A swinging tribute to Ol’ Blue Eyes, My Way: A Musical Tribute to Frank Sinatra relives Sinatra’s legendary career as four actors take you on a musical revue spanning the breadth of his career from his early beginnings as a crooner in New York, to the bright lights of Las Vegas with the Rat Pack, to his final performances. Conceived by David Grapes and Todd Olson, My Way invites its audience to take a trip down memory lane while reliving Sinatra’s remarkable five-decade career the 1950s to the1990s. From a songbook of over 1300 tunes, My Way chooses fifty-four of Sinatra’s songs that include “Fly Me to the Moon,” “Chicago,” “New York, New York,” and “That’s Life.” It’s a celebration just as Ol’ Blue Eyes would have wanted it – a few stories, a few drinks, and plenty of knockout tunes.
Director: Michael Perreca
Choreographer: Bob Boross
Musical Director: Michael Gilch
Shadow Lawn Stage Artistic Director: Sheri Anderson
On sale May 10
by Peter Morgan
directed by Stephen Daldry
Academy Award®-winner Helen Mirren (The Queen), plays Queen Elizabeth II in the Tony Award®-winning production of The Audience.
Captured live from London’s West End in 2013, the original broadcast returns to cinemas to mark National Theatre Live’s 10th birthday.
For 60 years, Queen Elizabeth II has met with each of her 12 prime ministers in a private weekly meeting. This meeting is known as The Audience. No one knows what they discuss, not even their spouses.
From the old warrior Winston Churchill, to Iron Lady Margaret Thatcher and finally David Cameron, the Queen advises her prime ministers on all matters both public and personal. Through these private audiences, we see glimpses of the woman behind the crown and witness the moments that shaped a monarch.
Run Time: 180 minutes
An absurdist comedy troupe who happen to be the first troupe of people with Asperger’s Syndrome. They were featured in the Duplass Brothers Productions documentary “Asperger’s Are Us” now on Netflix. They have performed over 100 original absurdist sketch shows in nine countries since 2010.
“Audiences don’t usually know what to expect from Asperger’s Are Us, a Boston sketch comedy troupe made up solely of artists on the autism spectrum. Will they use self-deprecating humor about life with Asperger’s syndrome? Are they hoping to shed light on a serious condition? Will they be something like Sheldon, the socially inept character on CBS’s ‘The Big Bang Theory’?
The answer, it turns out, is none of the above.
Instead of focusing on the condition, the four men who make up the troupe perform skits and monologues that reflect their thoughts, perspectives and offbeat sensibilities, often characterized by deadpan and absurd humor… the guys are not looking for sympathy laughs or polite applause. Their show is not an autism awareness campaign, they say. They want people to laugh simply because they’re funny.” – New York Times
There will be a postshow Q&A with the cast.
Free and open to the public, but registration is recommended.
adapted by Helen Edmundson
based on the novel by Andrea Levy
Andrea Levy’s Orange Prize-winning novel Small Island comes to life in an epic new theatre adaptation. Experience the play in cinemas, filmed live on stage as part of National Theatre Live’s 10th birthday.
Small Island embarks on a journey from Jamaica to Britain, through the Second World War to 1948 – the year the HMT Empire Windrush docked at Tilbury, England.
The play follows three intricately connected stories. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots. Hope and humanity meet stubborn reality as the play traces the tangled history of Jamaica and the UK.
A company of 40 actors take to the stage of the National Theatre in London in this timely and moving story.
“We all carry a secret that would break your heart if you just knew what it was. And if we could remember that, there might be more understanding and peace in the world.” – Frank Warren
Frank Warren is the most trusted stranger in America. He is the creator of The PostSecret Project – a collection of 1,000,000+ artful secrets that have been mailed to his home on postcards, anonymously. The PostSecret website has become a phenomenon in itself, earning over 700 million views, and making it the world’s largest advertisement-free blog. For this event, Frank will join us for a lively lecture based on the topic of #MeToo. Hear the inspiring stories behind the secrets. Listen to some of Frank’s favorite secrets…and share your own.
RSVP to the event on our facebook page
Voyage through the masterpieces and obsessions of the genius and founder of Impressionism, Claude Monet. An art-world disruptor at the turn of the 20th century whose obsession with capturing light and water broke all convention, Monet revolutionized Modern Art with his timeless masterpieces.
