{"id":580,"date":"2018-06-08T17:49:01","date_gmt":"2018-06-08T21:49:01","guid":{"rendered":"https:\/\/www.monmouth.edu\/department-of-english\/publications\/the-space-between\/current-and-previous-issues-monmouth-university\/"},"modified":"2023-07-27T15:09:59","modified_gmt":"2023-07-27T19:09:59","slug":"the-space-between-archive","status":"publish","type":"page","link":"https:\/\/www.monmouth.edu\/department-of-english\/publications\/the-space-between-archive\/","title":{"rendered":"The Space Between: Archive of Previous Issues 2000 – 2013"},"content":{"rendered":"\n
\"Precursors<\/figure>\n\n\n

The Space Between: Literature and Culture, 1914-1945<\/h2>\n\n

Archive of Previous Issues 2000 – 2013<\/h3>\n\n\n
\"The<\/figure>\n\n\n

A Special Topics Issue
\nReading Sideways: Middlebrow Into Modernism<\/h4>\n\n\n

ISSN 1551-9309<\/strong>
\nVolume 9, Issue 1, 2013<\/strong><\/p>\n\n\n\n

Containing the Monster: The Golem in Expressionist Film and Theater<\/a>
\nby Mia Spiro<\/p>\n\n\n\n

Modernist Yiddish Aesthetics, I. L. Peretz\u2019s Middlebrow Yiddish Poetics, and the Place of Yehoash in Modernist and Middlebrow Literary History<\/a>
\nby Michael T. Williamson<\/p>\n\n\n\n

\u201cSideways\u201d Feminism: Rebecca West and the Saturday Evening Post<\/em>, 1928<\/a>
\nby Margaret Stetz<\/p>\n\n\n\n

\u201cShrill Small Voices … Drowned Out by the General Trumpetings of Praise\u201d: The Reception of Noel Coward’s Cavalcade<\/em><\/a>
\nby Rebecca Cameron<\/p>\n\n\n\n

Defining Detective Fiction in Interwar Britain<\/a>
\nby Victoria Stewart<\/p>\n\n\n\n

Baziotes, Surrealism, and Boxing: \u201cLife in a Squared Ring\u201d<\/a>
\nby Mona Hadler<\/p>\n\n\n

Book Reviews:<\/h4>\n\n\n

Erica Brown and Mary Grover, Editors, Middlebrow Literary Cultures: The Battle of the Brows, 1920-1960<\/em><\/a> reviewed by Stella Deen, State University of New York, New Paltz<\/p>\n\n\n\n

Faye Hammill, Sophistication: A Literary and Cultural History<\/em><\/a> reviewed by Ann Rea, University of Pittsburgh, Johnstown<\/p>\n\n\n\n

Jonathan M. Hess, Middlebrow Literature and the Making of German-Jewish Identity<\/em> <\/a>reviewed by Axel St\u00e4hler, University of Kent, Canterbury<\/p>\n\n\n\n

Jessica Berman, Modernist Commitments: Ethics, Politics, and Transnational Modernism<\/em><\/a> reviewed by Jannine Utell, Widener University<\/p>\n\n\n\n

Adam Piette and Mark Rawlinson, Editors, The Edinburgh Companion to Twentieth-Century British and American War Literature<\/em><\/a> reviewed by Patrick Deer, New York University<\/p>\n\n\n\n

Lawrence Napper, British Cinema and Middlebrow Culture in the Interwar Years<\/em><\/a> reviewed by Gil Toffell, Queen Mary, University of London<\/p>\n\n\n\n

Estel Eforgan, Leslie Howard: The Lost Actor<\/em><\/a> reviewed by Alexis Pogorelskin, University of Minnesota, Duluth<\/p>\n\n\n\n

Jennifer Jane Marshall, Machine Art, 1934<\/em><\/a> reviewed by Leo Mazow, University of Arkansas<\/p>\n\n\n

The Space Between: Literature and Culture, 1914-1945<\/h4>\n\n\n

ISSN 1551-9309<\/strong>
\nVolume 8, Issue 1, 2012<\/strong><\/p>\n\n\n\n

\"The<\/figure>\n\n\n\n


\nClose Up and Wars They Saw: From Visual Erotics to a Transferential Politics of Film<\/a>
\nby Susan McCabe<\/p>\n\n\n\n

