Through a vigorous and poetic hand, her work reflects on brutality and simultaneously pays homage to the animating power of solidarity, warning us: Remember, history’s tragedies repeat.
Born in Brooklyn in 1926 to Russian-Jewish immigrant parents, Sheba Sharrow grew up in Chicago and earned her BFA at the Art Institute of Chicago, studying with Boris Anisfeld and Joseph Hirsch. She continued her studies at the Pennsylvania Academy of Fine Arts and earned an MFA at the Tyler School of the Arts at Temple University. She has been considered part of the “Chicago School” of imagist painters, fitting generationally into the “Monster Roster” group of artists from that city, including the most well-known of her classmates to lead the charge of image and ideas over pure abstraction, Leon Golub and Nancy Spero. A resident of Cherry Hill, New Jersey, Sharrow died in 2006.
In the dominant milieu of Abstract Expressionism beginning in the 1950s, which actively rebelled against identifiable “meaning,” Sharrow remained grounded in a humanist tradition and a social context. Curator and writer Alejandro Anreus placed her “in the company of Kollwitz, Beckman and Orozco,” and writer Amy Fine Collins linked “her sensibility to German Expressionism.”
Sharrow’s unique style of storytelling and her occasional use of poetic text stand her apart. Her artistic intentions were deeply intellectual. “As long as the world is going the way it is going, I cannot stop doing what I have been doing,” Sharrow told The New York Times in 2002. She lamented, “We cannot seem to get it right.”
The works will be on loan from both James Yarosh Associates Fine Art Gallery and the Estate of Sheba Sharrow as well as from institutions such as the Jersey City Museum of Art and private collections.
Vietnam is a country in transition. Intrigued by the rapid transformation of Vietnam, one of the fastest growing economies of the world Monmouth University professors, Mark Ludak and Andrew Cohen have returned multiple times to photograph this region. A dynamic, youthful country, especially seen in mega-cities like Ho Chi Minh City (Sai Gon), it is a country where the traditional and contemporary are reconstituted into distinctively Vietnamese manifestations.
After working almost 20 years as an illustrator with her husband Stanley Martucci, in 2000 Cheryl Griesbach began creating a body of paintings based on her interests in European 18th and 19th century still-life, botanical, and landscape art. Cheryl’s painting technique was derived from Flemish painting that she had explored as a student at The School of Visual Arts where she is now on the faculty since 1985. Her method includes the manipulation of segments of Northern European paintings and incorporating that imagery in building a new landscape, like a stage. Cheryl has received many awards, including last year’s best in show at the Monmouth Museum’s 38th international juried awards show.
Cheryl’s daughter Claudia, having grown up with both parents as artists, gave her an innate inclination to explore her imagination and develop knowledge of oil painting. Admitted into The School of Visual Arts, her parents alumni, Claudia in her third year first began to primarily use oil paint as her medium to illustrate the 18th century fairy tale Donkey Skin by Charles Perrault. Claudia graduated with honors and was then accepted into the Masters Program, Illustration as Visual Essay, with a limited class of 20 students. With her background in Illustration and skills in using oils learned from he mother, all of Claudia’s paintings tell a story. Her end of the year show paintings began to carve out some of the subject matter she wanted to explore, “that behind every exquisite thing that exists there is something tragic” a quote from Oscar Wilde’s Portrait of Dorian Gray. Claudia is currently working as a painting assistant to the artist Jeff Koons, while pursuing her own personal work.
In this exhibition, artist and Monmouth University Art and Design faculty member, Tonya D. Lee presents a collection of multi-discipline work that explores the abstraction of nature and environment through the combination shapes, patterns, moments and pauses that are derived from passive spaces, fleeting thoughts and changing winds. Location and process are in a conversation about ephemeral moments of beauty. Using a multi-disciplinary process of combining painting, drawing, collage, construction, and digital media, the obsessions with materiality explore form and color as an echo of the present overlapping past presents — form and color negotiating to exist as object and subject.