An in-depth, exclusive tour led by Monet scholars of the museums that house the largest collections of the prolific artist’s lilies paintings including the Musée Marmottan Monet, the Orsay Museum, the world-famous panels at L’Orangerie and concluding with Monet’s own house and gardens at Giverny, the site where his fascination for water lilies was born.
Klimt & Schiele: Eros and Psyche, recounts the start of the Vienna Secession, a magical art movement formed in the late 1890’s for art, literature and music, in which new ideas are circulated, Freud discovers the drives of the psyche, and women begin to claim their independence. It was a movement that marked a new era outside the confines of academic tradition.
At the heart of Secession were artists Gustav Klimt and his protégé and dear friend Egon Schiele. This exhibition proves an in-depth examination fo images of extraordinary visual power: from the eroticism of Klimt’s mosaic-like works, to the anguished and raw work of the young Schiele in his magnetic nudes and contorted figures against the backdrop of nocturnal Vienna, full of masked balls and dreams imbued with sexuality.
Respected by the millions of fans who are drawn to her music and undeniable talent, Wynonna’s rich and commanding voice has sold over 30-million albums worldwide spanning her remarkable 34-year career. As one-half of the legendary mother/daughter duo “The Judds,” Wynonna was once dubbed by Rolling Stone as “the greatest female country singer since Patsy Cline.” This iconic performer has received over 60 industry awards, with countless charting singles, including 20 No.1 hits such as “Mama He’s Crazy,” “Why Not me,” and “Grandpa, (Tell Me ‘Bout The Good Ole Days).”
Wynonna and her band The Big Noise, led by her husband/drummer/producer, Cactus Moser, released their debut full-length album in February 2016 via Curb Records to critical acclaim. Wynonna has described the new sound as “vintage yet modern” and a “return to the well.” It’s a rootsy work encompassing country, Americana, blues, soul and rock. The album features special guests Derek Trucks, Jason Isbell, Susan Tedeschi and Timothy B. Schmit. NPR’s Ann Powers noted that, “With her tight band behind her after touring together for several years, she just sounds like she’s home…You can just feel the grin on her face.”
Through a vigorous and poetic hand, her work reflects on brutality and simultaneously pays homage to the animating power of solidarity, warning us: Remember, history’s tragedies repeat.
Born in Brooklyn in 1926 to Russian-Jewish immigrant parents, Sheba Sharrow grew up in Chicago and earned her BFA at the Art Institute of Chicago, studying with Boris Anisfeld and Joseph Hirsch. She continued her studies at the Pennsylvania Academy of Fine Arts and earned an MFA at the Tyler School of the Arts at Temple University. She has been considered part of the “Chicago School” of imagist painters, fitting generationally into the “Monster Roster” group of artists from that city, including the most well-known of her classmates to lead the charge of image and ideas over pure abstraction, Leon Golub and Nancy Spero. A resident of Cherry Hill, New Jersey, Sharrow died in 2006.
In the dominant milieu of Abstract Expressionism beginning in the 1950s, which actively rebelled against identifiable “meaning,” Sharrow remained grounded in a humanist tradition and a social context. Curator and writer Alejandro Anreus placed her “in the company of Kollwitz, Beckman and Orozco,” and writer Amy Fine Collins linked “her sensibility to German Expressionism.”
Sharrow’s unique style of storytelling and her occasional use of poetic text stand her apart. Her artistic intentions were deeply intellectual. “As long as the world is going the way it is going, I cannot stop doing what I have been doing,” Sharrow told The New York Times in 2002. She lamented, “We cannot seem to get it right.”
The works will be on loan from both James Yarosh Associates Fine Art Gallery and the Estate of Sheba Sharrow as well as from institutions such as the Jersey City Museum of Art and private collections.
Music Leo Delibes
Choreography Sergei Vikharev after Marius Petipa and Enrico Cecchetti
Cast The Bolshoi Principals, Soloists and Corps de Ballet
Swanhilda notices her fiancé Franz is infatuated with the beautiful Coppélia who sits reading on her balcony each day. Nearly breaking up the two sweethearts, Coppélia is not what she seems and Swanhilda decides to teach Franz a lesson…
The Bolshoi’s unique version of Coppélia exhibits a fascinating reconstruction of the original 19th century choreography of this ebullient comedy involving a feisty heroine, a boyish fiancée with a wandering eye, and an old dollmaker. The company’s stunning corps de ballet shines in the divertissements and famous “dance of the hours,” and its principals abound in youthful energy and irresistible humor in this effervescent production.
Total runtime: 2 hours, 45 minutes