Max Ernst’s Post-World War 1 Studies in Hysteria<\/a>
\nby Samantha Kavky<\/p>\n\n\n\n

Aestheticizing Politics and Politicizing Art: The “Magic Apparatus” of Cinema in Vernon Lee’s Satan the Waster<\/a>
\nby Laurel Harris<\/p>\n\n\n\n

Getting the Frame into the Pictures: Wells, West, and the Mid-War Novel<\/a>
\nby Debra Rae Cohen<\/p>\n\n\n\n

Pledging Peace in Aldous Huxley’s Eyeless in Gaza<\/a>
\nby Charles Andrews<\/p>\n\n\n\n

John Sommerfield and Mass-Observation<\/a>
\nby Nick Hubble<\/p>\n\n\n

Book Reviews:<\/h4>\n\n\n

Jennifer Birkett, Margaret Storm Jameson: A Life<\/em>, Pam Hirsch, The Constant Liberal: The Life and Work of Phyllis Bottome<\/em><\/a> reviewed by Alexis Pogorelskin, University of Minnesota, Duluth<\/p>\n\n\n\n

Christina Baade, Victory through Harmony: The BBC and Popular Music in World War II<\/em><\/a> reviewed by Ian Whittington, McGill University<\/p>\n\n\n\n

Jonathan Goldman, Modernism Is the Literature of Celebrity<\/em><\/a>, Maria Zina Gon\u00e7alves de Abreu and Bernardo Guido de Vasconcelos, Editors, Jon Dos Passos: Biography and Critical Essays<\/em>, reviewed by Victoria M. Bryan, University of Mississippi<\/p>\n\n\n\n

Sandeep Parmar, Editor, Hope Mirrlees: Collected Poems<\/em><\/a> reviewed by Lauren Elkin, The Graduate Center, CUNY<\/p>\n\n\n\n

Mary Ann Gillies, Helen Sword, and Steven Yao, Editors, Pacific Rim Modernism<\/em><\/a> reviewed by Karen E. H. Skinazi, Princeton University<\/p>\n\n\n\n

Santanu Das, Editor, Race, Empire and First World War Writing<\/em><\/a> reviewed by Joanna Scutts, Columbia University<\/p>\n\n\n

The Space Between: Literature and Culture, 1914-1945<\/h4>\n\n\n

ISSN 1551-9309
\nVolume 7, Issue 1, 2011<\/strong><\/p>\n\n\n\n

\"The<\/figure>\n\n\n\n


\nArtists in Hollywood: Thomas Hart Benton and Nathaniel West Picture America’s Dream Dump<\/a>
\nby Erika Doss<\/p>\n\n\n\n

Thomas Hart Benton: Painting the Song<\/a>
\nby Leo G. Mazow<\/p>\n\n\n\n

“That Abused Word: Genre:” The 1930s Genre Painting Revival<\/a>
\nby John Fagg<\/p>\n\n\n\n

David Hare, Surrealism, and the Comics<\/a>
\nby Mona Hadler<\/p>\n\n\n\n

A Fruitful Symbiosis: Sculptors and Publishers in Britain Between the Wars<\/a>
\nby Valerie Holman<\/p>\n\n\n

Book Reviews:<\/h4>\n\n\n

Jeff Allred, American Modernism and Depression Documentary<\/em><\/a> reviewed by Paula Rabinowitz, University of Minnesota<\/p>\n\n\n\n

Judith L. Sensibar, Faulkner and Love: The Women Who Shaped His Art, A Biography<\/em> and Sally Wolff, Ledgers of History: William Faulkner, an Almost Forgotten Friendship, and an Antebellum Plantation Diary<\/em><\/a> reviewed by Peter Alan Froehlich, Pennsylvania State University, Hazleton<\/p>\n\n\n\n

Catherine Keyser, Playing Smart: New York Women Writers and Modern Magazine Culture<\/em><\/a> reviewed by Faye Hammill, University of Strathclyde<\/p>\n\n\n\n

