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DTSTART;VALUE=DATE:20140902
DTEND;VALUE=DATE:20150101
DTSTAMP:20260404T005752
CREATED:20180725T204437Z
LAST-MODIFIED:20181221T155430Z
UID:40810102799-1409616000-1420070399@www.monmouth.edu
SUMMARY:Urban Coast Institute $5 Million Challenge
DESCRIPTION:An anonymous donor has committed $3\,000\,000 to Monmouth University to support the Urban Coast Institute’s (UCI)\nMarine Science & Policy Initiative. Monmouth University must secure\ncommitments for an additional $2\,000\,000 by December 31\, 2014.
URL:https://www.monmouth.edu/events/event/urban-coast-institute-5-million-challenge/
CATEGORIES:Community Member,School of Science,Special Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20140902T090000
DTEND;TZID=America/New_York:20141114T170000
DTSTAMP:20260404T005752
CREATED:20180725T204542Z
LAST-MODIFIED:20190228T143219Z
UID:40810103018-1409648400-1415984400@www.monmouth.edu
SUMMARY:Gallery Exhibition: David H. Wells
DESCRIPTION:September 2 – November 14\, 2014\nIce House Gallery\nOpening Reception:  Thursday\, September 25\, from 4:30 – 7:00 p.m. \nAn exhibit about the empty homes and foreclosed dreams littering the American landscape in the wake of the foreclosure crisis. \nOwning a home was once the American dream. At the peak of the foreclosure crisis\, one in five American homeowners was either behind on their mortgage payments or in the process of foreclosure. Their empty homes and foreclosed dreams are powerful symbols of lives shattered and families devastated. \nAfter a house is foreclosed upon there is a fleeting moment when the ghosts of the one-time owners are all that is left – before the houses are cleaned and returned to the real estate market.  The remaining signs of life photographed during this period of time echo the voices and footsteps that once filled these emptied houses. \nI focused on empty homes\, as they are immovable objects and stand in stark contrast to the highly mobile American dream. I chose not to focus on individual families in foreclosure because I wanted to explore the issue from a broader perspective. The final work is made more powerful by its lack of literalism and its attention to chillingly mundane objects.  An open-ended canvas\, viewers can project their own ideas into the photographs – about home\, America and family\, into the empty spaces of the houses. \nI started the project in April of 2009\, with the goal of understanding the upheaval we are living through. I initially photographed in the Central Valley of California\, an epicenter of the foreclosure crisis. Then\, I worked in Rhode Island\, which has a foreclosure rate very similar to California’s. To date\, I have photographed in eighteen states. \nMy audience is America itself\, including those who worry about the possible foreclosure of their own dreams\, those who have already experienced that trauma and anyone concerned or interested in what’s happening to the American dream.
URL:https://www.monmouth.edu/events/event/gallery-exhibition-david-h-wells/
LOCATION:Rotary Ice House Gallery
CATEGORIES:Art and Design,Arts at Monmouth
ATTACH;FMTTYPE=image/jpeg:https://www.monmouth.edu/events/wp-content/uploads/sites/19/2018/07/wells.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20141009T090000
DTEND;TZID=America/New_York:20141218T170000
DTSTAMP:20260404T005752
CREATED:20180725T204457Z
LAST-MODIFIED:20190301T185918Z
UID:40810102871-1412845200-1418922000@www.monmouth.edu
SUMMARY:Gallery Exhibition: Anthony Migliaccio
DESCRIPTION:Opening Reception: October 24\, 6-8 pm \nAn established printmaker and painter\, New Jersey native Anthony Migliaccio has been exhibiting his work since the 1970’s. He earned a Bachelor’s degree in Education in 1970 and began his career as a high school art teacher\, an experience that fueled his desire to become a professional artist. After earning a Master’s degree in Art Education in 1975 concentrating on printmaking\, he continued teaching and opened a printmaking studio where he worked with local artists\, forging professional relationships that still exist today. In the 1980’s Migliaccio taught printmaking at Monmouth University.  In the early nineties he transitioned from printmaking to painting\, while continuing his career in education as an art administrator in NJ public schools. Today his paintings and prints are in collections internationally\, and his painting excursions have taken him to scenic locations throughout the world. In addition to numerous solo exhibits\, he has received several awards for his paintings. Some notable personal achievements include Who’s Who in American Art\, Signature Artist Member at the Noyes Museum\, NJ\, and Signature Artist Member of the Plein Air Painters of the Jersey Coast. Migliaccio has been recognized several times for his contributions to the arts including a NJ State Senate Citation. His work has been exhibited at prestigious venues such as the Salmagundi Club\, NYC\, the National Arts Club\, NYC\, the EPA offices\, Washington D.C.\, the Noyes Museum\, NJ (including a solo show)\, and several galleries\, colleges and universities throughout the tri-state area. Since retiring from public education in 2008\, Migliaccio paints full time and travels extensively. He is an Associate member of the Oil Painters of America and an Exhibiting Artist member of the Audubon Artists\, Inc\, NY.
