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DTSTART;TZID=America/New_York:20170905T100000
DTEND;TZID=America/New_York:20171203T170000
DTSTAMP:20260405T205803
CREATED:20180725T203526Z
LAST-MODIFIED:20190226T204644Z
UID:40810101125-1504605600-1512320400@www.monmouth.edu
SUMMARY:NATURE AND NURTURE - Mother/Daughter Artists: The Paintings of Cheryl Griesbach and Claudia Griesbach-Martucci
DESCRIPTION:After working almost 20 years as an illustrator with her husband Stanley Martucci\, in 2000 Cheryl Griesbach began creating a body of paintings based on her interests in European 18th and 19th century still-life\, botanical\, and landscape art. Cheryl’s painting technique was derived from Flemish painting that she had explored as a student at The School of Visual Arts where she is now on the faculty since 1985. Her method includes the manipulation of segments of Northern European paintings and incorporating that imagery in building a new landscape\, like a stage. Cheryl has received many awards\, including last year’s best in show at the Monmouth Museum’s 38th international juried awards show. \nCheryl’s daughter Claudia\, having grown up with both parents as artists\, gave her an innate inclination to explore her imagination and develop knowledge of oil painting.  Admitted into The School of Visual Arts\, her parents alumni\, Claudia in her third year first began to primarily use oil paint as her medium to illustrate the 18th century fairy tale Donkey Skin by Charles Perrault.  Claudia graduated with honors and was then accepted into the Masters Program\, Illustration as Visual Essay\, with a limited class of 20 students. With her background in Illustration and skills in using oils learned from he mother\, all of Claudia’s paintings tell a story. Her end of the year show paintings began to carve out some of the subject matter she wanted to explore\, “that behind every exquisite thing that exists there is something tragic” a quote from Oscar Wilde’s Portrait of Dorian Gray. Claudia is currently working as a painting assistant to the artist Jeff Koons\, while pursuing her own personal work.
URL:https://www.monmouth.edu/events/event/naturenurture17/
LOCATION:Rotary Ice House Gallery
CATEGORIES:Art and Design,Art Exhibitions,Arts at Monmouth,Free
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DTSTART;TZID=America/New_York:20170905T100000
DTEND;TZID=America/New_York:20171203T170000
DTSTAMP:20260405T205803
CREATED:20180725T203750Z
LAST-MODIFIED:20220613T141332Z
UID:40810101359-1504605600-1512320400@www.monmouth.edu
SUMMARY:Sheba Sharrow
DESCRIPTION:Through a vigorous and poetic hand\, her work reflects on brutality and simultaneously pays homage to the animating power of solidarity\, warning us: Remember\, history’s tragedies repeat. \nBorn in Brooklyn in 1926 to Russian-Jewish immigrant parents\, Sheba Sharrow grew up in Chicago and earned her BFA at the Art Institute of Chicago\, studying with Boris Anisfeld and Joseph Hirsch. She continued her studies at the Pennsylvania Academy of Fine Arts and earned an MFA at the Tyler School of the Arts at Temple University. She has been considered part of the “Chicago School” of imagist painters\, fitting generationally into the “Monster Roster” group of artists from that city\, including the most well-known of her classmates to lead the charge of image and ideas over pure abstraction\, Leon Golub and Nancy Spero. A resident of Cherry Hill\, New Jersey\, Sharrow died in 2006. \nIn the dominant milieu of Abstract Expressionism beginning in the 1950s\, which actively rebelled against identifiable “meaning\,” Sharrow remained grounded in a humanist tradition and a social context. Curator and writer Alejandro Anreus placed her “in the company of Kollwitz\, Beckman and Orozco\,” and writer Amy Fine Collins linked “her sensibility to German Expressionism.” \nSharrow’s unique style of storytelling and her occasional use of poetic text stand her apart. Her artistic intentions were deeply intellectual. “As long as the world is going the way it is going\, I cannot stop doing what I have been doing\,” Sharrow told The New York Times in 2002. She lamented\, “We cannot seem to get it right.” \nThe works will be on loan from both James Yarosh Associates Fine Art Gallery and the Estate of Sheba Sharrow as well as from institutions such as the Jersey City Museum of Art and private collections.
URL:https://www.monmouth.edu/events/event/shebasharrow17/
LOCATION:Joan and Robert Rechnitz Hall
CATEGORIES:Art and Design,Art Exhibitions,Arts at Monmouth,Free
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20171203T130000
DTEND;TZID=America/New_York:20171203T175900
DTSTAMP:20260405T205803
CREATED:20180725T203651Z
LAST-MODIFIED:20180725T203651Z
UID:40810101245-1512306000-1512323940@www.monmouth.edu
SUMMARY:The Exterminating Angel (Encore)
DESCRIPTION:The Exterminating Angel has its Met premiere this season\, conducted by the composer\, Thomas Adès. The 2016 opera\, co-commissioned by the Met and sung in English\, is based on the screenplay by Luis Buñuel and Luis Alcoriza for the acclaimed 1962 Buñuel film. Directed by the librettist Tom Cairns\, the ensemble cast features Audrey Luna as Leticia Maynar; Amanda Echalaz as Lucia de Nobile; Sally Matthews as Silvia de Ávila and Sophie Bevan as Beatriz\, both in Met debuts; Alice Coote as Leonora Palma; Christine Rice as Blanca Delgado; Iestyn Davies as Francisco de Ávila; Joseph Kaiser as Edundo de Nobile; Frédéric Antoun in his Met debut as Raúl Yebenes; David Portillo as Edmundo; David Adam Moore in his Met debut as Col. Álvaro Gómez; Rod Gilfry as Alberto Roc; Kevin Burdette as Señor Russell; Christian Van Horn as Julio; and John Tomlinson as Dr Carlos Conde. The Exterminating Angel is a co-commission and co-production with the Royal Opera House\, Covent Garden; Royal Danish Theatre; and Salzburg Festival\, where the production premiered in 2016. \nTotal runtime: 2 hours\, 27 minutes
URL:https://www.monmouth.edu/events/event/theexterminatingangelencore17/
LOCATION:Pollak Theatre
CATEGORIES:Arts at Monmouth,Broadcast in HD,Music,Theatre
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