Debra Rae Cohen, Michael Coyle, and Jane Lewty, Editors, Broadcasting Modernism<\/em><\/a> reviewed by Angela Frattarola, Nanyang Technological University<\/p>\n\n\n\n

Evelyn Cobley, Modernism and the Culture of Efficiency: Ideology and Fiction<\/em><\/a> reviewed by Seamus O\u2019Malley, The Graduate Center, CUNY<\/p>\n\n\n\n

Robin Hackett, Freda Hauser, and Gay Wachman, Editors, At Home and Abroad in the Empire: British Women Write the 1930s<\/em><\/a> reviewed by Ashlie K. Sponenberg, Tulane University<\/p>\n\n\n\n

David Welky, The Moguls and the Dictators: Hollywood and the Coming of World War II<\/em><\/a> reviewed by Alexis Pogorelskin, University of Minnesota-Duluth<\/p>\n\n\n

The Space Between: Literature and Culture, 1914-1945<\/h4>\n\n\n

ISSN 1551-9309
\nVolume 6, Issue 1, 2010<\/strong><\/p>\n\n\n\n

\"The<\/figure>\n\n\n\n


\nPerforming in the Holocaust: From Camp Songs to the Song Plays of Germaine Tillion and Charlotte Salomon<\/a>
\nby Andrea Loselle<\/p>\n\n\n\n

Phyllis Bottome\u2019s The Mortal Storm<\/em>: Film and Controversy<\/a>
\nby Alexis Pogorelskin<\/p>\n\n\n\n

Wampum in Ford Madox Ford\u2019s The Good Soldier: A Native American and Modernist Artifact of Place<\/a>
\nby Mark D. Larabee<\/p>\n\n\n\n

Jordan Baker, Gender Dissent, and Homosexual Passing in The Great Gatsby<\/em><\/a>
\nby Maggie Gordon Froehlich<\/p>\n\n\n\n

The Postman\u2019s Daily Round: English Journeys in 1930s Documentary Film<\/a>
\nby Michael McCluskey<\/p>\n\n\n

Rediscoveries:<\/h4>\n\n\n

Gender, Spectacle, and Machinery: Prix de beaut\u00e9<\/em> (1930)<\/a>
\nby Lawrence Rainey<\/p>\n\n\n

Book Reviews:<\/h4>\n\n\n

Judith Brown, Glamour in Six Dimensions: Modernism and the Radiance of Form<\/em> and Elizabeth Outka, Consuming Traditions: Modernity, Modernism, and the Commodified Authenti<\/em><\/a> reviewed by Catherine Keyser, University of South Carolina<\/p>\n\n\n\n

Patrick Deer, Culture in Camouflage: War, Empire, and Modern British Literature<\/em><\/a> reviewed by Claire Buck, Wheaton College<\/p>\n\n\n\n

Adam R. Seipp, The Ordeal of Peace: Demobilization and the Urban Experience in Britain and Germany, 1917-1921 <\/em><\/a>reviewed by Douglas Higbee, University of South Carolina, Aiken<\/p>\n\n\n\n

Deborah Cohler, Citizen, Invert, Queer: Lesbianism and War in Early Twentieth-Century Britain<\/em><\/a> reviewed by Christina Hauck, Kansas State University<\/p>\n\n\n\n

Daniela Caselli, Improper Modernism: Djuna Barnes\u2019s Bewildering Corpus<\/em> and Alex Goody, Modernist Articulations: A Cultural Study of Djuna Barnes, Mina Loy, and Gertrude Stein<\/em> and Diane Warren, Djuna Barnes\u2019 Consuming Fictions<\/em><\/a> reviewed by Brian Glavey, University of South Carolina<\/p>\n\n\n\n

Anne Veronica Witchard, Thomas Burke\u2019s Dark Chinoiserie: Limehouse Nights and the Queer Spell of Chinatown<\/em><\/a> reviewed by Eugenia Zuroski Jenkins, McMaster University<\/p>\n\n\n\n

Petra Rau, English Modernism, National Identity, and the Germans, 1890-1950<\/em><\/a> reviewed by Yvonne Ivory, University of South Carolina<\/p>\n\n\n\n

