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DTSTART;VALUE=DATE:20160119
DTEND;VALUE=DATE:20160301
DTSTAMP:20260419T173453
CREATED:20180725T204214Z
LAST-MODIFIED:20180725T204214Z
UID:40810102178-1453161600-1456790399@www.monmouth.edu
SUMMARY:Art in Science
DESCRIPTION:Opening Reception: Wed\, Jan 27 5:30-7:30 pmFree and Open to the Public \nThe 2nd Biennial Art In Science juried\nexhibition will express and highlight the beauty of science – through images\,\ndrawings\, and photos of natural forms and visualization of scientific\,\nmathematic\, and engineering processes based on the research and coursework of\nMonmouth University employees\, students\, and alumni. Images will reveal the\nelegance of science art in scientific results\, observations\, and failures.
URL:https://www.monmouth.edu/events/event/art-in-science/
LOCATION:Pollak Gallery
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20160119T090000
DTEND;TZID=America/New_York:20160311T170000
DTSTAMP:20260419T173453
CREATED:20180725T204203Z
LAST-MODIFIED:20190301T192959Z
UID:40810102154-1453194000-1457715600@www.monmouth.edu
SUMMARY:New Jersey State Council on the Arts Visual Arts Fellowship Showcase
DESCRIPTION:RECHNITZ HALL’S DIMATTIO GALLERY\nOpening Reception: Thurs. Feb. 4 | 5:30-7:30 PM\nGallery Hours: Mon.- Fri. 10am – 5pm\, Sat.- Sun. 10 am – 4 pm \nThis exhibit showcases the work of 2014-2015 New Jersey State Council on the Arts Fellowship winners in sculpture\, crafts and photography. Fellowships are highly competitive awards to New Jersey artists in 12 different disciplines\, based solely on artistic quality\, and designed to help artists produce new work and advance their careers.\nFellowship Artists: Betty Beaumont\, Jill Gower\, Tyler Haughey\, Jan Huling\, Jerry Hirniak\, Johanna Inman\, Alec Karros\, Christina Labey\, Scott Pellnat\, Edward Peters\, Lisa Sanders\, Roger Sayre\, Karina Skvirsky\,\nPamela Sunday\, Christina Tenaglia and Wendel White \nThe Visual Arts Fellowship Showcase is a cosponsored program between the New Jersey State Council on the Arts and the Monmouth University Center for the Arts.
URL:https://www.monmouth.edu/events/event/new-jersey-state-council-on-the-arts-visual-arts-fellowship-showcase/
LOCATION:Joan and Robert Rechnitz Hall
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20160119T090000
DTEND;TZID=America/New_York:20160311T170000
DTSTAMP:20260419T173453
CREATED:20180725T204211Z
LAST-MODIFIED:20190226T205117Z
UID:40810102172-1453194000-1457715600@www.monmouth.edu
SUMMARY:SUSAN AMONS: WILD SIDE Maine Monoprints
DESCRIPTION:Lecture: February 11 from 4:30 – 5:30 p.m. | Wilson Hall Auditorium\nOpening Reception: Thursday February 11\, from 5:30 – 7:00 p.m.\nFree and open to the public \nSusan Amons lives on a rare and beautiful peninsula in southern Maine. The estuary forms the western boundary\, and the ocean stretches out to the east. Every day\, Susan observes unusual birds and animals living in this preserved pocket of wildlife habitat. Marsh hawks\, eagles\, ibis\, geese\, mink\, and fisher cats\, are some of the species included in her repertoire of study. In late summer\, Susan camps in the solitude of the north woods. The lake supports it’s own unique selection of species including; salmon\, trout\, moose\, otter\, and loons. Susan loves to sit on a rock in the stream and paint. \nEach winter\, Susan returns to the studio to work on large-scale prints inspired by images that she records from nature throughout the year. To develop her monoprints\, she creates a group of mylar shapes which she inks\, prints\, and re-inks; building up color layers and altering spatial relationships. A series of related work evolves from the printed collection of cut out shapes. What Susan enjoys most about this process\, is that she is able to pursue multiple variations of her original idea. Susan’s final prints are multiple and varied\, brilliantly frontal\, or receding in space like the animals themselves\, a memory\, mysterious\, and wild by nature. \nSusan Amons holds a BFA from the Massachusetts College of Art\, and has received 21 artists’ fellowships from the Vermont Studio Center\, The Women’s Studio Workshop in New York\, and the Heliker-LaHotan Foundation in Maine. Susan is a member of the prestigious Peregrine Press in Maine\, and the venerable National Association of Women Artists in New York. Her work was chosen for the acclaimed exhibit\, “Maine Women Pioneers”\, at the University of New England in 2013. Her two recent solo exhibits include; “Natural Vision”\, at the Liriodendron Mansion in Maryland\, 2014\, and “Tidal Edge”\, at The Courthouse Gallery\, in Ellsworth\, Maine\, 2015. \nSusan Amons is represented by numerous galleries on the east coast. Her work is included in many public collections including; The Portland Museum of Art and The Farnsworth Art Museum in Maine\, The New York and Boston Public Libraries\, The Indiana University Library\, The University of New England Art Gallery\, Colby\, Bates\, and Bowdoin College Collections in Maine\, and the Zimmerli Museum Collection at Rutgers University in New Jersey. \nFor more information\, please see susanamons.com
URL:https://www.monmouth.edu/events/event/susan-amons-wild-side-maine-monoprints/
LOCATION:Rotary Ice House Gallery
CATEGORIES:School of Humanities and Social Sciences
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20160210T190000
DTEND;TZID=America/New_York:20160210T210000
DTSTAMP:20260419T173453
CREATED:20180725T204129Z
LAST-MODIFIED:20190102T180737Z
UID:40810102043-1455130800-1455138000@www.monmouth.edu
SUMMARY:NJ MoCA Art Conversations: The Intersection of Technology and Contemporary Art
