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DTSTART;TZID=America/New_York:20151110T200000
DTEND;TZID=America/New_York:20151110T230000
DTSTAMP:20260405T192021
CREATED:20180725T204205Z
LAST-MODIFIED:20180725T204205Z
UID:40810102160-1447185600-1447196400@www.monmouth.edu
SUMMARY:Colin Hay
DESCRIPTION:Colin Hay is familiar to millions as the frontman\, songwriter\, and vocalist of pop sensation Men at Work (Down Under\, Overkill\, Who Can it Be Now?). Hay is justifiably proud of his place in pop history\, but since moving to Los Angeles in 1989\, he’s made 11 critically-acclaimed solo albums\, including the highly successful Man at Work\, and has recently announced the release of his new album Next Year People. Next Year People is the work of an artist who is a true master of his craft. Over the past 15 years Hay has reinvented himself as a solo artist\, regularly selling out theaters and listening rooms across the US and around the world and introducing himself to a new generation of fans in the process. The frequent use of Hay’s music in TV and film—including hit shows such as Scrubs\, Army Wives and Modern Family and on soundtracks to the films Garden State and Words and Pictures—has proven the timeless appeal of his songs.  \n(presented by UMT Presents) **Please note discounts (Senior\, Alumni\, Student\, Employee\, etc.) DO NOT apply for this event ** 
URL:https://www.monmouth.edu/events/event/colin-hay/
LOCATION:Pollak Theatre
CATEGORIES:Concerts
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DTSTART;TZID=America/New_York:20151113T200000
DTEND;TZID=America/New_York:20151113T230000
DTSTAMP:20260405T192021
CREATED:20180725T204239Z
LAST-MODIFIED:20181221T160855Z
UID:40810102238-1447444800-1447455600@www.monmouth.edu
SUMMARY:Madeleine Peyroux
DESCRIPTION:“The only thing that matters is the song\,” says singer-songwriter Madeleine Peyroux. That conviction along with a ‘one of a kind’ voice\, has carried the Jazz artist from busking on the streets of Paris\, all the way to mainstream recognition. Through intensely distinctive renditions of old classics and modern tunes by the likes of Leonard Cohen and The Beatles\, Peyroux has proved to be an uncannily insightful ‘interpreter’ with her consistently impeccable choice of material. Peyroux’s new album\, The Blue Room\, sees the genre-blending singer reworking some landmark musical gems\, in a repeat collaboration with longtime Peyroux producer Larry Klein (Joni Mitchell\, Walter Becker\, Tracy Chapman\, Herbie Hancock). The result is a sophisticated album that rather than just ‘crossing over’\, seamlessly fuses musical styles together to create an entirely new sound. \nThe Blue Room started life as Klein’s re-examination of Ray Charles’s classic\, Modern Sounds In Country And Western Music\, but soon moved away from being strictly an homage to that album. “Madeleine and I decided to branch out to other songs we love\,” explains Klein\, so alongside tunes from the original ABC Paramount project such as “Bye Bye Love\,” “Born To Lose\,” “You Don’t Know Me” and the anthemic “I Can’t Stop Loving You” are Randy Newman’s “Guilty\,” Warren Zevon’s “Desperadoes Under The Eaves” and John Hartford’s “Gentle On My Mind.” “Ray’s ‘cultural landmark’ album has always been a part of me\,” says Larry Klein\, “…the project naturally came to mind with Madeleine as a part of it.” \nFor The Blue Room Larry Klein has again called upon the talents of award-winning engineer/mixer Helik Hadar as well as stellar musicians Dean Parks\, Larry Goldings\, Jay Bellerose and David Piltch. To this ensemble however\, the celebrated producer has added an inspired orchestral element in the shape of Vince Mendoza’s engaging string arrangements (Joni Mitchell\, Robbie Williams\, Björk and Elvis Costello). Mendoza’s masterful string orchestrations perfectly complement Madeleine’s quest for open musical exploration. The sometimes eerie\, often sparse arrangements prove the perfect canvas for Peyroux’s musical palette and seem to effortlessly blend with her voice. \nPeyroux has come a long way from the streets of Paris to the word’s grandest concert halls and collaborating with the some of the world’s finest musicians. Still\, where other artists might rest on their laurels and bask in the glory of countless gushing reviews\, Peyroux continues to fearlessly explore new territories. The charmingly humble artist who ‘didn’t have any expectation of becoming someone that could make a dent in the outside world.’ has done just that. \nFor more information visit: www.madeleinepeyroux.com \nVideo: https://vimeo.com/59662338
URL:https://www.monmouth.edu/events/event/madeleine-peyroux/
LOCATION:Pollak Theatre
CATEGORIES:Concerts,School of Humanities and Social Sciences
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DTSTART;TZID=America/New_York:20151114T200000
DTEND;TZID=America/New_York:20151114T230000
DTSTAMP:20260405T192021
CREATED:20180725T204239Z
LAST-MODIFIED:20180725T204239Z
UID:40810102241-1447531200-1447542000@www.monmouth.edu
SUMMARY:HUGH MASEKELA & LARRY WILLIS
DESCRIPTION:Hugh\nMasekela\, a world-renowned flugelhornist\, trumpeter\, bandleader\, composer\,\nsinger\, and defiant political voice\, combines his talents with powerhouse pianist\nLarry Willis for a show of epic proportions. These two giants of the jazz world\nput on a one-of-a-kind show together\, after decades of cultivating careers\napart. Willis and Masekela met while they were both students at the Manhattan\nSchool of Music some 50 years ago. After coming under the tutelage of Dizzy\nGillespie and Louis Armstrong\, Masekela went on to carve out a five-decade-long\n(and counting) career\, releasing over 40 solo albums. His 1986 anti-apartheid\nanthem “Bring Him Back Home (Nelson Mandela)” became a rallying call around the\nworld for Mandela’s release from prison. At the same time\, Willis has performed\nor recorded with almost every great jazz musician of the modern era\, including\nDizzy Gillespie\, Lee Morgan\, Woody Shaw\, Cannonball and Nat Adderley\, and Stan\nGetz. Don’t miss this rare chance to watch these two jazz legends (and dear\nfriends) perform together.
URL:https://www.monmouth.edu/events/event/hugh-masekela-larry-willis/
LOCATION:Pollak Theatre
CATEGORIES:Concerts
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