Phyllis Lassner, Anglo-Jewish Women Writing the Holocaust: Displaced Witnesses<\/em><\/a> and Maren Tova Linett, Modernism, Feminism, and Jewishness <\/em><\/a>reviewed by Alex Goody, Oxford Brookes University<\/p>\n\n\n\n

Stephen Katz, Red, Black, and Jew: New Frontiers in Hebrew Literature<\/em><\/a> reviewed by Michael T. Williamson, Indiana University of Pennsylvania<\/p>\n\n\n\n

Anthony Barnett, Listening for Henry Crowder: A Monograph on His Almost Lost Music, with CD featuring a recording by Henry Crowder of a blues by Nancy Cunard and a new recording of his setting to a poem by Samuel Beckett sung by Allan Harris<\/em><\/a> reviewed by Michael Coyle, Colgate University<\/p>\n\n\n\n

Alison Light, Mrs. Woolf and the Servants<\/em><\/a> reviewed by Ann Mattis, University of Wisconsin-Milwaukee<\/p>\n\n\n\n

Judy Suh, Fascism and Anti-Fascism in Twentieth-Century British Fiction<\/em> and Mary Grover, The Ordeal of Warwick Deeping: Middlebrow Authorship and Cultural Embarrassment<\/em> <\/a>reviewed by Ann Rea, University of Pittsburgh at Johnstown<\/p>\n\n\n\n

Ann Ardis and Patrick Collier, Editors, Transatlantic Print Culture, 1880-1940: Emerging Media, Emerging Modernisms<\/em><\/a> and Valerie Holman, Print for Victory: Book Publishing in England 1939-1945<\/em> reviewed by Kristin Bluemel, Monmouth University<\/p>\n\n\n

The Space Between: Literature and Culture, 1914-1945<\/h4>\n\n\n

ISSN 1551-9309
\nVolume 5, Issue 1, 2009<\/strong><\/p>\n\n\n\n

\"The<\/figure>\n\n\n\n


\nKenneth Burke\u2019s New Deal<\/a>
\nby Dries Vrijders<\/p>\n\n\n\n

\u2018Dramatistic to the Core\u2019: Allen Tate and A Grammar of Motives<\/em><\/a>
\nby M. Elizabeth Weiser<\/p>\n\n\n\n

Placing the Poetic Corrective: William Carlos Williams, Kenneth Burke, and the Poetic Imaginary<\/a>
\nby Stephen Llano<\/p>\n\n\n\n

A Visual Rhetoric of World War I Battlefield Art: C. R. W. Nevinson, Mary Riter Hamilton, and Kenneth Burke\u2019s Scene<\/a>
\nby Marguerite Helmers<\/p>\n\n\n

Book Reviews:<\/h4>\n\n\n

Jeffrey M. Heath, Editor, The Creator as Critic and Other Writings by E. M. Forster<\/em> and Mary Lago, Linda K. Hughes, and Elizabeth MacLeod Walls, Editors, The BBC Talks of E. M. Forster, 1929-1960: A Selected Edition<\/em><\/a> reviewed by Stuart Christie, Hong Kong Baptist University<\/p>\n\n\n\n

Martin Harries\u2019s Forgetting Lot\u2019s Wife: On Destructive Spectatorship<\/em><\/a> reviewed by Jared Stark, Eckerd College<\/p>\n\n\n\n

Marina MacKay\u2019s Modernism and World War II<\/em> and Kristine Miller’s British Literature of the Blitz: Fighting the People\u2019s War <\/em><\/a>reviewed by Phyllis Lassner, Northwestern University<\/p>\n\n\n\n

Mary Lynn Stewart\u2019s Dressing Modern Frenchwomen: Marketing Haute Couture, 1919-1939<\/em><\/a> reviewed by Melissa Bradshaw, DePaul University<\/p>\n\n\n\n

Faye Hammill\u2019s Women, Celebrity, and Literary Culture between the Wars<\/em><\/a> reviewed by Catherine Keyser, University of South Carolina<\/p>\n\n\n\n

James Aulich and John Hewitt, Seduction or Instruction? First World War Posters in Britain and Europe<\/em><\/a> reviewed by Pearl James, University of Kentucky<\/p>\n\n\n\n

