Friday, April 13
8:00am – 5:00 pm, Pollak Theatre Lobby
9:00am – 9:45am, Room TBD
Conference Opening Remarks, Ken Womack and Monmouth University President Grey Dimenna
9:45am – 10:00am
Break/Transition to Breakout Sessions
10:00am – 11:30am
Breakout Sessions, Monmouth University
Bruce Springsteen: Desolation, Depression and Bruce’s Road to the Darkness on the Edge of Town, Dan Roberts
How Depression Drives Darkness on the Edge of Town, Sam Sciarrotta
The Darkness Within: The Landscape of Depression in the Works of Bruce Springsteen, Anthony Henley
The Light in Darkness, Lawrence Kirsch, Lawrence Kirsch Communications
Darkness on the Edge of Town Will Always Be Springsteen’s Greatest Album. Here’s Why, Jin Thindal, Simon Fraser University
Bruce Springsteen’s Darkness on the Edge of Town and Gender Roles and Archetypes, Andre Prevost, University of Alberta
Bruce Springsteen and the Feminine Universe, Patrizia De Rossi
The Blood Rushes In: Sex and Masculinity in “Candy’s Room” and “Prove It All Night”, Katie Kapurch, Texas State University, and Walter Everett, University of Michigan
Where Dreams Are Found and Lost: Themes of Rebellion, Power, and the Working Class in Springsteen’s ‘Darkness of the Edge of Town’ and the Images of Five Contemporaneous Films, Adam Aresty
Bruce Springsteen and Don DeLillo: Darkness on the Edge of the Silver Screen, Luca Ferrando Battista, Université Paris 7 Diderot
Noir, Westerns, and The Crusader in ‘Streets of Fire’: Springsteen’s Song and Walter Hill’s Film, Brian Brems, College of DuPage
First-Person Narratives on Darkness on the Edge of Town: Creating Identity, Ernie Sandonato, Drew University
A Blood Red Circle: Poetic Craft and Technique in the Lyrics of Springsteen, Laura McCullough, Brookdale Community College, B.J. Ward, Warren Community College, and David Daniel, Fairleigh Dickinson University
“The Poets Down Here Don’t Write Nothin’ At All”: Springsteen and Metaphor, Frank Fury, Monmouth University
Reading “Racing” as Literature: One Song Seen Through an Official Archive as Key to An Album, Gary Leising, Utica College
Awakening Student Activism: Springsteen and the Pedagogy of Protest Songs, James Kelly, Carlow University
Land of Hope and Dreams: Teaching American Literature and Culture in Japan via Springsteen’s America, Kotaro Nakagaki, Senshu University
Trends in Springsteen Scholarly Research: Born to Research Revisited, Denise Green, CARLI
AMST 105—Springsteen: Studies in Social Justice, Patricia Hillen, Penn State Brandywine
Summer’s Fall: Springsteen at Seventy, James Cullen, Ethical Culture Fieldston School
Why Bruce Springsteen Matters, June Skinner Sawyers
11:30am – 11:45am
Transition to Lunch
11:45am – 1:15 pm, Pozycki Hall
Lunch with Dick Wingate (interview with Joe Rapolla)
1:15pm – 1:30 pm
Transition to Breakout Sessions
1:30 – 3 PM
Juliana Illiano, Monmouth University
Stephanie DeLaat, Monmouth University
Michael Achimov, Monmouth University
Samantha Papa, Monmouth University
Springsteen, Wall Street & Working on a Dream, Mark Zarrilli
Springsteen and Parenthood, Graeme Delf, Leabold Financial Management, Ltd.