DESCRIPTION:The world of contemporary visual art is often intimidating\, challenging\, and seemingly unapproachable. To help break those perceptions and barriers\, New Jersey Museum of Contemporary Art will present “Art Conversations\,” a series of three scholar-led panel talks that will provide context and insight into what defines contemporary art\, its transformational trends\, and its relevance and impact on society. The highly credentialed and charismatic United Nations journalist Alexandra King will moderate conversations with art critics\, collectors\, curators\, technology producers\, and artists. The program will target new audiences comprised of the public\, students\, and informed art lovers wanting a richer understanding of these topics. The series will encourage public thought and discussion with an open Q&A at the end of each panel. \nThis panel will focus on \n\n\nthe influence and\nincorporation of breaking technologies on contemporary art.\n\nPanelists:  \nZachary Kaplan is Executive Director of Rhizome\, the leading born-digital art institution\, an affiliate of the New Museum in NYC. Rhizome commissions\, presents\, and preserves art engaged with digital culture. This year\, the organization was awarded a historic grant from the Andrew W. Mellon Foundation to build Webrecorder\, a new tool to create interactive archives of the dynamic web. Kaplan has been at Rhizome since 2013\, and before that at the Renaissance Society\, Chicago\, and MOCA\, Los Angeles. \nAtif Akin (1979\, Turkey) is an artist\, curator\, lecturer and designer. As an artist his work aims at contemplating politics through artistic practice. His work in digital media is informed by his interest in the mutational and transformational implications of the digital world. Recent projects tackle topics such as natural disasters and energy politics; radioactivity and nuclear mobility; multi-culturism within the context of war; and how society’s catastrophes turn into spectacle. Although his work can take many forms\, moving fluidly between various media\, he frequently employs information architecture and data visualization in his presentations\, which can be site-specific or public installations as well as in screen-based formats including online works.  He has curated projects including PixelIST: Festival for Electronic Arts and Its Subcultures as well as the exhibition Uncharted: User Frames in Media Arts at Santralistanbul Museum\, a show of artworks employing the use of large-scale digital and interactive media. He has written numerous articles including: Creativity and Connectivity; Alice in Wonderland; Art and Politics; and Data Driven Boredom\, among others. He has taught at Bilgi University and Kadir Has University both in Istanbul and is currently Assistant Professor in Design at Mason Gross School of the Arts\, Rutgers University. He runs his own design studio\, PaganStudio in NYC. \n\n\n\nAndrew Demirjian is an interdisciplinary artist who creates alternative relationships between image\, sound and text that challenge contemporary media conventions. He uses computer programming\, surveillance\, data gathering and motion tracking to twist perceptual relationships between the senses. The pieces take the form of interactive installations\, generative poems\, audiovisual performance and single channel videos. His work has been exhibited at The Museum of the Moving Image\, Eyebeam\, Rush Arts\, the White Box gallery\, The Newark Museum and many institutions internationally. The MacDowell Colony\, Puffin Foundation\, Artslink\, Harvestworks and the New Jersey State Council on the Arts are among some of the organizations that have supported his work. Andrew teaches theory and production courses in emerging media in the Film and Media Department at Hunter College. \n\nSERIES MODERATOR | ALEXANDRA KING\nAlexandra King is a multimedia journalist living in New York City. Currently\, Alex works as a Producer/Reporter at United Nations Television in New York. Alex began her career in journalism in her local BBC newsroom in her native England\, aged 16. She studied English Literature at University College London\, becoming News Editor of London Student (Europe’s largest student newspaper) where she was twice shortlisted for the prestigious Guardian student media awards. She also began interning and freelancing for local newspapers\, as well as working for BBC London\, Sky News and Five News. A Masters degree in Journalism at Columbia University in New York City followed. In 2008\, Alex won a Columbia fellowship for young broadcast journalists at United Nations Television\, a broadcasting operation set up to provide people around the world who may not have access to objective factual news coverage with unbiased and accurate reporting. UN stories and raw footage from the front lines of global conflict and crisis are distributed rights-free to global broadcasters\, as well as broadcast on the UN’s own TVchannel\, Channel 150. In her first year\, Alex helped cover the crisis in Libya\, the conflict in Darfur and the humanitarian response to the tsunami in Japan. Since then\, she has covered human rights abuses\, conflict\, women’s issues\, international justice\, climate change\, and humanitarian crises. She has reported from four UN General Assembly Debates\, interviewed numerous celebrities like Stevie Wonder\, Pharrell Williams and Steve McQueen\, and produced and reported from the field in Mozambique\, Democratic Republic of Congo\, Rwanda\, Uganda and Ethiopia. In addition\, Alex has produced and co-produced a number of PSA’s\, promos and official Secretary- General messages\, designed to highlight pressing UN issues or events\, everything from World Autism Awareness Day to Holocaust Remembrance Day. She also assists and advises other UN departments and offices on digital strategy and production\, has conducted trainings in editing and shooting\, and is frequently called on to help coach top UN officials and celebrities in on-camera delivery and voice overs. Her work has been featured on networks such as CNN International\, MTV\, NHK and Agence France Presse.
URL:https://www.monmouth.edu/events/event/nj-moca-art-conversations-the-intersection-of-technology-and-contemporary-art/
LOCATION:The Great Hall Auditorium
CATEGORIES:School of Humanities and Social Sciences
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