Patricia E. Chu\u2019s Race, Nationalism and the State in British and American Modernism<\/a><\/em> reviewed by Srila Nayak, University of North Carolina, Charlotte<\/p>\n\n\n\n

Loraine Saunders\u2019 The Unsung Artistry of George Orwell: The Novels from Burmese Days to Nineteen Eighty-Four<\/em><\/a> reviewed by Janine Utell, Widener University<\/p>\n\n\n\n

Robert H. Brinkmeyer, Jr., The Fourth Ghost: White Southern Writers and European Fascism<\/em><\/a> reviewed by Leigh Anne Duck, University of Memphis<\/p>\n\n\n

The Space Between: Literature and Culture, 1914-1945<\/h4>\n\n\n

ISSN 1551-9309<\/strong>
\nVolume 4, Issue 1, 2008<\/strong><\/p>\n\n\n\n

\"The<\/figure>\n\n\n\n


\nE.L. Kirchner, Czech Cubism, and Representation of the Spirit in Portraiture, 1915-1918<\/a>
\nby Eleanor F. Moseman<\/p>\n\n\n\n

Constructions of Comradeship: Ivor Gurney and the British First World War Veterans’ Movement<\/a>
\nby Douglas Higbee<\/p>\n\n\n\n

“A love so fugitive and so complete:” Recovering the Queer Subtext of Claude McKay’s Harlem Shadows<\/em><\/a>
\nby Lindsay Tuggle<\/p>\n\n\n\n

Counter Discourse: Advertising Technologies and Textual Impact<\/a>
\nby Abbie Garrington<\/p>\n\n\n\n

The Cost of Myth: Cyril Connolly and “Romanticism”<\/a>
\nby Jean-Christophe Murat<\/p>\n\n\n\n

Mirrors, TRANS\/formation and Slippage in the Five-Way Portrait of Marcel Duchamp<\/a>
\nby James W. McManus<\/p>\n\n\n

Book Reviews:<\/h4>\n\n\n

Richard Godden and Martin Crawford, Editors Reading Southern Poverty between the Wars, 1918-1939<\/em><\/a> reviewed by Leigh Anne Duck, University of Memphis<\/p>\n\n\n\n

Christine Bold\u2019s Writers, Plumbers, and Anarchists: The WPA Writers’ Project in Massachusetts<\/a><\/em> reviewed by J.J. Butts, Hunter College<\/p>\n\n\n\n

Andrew E. Kersten\u2019s Labor’s Home Front: The American Federation of Labor during World War II<\/em><\/a> reviewed by Michael Pierce, University of Arkansas<\/p>\n\n\n\n

Peter J. Kalliney\u2019s Cities of Affluence and Anger: A Literary Geography of Modern Englishness<\/em><\/a> reviewed by Judy Suh, Duquesne University<\/p>\n\n\n\n

Catherine Clay\u2019s British Women Writers 1914-1945: Professional Work and Friendship<\/em> and Jennifer Poulos Nesbitt’s Narrative Settlements: Geographies of British Women’s Fiction between the Wars<\/em><\/a> reviewed by Janine Utell, Widener University<\/p>\n\n\n\n

Michael Cotsell\u2019s The Theater of Trauma: American Modernist Drama and the Psychological Struggle for the American Mind, 1900-1930<\/em><\/a> reviewed by Sarah Bay-Cheng, SUNY, Buffalo<\/p>\n\n\n\n

H.D. (Cynthia Hogue and Julie Vandivere, Editors) The Sword Went Out to Sea: (Synthesis of a Dream), by Delia Alton<\/em> and Bryher’s The Heart to Artemis: A Writer’s Memoirs<\/em><\/a> reviewed by Cyrena N. Pondrom, University of Wisconsin, Madison<\/p>\n\n\n

The Space Between: Literature and Culture, 1914-1945<\/h4>\n\n\n

ISSN 1551-9309<\/strong>
\nVolume 3, Issue 1, 2007<\/strong><\/p>\n\n\n\n

\"The<\/figure>\n\n\n

A Special Topics Issue:
\nTechnology, Media, Culture<\/h4>\n\n\n

Guest Editor: Debra Rae Cohen, University of South Carolina<\/strong><\/p>\n\n\n\n