Synchronizing with Springsteen: Sharing Our Stories, John Massaro
Darkness on the Edge of Cape Town: Bruce, New Jersey, South Africa and Back Again, Chris Scanlon, Plaid Jacket Records
Reason to Believe: Bruce Springsteen, Resilience and the Darkness at the Edge of Town, Richard Grosse, Dominion Behavioral Healthcare of Chesterfield
Riding Shotgun with Springsteen up the ANS Highway, Charlene Portnoy, LICSW, LMFT
Proof of Life: Springsteen’s Garage Workshop on Broadway, Stevan Weine, University of Illinois at Chicago
“My Magic Trick”: Bruce Springsteen and Mythical Discourse in His Born To Run Memoir and Springsteen on Broadway Performances, Scott McMillan, Volunteer State Community College
The Poetics of Bruce, or Bachelard on Broadway, Mark Bourdeau, Suffolk County Community College
Greetings from … Bruce Springsteen and Sufjan Stevens, Irwin Streight, Royal Military College of Canada
“Life and Stuff”: The Blue-Collar Narratives of Bruce Springsteen and Roseanne Barr, Michele DeVinney and Michael Kaufmann, Indiana-Purdue University Fort Wayne
A Deuce of Bruces: Or, Bruce Springsteen and Bruce Cockburn, Kicking at the Darkness on the Edge of Town, Peter Smith
Bruce Springsteen and the Mighty Sparrow (Slinger Francisco), Marianne Murawski, Stockton University
Raised on Promises: An American Girl’s Look into The Promised Land, Erin Kalbarczyk, University of North Carolina
Straight into the Storm: Growing Old in the Promised Land, Michael Kobre, Queens University of Charlotte
I Believe in the Promised Utopia, Kirstin Bews, The Humanities Research Institute at Brock University
Elvis Is Everywhere: Springsteen’s Darkness on the Edge of Town and The Promise, Ryan Hilligoss
Global Warming, Darkness, and Angels: What Bruce Springsteen Can Teach Us About Hyperobjects, David Seter, Dominican University of California
From Badlands to the Promised Land: Bruce Springsteen as a Servant-Leader, Joseph Albert, Gonzaga University, and Larry Spears, The Spears Center for Servant-Leadership, Inc.
“I Had a Gun… You Know the Rest”: Bruce Springsteen’s Use of Noir in Ghost of Tom Joad and Its Tour, Kristopher Mecholsky, Louisiana State University
3:00 pm – 7:00 pm
Time to Explore Asbury Park (Dinner on Own)
8:00 pm (doors open at 7:00pm)
Musical Event at Wonder Bar
As part of the conference experience, attendees are invited to convene at the legendary Wonder Bar in Asbury Park, New Jersey, at 8:00pm (doors open at 7:00pm). Shuttle bus service will be provided.
(w/ Sentimental Gentlemen and Blue Hawk Records’ artists)
In April 2014, Lopez was inducted by Bruce Springsteen into the Rock & Roll Hall of Fame as a member of the E Street Band and is now an ambassador for the Rock Hall.
Gary Cavico has been playing guitar and singing blues and roots music at the Jersey Shore since the mid ’60s. He has been in several bands, including Stone Blue, and has written and recorded many songs since then.
Blue Hawk Records is the independent, student-run record label and music organization of Monmouth University. The group offers students a range of real-world music industry experiences, including record production, strategic marketing, and coordinating live events.
Standard conference registration for presenters is $350, which includes all conference meals, pre-conference activities, and admission to the Wonder Bar on Friday, April 13th.
Discount rates are available for members of the Monmouth University community. Undergraduate students can purchase tickets for $50. Tickets are available for $250 for graduate students, retirees, and emeritus professors. These special rates will be available at the registration table—valid ID must be presented for purchase.
Non-presenters are welcome to attend the sessions for a $20 daily fee. Meals can be purchased separately during the conference.
Non-presenters can also purchase entrance to the Wonder Bar for $10. The Wonder Bar show is a 21-and-over event—valid ID will be requested at the door.
Separate tickets are also available for the Rock & Roll Tour of the Jersey Shore. The four-hour Jersey Shore bus tour on Thursday, April 12th, will be $70. The two-hour walking tour of Asbury Park on Sunday, April 15th, will cost $40.