is the principle author of
the computer music language Java Music Specification Language (JMSL).


Artist Lecture & Dance/Video Demonstration

Benton-C Bainbridge and Brooke Broussard

Dancer/choreographer Brooke Broussard and video artist
Benton-C Bainbridge will present a lecture demonstration with a live
dancing element. Brooke and Benton most recently collaborated on
“Infinite Light,” a multi-media event in China that combined modern
dance performance with custom-designed media art. “Infinite Light”
blends dance and video projections in visual manifestations of
choreographed “flowers,” “trees” and even a “Big Bang.”

Artist bios:
Bainbridge, based in the Bronx and Nashville, works with video as a
painterly and performable medium. Bainbridge has presented video in
immersive environments, screenings, installations and live performances
across 5 continents, collaborating with artists around the world,
including The Beastie Boys.

Broussard is a native of Louisiana, where she began to
grow into modern dance. She has toured and performed her own
choreography extensively within the US and internationally.  Her work
incorporates neuroscience, emotional states, and inventive,
improvisational movement, culminating in groundbreaking multi-media
performance art. Collaborating with musicians, visual artists, and
advancing technologies, her visions venture away from the typical dance
performance into a new generation of tech savvy performance.

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