Ren\u00e9 Magritte and “The Shop-Window Quality of Things”<\/a>
\nby Roger Rothman<\/p>\n\n\n\n

Wyndham Lewis’ Theory of Mass Culture<\/a>
\nby Charles Sumner<\/p>\n\n\n\n

Wireless Women: The “Mass” Retreat of Brighton Rock<\/em><\/a>
\nby Jeffrey Sconce<\/p>\n\n\n\n

The Long Arm of Discipline: South Riding<\/em>, Documentary Writing, and the Cinematic Gaze<\/a>
\nby Ashlie Sponenberg<\/p>\n\n\n\n

Cyborgs, Women, and New York Dada<\/a>
\nby Alex Goody<\/p>\n\n\n\n

Punched-Card Sorters and Rapid Selectors: Information Management Between the Wars<\/a>
\nby Jay L. Gordon<\/p>\n\n\n

Book Reviews:<\/h4>\n\n\n

Patrick Collier’s Modernism on Fleet Street<\/em> <\/a>reviewed by Loretta Stec, San Francisco State University<\/p>\n\n\n\n

Timothy C. Campbell\u2019s Wireless Writing in the Age of Marconi<\/em> and Todd Avery\u2019s Radio Modernism: Literature, Ethics, and the BBC, 1922-1938<\/em><\/a> reviewed by Robin Feenstra, McGill University<\/p>\n\n\n\n

Frances Guerin\u2019s A Culture of Light: Cinema and Technology in 1920s Germany<\/em><\/a> reviewed by Robin Murray, Eastern Illinois University<\/p>\n\n\n\n

Michael North\u2019s Camera Works: Photography and the Twentieth-Century Word<\/em><\/a> reviewed by Robert Cochran, University of Arkansas<\/p>\n\n\n\n

Elizabeth Otto\u2019s Tempo, Tempo! The Bauhaus Photomontages of Marianne Brandt<\/em><\/a> reviewed by Rachel Epp Buller, Independent Scholar, Newton, KS<\/p>\n\n\n

The Space Between: Literature and Culture, 1914-1945<\/h4>\n\n\n

ISSN 1551-9309<\/strong>
\nVolume 2, Issue 1, 2006<\/strong><\/p>\n\n\n\n

\"The<\/figure>\n\n\n\n


\nModern Enchantments: The Canny Wonders and Uncanny Others of H. P. Lovecraft<\/a>
\nby Michael Saler<\/p>\n\n\n\n

\u201cThe Poetry That Dare Not Speak its Name\u201d: Modernist Aesthetic in the Case of Lord Alfred Douglas and Marie Carmichael Stopes<\/a>
\nby Christina Hauck<\/p>\n\n\n\n

Keith Douglas, Isaac Rosenberg, and Edmund Blunden<\/a>
\nby Dawn Bellamy<\/p>\n\n\n\n

The Unburiable: Death Ritual in Osbert Sitwell\u2019s Poetry of the Great War<\/a>
\nby Janine Utell<\/p>\n\n\n\n

H. D.\u2019s Palimpsest: The Work of the \u201cAdvance-Guard\u201d in a History of Trauma<\/a>
\nby Cheryl Hindrichs<\/p>\n\n\n\n

Writing Projects: New Deal Guidebooks, Community, and Housing Reform in New York City<\/a>
\nby J. J. Butts<\/p>\n\n\n

Book Reviews:<\/h4>\n\n\n

Stan Smith\u2019s Irish Poetry and the Construction of Modern Identity: Ireland between Fantasy and History<\/em><\/a> reviewed by Michael Coyle, Colgate University<\/p>\n\n\n\n

Lawrence Rainey\u2019s Revisiting The Waste Land<\/em><\/a> reviewed by David Chinitz, Loyola University Chicago<\/p>\n\n\n\n

Romana Huk\u2019s Stevie Smith: Between the Lines<\/em><\/a> reviewed by Kristin Bluemel, Monmouth University<\/p>\n\n\n\n