Oceanids are some 3000 nymphs in Greek mythology who watch over fresh water: rain, clouds, lakes, springs and rivers, as well as pastures, breezes and flowers. They are the daughters of Oceanus and Tethys. Coscia, the Chief Photographer at the Metropolitan Museum of Art has spent countless hours with classical sculptures, photographing them in various settings and seasons. He focuses on the qualities of light on sculpture in changing conditions, and the shifting effects of natural light on stone surfaces. His photographs of museum pieces explore elements of the art outside the context of the museum setting.
His recent work draws on Man Ray’s solarization techniques. This effect reverses the shadow areas and transforms the sense of weight and volume of the objects, so that they appear suspended in air or water. The forms are evocative of earthly creatures or fossils; photographing and printing them using recreated old photographic techniques removes time specificity, so that they also are suspended in time.
Coscia, Jr. received his MFA from Hunter College in 1989 and his BFA from Kutztown University of Pennsylvania in 1982. His photographs have appeared in numerous publications and museum books, most notably Light on Stone, a photographic essay published by Yale Press in 2004.
Featuring the work of Monmouth University graduating seniors who will receive their degrees in Fine Art and Animation.
Featuring the work of Monmouth University graduating seniors who will receive their degrees in Graphic Design.
Featuring the select works by Monmouth University students in Photography, Graphic Design, Animation and Studio Art.
To create his film Rebirth of a Nation, Paul D. Miller aka DJ Spooky, remixed D.W. Griffith’s 1915 epic film The Birth of a Nation. His re-telling of this overtly racist story depicted in the Reconstruction-era United States hurtles Griffith’s images into the 21st century. The original film was based on a novel and theater play by Thomas Dixon entitled. By applying DJ technique to cinema, Miller’s new film parallels, deconstructs and remixes the original. He likes to think of it as “film as found object” in the same sense that artists such as Marcel Duchamp, Jeff Koons, Andy Warhol and David Hammons, among many others, have fostered creative investigations into the idea of found objects, cinema and “appropriation art.”
The event will feature a discussion led by Monmouth faculty from a
variety of disciplines. Including: Johanna Foster (Sociology), Walter
Greason (History), Mark Ludak (Photography) and Brook Nappi
(Anthropology). The first half of the film will screen starting at
4:30pm. Faculty will lead a discussion in the middle of the event, and
the second half of the film will follow until 6:45pm.
Paul D. Miller, aka DJ Spooky, is an established composer, multimedia artist, and author. He travels around the world performing solo, with chamber groups, and with orchestras, while giving talks at prominent universities, museums, and conferences. His DJ Mixer app has seen more than 12 million downloads and in 2012- 2013 he was the first artist-in-residence at the Metropolitan Museum of Art in NYC. He is also the executive editor of ORIGIN Magazine. He’s produced and composed work for Yoko Ono, Thurston Moore, and scores of artists and award-winning films. Miller’s work as a media artist has appeared in the Whitney Biennial; The Venice Biennial for Architecture; the Ludwig Museum in Cologne, Germany; Kunsthalle, Vienna; The Andy Warhol Museum in Pittsburgh; and many other museums and galleries. He has been featured everywhere from CNN to SyFy. His new book The Imaginary App, published by MIT Press, was released in 2014. National Geographic named Miller a National Geographic Emerging Explorer for 2014/2015.
NOTE: Miller will not be present for this event.
Chris Clavio is an Electronic Artist and Entrepreneur living and working in Santa Fe, NM. His work explores the sublime and perception using light, sound, and interactive environments. Currently he is the Director of IT and Electrical Infrastructure Systems for the artist collective Meow Wolf.
Clavio has shown work across the United States, most recently in Pittsburgh, PA, with Energy Flow, a project in collaboration with Andrea Polli that highlights the Rachel Carson bridge with wind-turbine powered LEDs. His current projects integrate several software platforms and various hardware configurations to create immersive and interactive environments that stimulate the senses in order to evoke the imagination and push the limits of our perceived reality.
More info: www.clavionline.com