URL:https://www.monmouth.edu/events/event/gallery-exhibition-anthony-migliaccio/
LOCATION:Pollak Gallery
CATEGORIES:Art and Design
ATTACH;FMTTYPE=image/jpeg:https://www.monmouth.edu/events/wp-content/uploads/sites/19/2018/07/Lonesome-Bluff-30x40-.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20141105T200000
DTEND;TZID=America/New_York:20141115T220000
DTSTAMP:20260404T005752
CREATED:20180725T204533Z
LAST-MODIFIED:20180725T204533Z
UID:40810102979-1415217600-1416088800@www.monmouth.edu
SUMMARY:Our Town by Thornton Wilder
DESCRIPTION:November 5 – 9 and 12 – 15\, 2014Lauren K. Woods Theatre \nA University-wide production of the classic Pulitzer-Prize winning play by Thornton Wilder\, Our Town tells the universal story of small town America. Though taking place in the first decade of the 20th century and written in 1938\, Our Town has consistently been hailed as a theatrical masterpiece. A New York production won the Tony Award for best revival in 1989 and an off-Broadway presentation in 2009 won accolades from critics and audiences alike and ran for nearly 3 years.  Performed with little scenery and having the character of Stage Manager directly address the audience\, Our Town asks us to consider what is important in life. When Emily wants to relive a day in her life\, she is told “Choose the least important day of your life; it will be important enough.”
URL:https://www.monmouth.edu/events/event/our-town-by-thornton-wilder/
LOCATION:Lauren K. Woods Theatre
CATEGORIES:Arts at Monmouth,Music + Theatre Arts,Theatre
ATTACH;FMTTYPE=image/gif:https://www.monmouth.edu/events/wp-content/uploads/sites/19/2018/07/clear.gif
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20141107T090000
DTEND;TZID=America/New_York:20141219T170000
DTSTAMP:20260404T005752
CREATED:20180725T204541Z
LAST-MODIFIED:20200824T133418Z
UID:40810103012-1415350800-1419008400@www.monmouth.edu
SUMMARY:Gallery Exhibition - Evelyn Leavens Retrospective 1924 - 2013
DESCRIPTION:November 7 – December 19\nRechnitz Hall’s DiMattio Gallery\nOpening Reception: Friday\, November 14\, 2014 from 7 – 9 pm \nBorn in 1924\, Evelyn Leavens is a life long resident of Red Bank. Her first solo show was in 1952 at the Old Mill Gallery\, Tinton Falls\, known then for the introduction of Alice Neel and Martha Graham.\nIn 1958 a book of drawings “Boswells’ Life of Boswell” by Leavens was published by Simon and Schuster which became #2 on the New York Times children’s best seller that year. \nShe has received two fellowships from N.J. State Council of the Arts and was included in the 1977 N.J. Arts Council biennial at the Trenton State Museum. Her work has shown\, notably\, at City Without Walls\, Aljira\, Tweeds\, Summit Art Center and the Morris State Museum. \nPrimarily self taught\, she attended the Vermont Studio Center in 1987 where she studied with Malcolm Morley\, Archie Rand and Niel Welliver. \n“Black Convergence is a bit hard to describe. First\, it is not an abstract. It takes nothing from nothing. This painting is non-objective because it has nothing in its mind to start with. The first mark on the paper is the way to the second mark.  This progresses\, through many marks and changes to become a true non-objective. It makes many changes until\, through love and hate\, eventually becomes acceptable. I never give up”.\n– Evelyn Leavens \nThis exhibition will include works from throughout the artist’s life. \nImage Caption: Black Convergence\, 2012\, Watercolor on paper\, 16″ x 20”
URL:https://www.monmouth.edu/events/event/gallery-exhibition-evelyn-leavens-retrospective-1924-2013/
LOCATION:Joan and Robert Rechnitz Hall
CATEGORIES:Art and Design,Arts at Monmouth
ATTACH;FMTTYPE=image/jpeg:https://www.monmouth.edu/events/wp-content/uploads/sites/19/2018/07/Leavens.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20141109T130000
DTEND;TZID=America/New_York:20141109T161500
DTSTAMP:20260404T005752
CREATED:20180725T204559Z
LAST-MODIFIED:20180725T204559Z
UID:40810103099-1415538000-1415549700@www.monmouth.edu
SUMMARY:Met Opera: LE NOZZE DI FIGARO Encore
DESCRIPTION:  \nMet\nMusic Director James Levine conducts a spirited new production of Mozart’s\nmasterpiece\, directed by Richard Eyre\, who sets the action of this classic\ndomestic comedy in a 19th-century manor house in Seville\, but during the gilded\nage of the late 1920s. Dashing bass-baritone Ildar Abdrazakov leads the cast in\nthe title role of the clever servant\, opposite Marlis Petersen as his bride\,\nSusanna\, Peter Mattei as the philandering Count they work for\, Amanda Majeski as the long-suffering Countess\, and Isabel Leonard as the\nlibidinous pageboy Cherubino.
URL:https://www.monmouth.edu/events/event/met-opera-le-nozze-di-figaro-encore/
LOCATION:Pollak Theatre
ATTACH;FMTTYPE=image/jpeg:https://www.monmouth.edu/events/wp-content/uploads/sites/19/2018/07/nozze_web_image.jpg
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