Christopher Murray\u2019s Sean O\u2019Casey, Writer at Work: A Biography<\/em><\/a> reviewed by Steve Cloutier, St. Mary\u2019s University, Canada<\/p>\n\n\n\n

Wendy Pollard\u2019s Rosamond Lehmann and Her Critics: The Vagaries of Literary Reception<\/em> reviewed by Phyllis Lassner, Northwestern University<\/p>\n\n\n

The Space Between: Literature and Culture, 1914-1945<\/h4>\n\n\n

ISSN 1551-9309<\/strong>
\nVolume 1, Issue 1, 2005<\/strong><\/p>\n\n\n\n

\"The<\/figure>\n\n\n\n


\nSerious Play: Games in Twentieth-Century Modernism<\/a>
\nby Claudia Mesch<\/p>\n\n\n\n

A Portrait of the Artist as Landscape: F. H. Varley and A. M. Klein<\/a>
\nby Liisa Stephenson<\/p>\n\n\n\n

Storm Jameson\u2019s No Time Like the Present: The Expatriat in Patria<\/a>
\nby Nattie Gulobov<\/p>\n\n\n\n

Aesthetics, Politics, and the Other: Toward an Ethical Theory of Art in Christopher Isherwood\u2019s Prater Violet<\/em><\/a>
\nby Jamie Carr<\/p>\n\n\n\n

Clothing the Soviet Mechanical-Fl\u00e2neuse<\/a>
\nby Jon Cockburn<\/p>\n\n\n

Book Reviews:<\/h4>\n\n\n

Jed Esty\u2019s A Shrinking Island: Modernism and National Culture in England<\/a><\/em> and Jane Garrity\u2019s Step-Daughters of England: British Women Modernists and the National Imaginary<\/a><\/em> reviewed by Ashlie Sponenberg, CUNY<\/p>\n\n\n\n

David E. Chinitz\u2019s T. S. Eliot and the Cultural Divide<\/em><\/a> reviewed by Christina Hauck, Kansas State University<\/p>\n\n\n\n

Phyllis Lassner\u2019s Colonial Strangers: Women Writing the End of the British Empire<\/em><\/a> reviewed by Mary Anne Schofield, Villanova University<\/p>\n\n\n\n

Keith Perry\u2019s The Kingfish in Fiction: Huey P. Long and the Modern American Novel<\/em><\/a> reviewed by Robert H. Brinkmeyer, University of Arkansas<\/p>\n\n\n

Precursors and Aftermaths:
\nLiterature in English, 1914-1945<\/h4>\n\n\n

ISSN 1542-8109<\/strong>
\nVolume 2, Issue 2, 2004<\/strong><\/p>\n\n\n\n

Ezra Pound at St. Elizabeth\u2019s<\/a>
\nby Leon Surette<\/p>\n\n\n\n

Making the New: Literary Periodicals and the Construction of Modernism<\/a>
\nby Peter Marks<\/p>\n\n\n\n

A Balloon Filled With Verbal Gas: Blather and the Irish Ready-Made School<\/a>
\nby Joe Brooker<\/p>\n\n\n\n

British Modernism and Dark Humor<\/a>
\nby Lisa Colletta<\/p>\n\n\n\n

Between the Real and Really Made Up: Mimetic Strategies in Dan Billany’s Wartime Novel The Trap<\/a>
\nby Paul Skrebels<\/p>\n\n\n

Book Reviews:<\/h4>\n\n\n

Bonnie Kime Scott’s edition of the Selected Letters of Rebecca West<\/em><\/a> reviewed by Loretta Stec<\/p>\n\n\n\n

Michael T. Saler’s The Avant-Garde in Interwar England: Medieval Modernism and the London Underground<\/em><\/a> reviewed by Kristin Bluemel<\/p>\n\n\n

Precursors and Aftermaths:
\nLiterature in English, 1914-1945<\/h4>\n\n\n

ISSN 1542-8109<\/strong>
\nVolume 1, Issue 1, 2000<\/strong><\/p>\n\n\n\n

\"Precursors<\/figure>\n\n\n\n


\nModernists Passing the Buck: Orientals, Middlebrows, and the Good Earth<\/a>
\nby Jamie Harker<\/p>\n\n\n\n

Lilied Tongues and Yellow Claws: The Invention of Limehouse, London’s Chinatown, 1914-1945<\/a>
\nby Shannon Case<\/p>\n\n\n\n

Modern Knowledge and Ford’s Modern Novel<\/a>
\nby Sara Haslam<\/p>\n\n\n\n

Writing the Nation at War: George Orwell, Alan Ross, and Sidney Keyes<\/a>
\nby Adam Piette<\/p>\n\n\n\n

The Undiscovered Country, From Whose Bourn…: Shakespeare and Conrad in Frederic Manning’s Great War<\/a>
\nby Mark A. R. Facknitz<\/p>\n\n\n

Book Reviews:<\/h4>\n\n\n

Patrick Deane’s History in Our Hands: A Critical Anthology of Writings on Literature, Culture, and Politics from the 1930s<\/em><\/a> reviewed by Patrick Quinn<\/p>\n","protected":false},"excerpt":{"rendered":"

The Space Between: Literature and Culture, 1914-1945 Archive of Previous Issues 2000 – 2013 A Special Topics Issue Reading Sideways: Middlebrow Into Modernism ISSN 1551-9309 Volume 9, Issue 1, 2013 Containing the Monster: The Golem in Expressionist Film and Theater by Mia Spiro Modernist Yiddish Aesthetics, I. L. Peretz\u2019s Middlebrow Yiddish Poetics, and the Place […]<\/p>\n","protected":false},"author":15,"featured_media":0,"parent":539,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_mu_eop_enabled":false,"_mu_eop_name":"","_mu_eop_name_override":false,"_mu_eop_description":"","_mu_eop_description_override":false,"_mu_eop_url":"","_mu_eop_url_override":false,"_mu_eop_program_type":"","_mu_eop_educational_credential":"","_mu_eop_time_to_complete":"","_mu_eop_number_of_credits":"","_mu_eop_occupational_category":"","_mu_eop_occupational_category_code":"","_mu_eop_program_prerequisites":"","_mu_eop_application_deadline":"","_mu_eop_application_start_date":"","_mu_eop_start_date":"","_mu_eop_end_date":"","_mu_eop_day_of_week":"","_mu_eop_time_of_day":"","_mu_eop_educational_program_mode":"","_mu_eop_financial_aid_eligible":"","_mu_eop_maximum_enrollment":"","_mu_eop_offers_price":"","_mu_eop_offers_currency":"USD","_mu_eop_offers_price_per":"","_mu_eop_offers_preset":"","_mu_eop_salary_upon_completion":"","_mu_eop_training_salary":"","_mu_eop_recognized_by_name":"","_mu_eop_recognized_by_url":"","_mu_eop_concentrations":"","_mu_eop_identifier_cip":"","_mu_eop_provider_name":"","_mu_eop_provider_name_override":false,"_mu_eop_provider_url":"","_mu_eop_provider_address":"","_mu_eop_provider_city":"","_mu_eop_provider_state":"","_mu_eop_provider_zip":"","_mu_eop_provider_country":"","footnotes":""},"class_list":["post-580","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.monmouth.edu\/department-of-english\/wp-json\/wp\/v2\/pages\/580","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.monmouth.edu\/department-of-english\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.monmouth.edu\/department-of-english\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.monmouth.edu\/department-of-english\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/www.monmouth.edu\/department-of-english\/wp-json\/wp\/v2\/comments?post=580"}],"version-history":[{"count":91,"href":"https:\/\/www.monmouth.edu\/department-of-english\/wp-json\/wp\/v2\/pages\/580\/revisions"}],"predecessor-version":[{"id":22053,"href":"https:\/\/www.monmouth.edu\/department-of-english\/wp-json\/wp\/v2\/pages\/580\/revisions\/22053"}],"up":[{"embeddable":true,"href":"https:\/\/www.monmouth.edu\/department-of-english\/wp-json\/wp\/v2\/pages\/539"}],"wp:attachment":[{"href":"https:\/\/www.monmouth.edu\/department-of-english\/wp-json\/wp\/v2\/media?parent=580"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}