Corey Dzenko, PhD
PhD, Art History (History of Photography), University of New Mexico
MA, Art History, University of Alabama
BFA, Two-Dimensional Art (Photography), Central Michigan University
Office: Rechnitz Hall, Room 312
Phone: (732) 923-4512
Dr. Dzenko began her academic training in studio arts when she majored in photography for her undergraduate degree. She soon realized that, for her, making art and conducting art historical analyses involve very similar processes. As an art historian, she investigates contemporary art and theory at the intersections of photography, performance, and expanded/new media. Recently a Visiting Fellow in the University of Nottingham’s Department of Art History, Dzenko is drafting a book manuscript about performance photographs in which she examines the identities often assumed to be, and constructed as, “normative” by dominant U.S. culture. Doing so counters the frequent biases in art-related fields, and larger culture, that affords certain identities the privilege of occupying “unmarked” positions. Following this line of study, Dzenko has also begun to research contemporary art in Brazil.
Contemporary art history and theory; history and theories of photography and expanded/new media; art as an agent of social change; ideologies of identity.
“Trespassing Masculine Institutional Space: Dora Longo Bahia’s ‘Do Campo a Cidade’ and the Art World,” Chasqui: Revisita de literatura latinoamericana (November 2017).
“Introduction: Taking a Moment to Have a Say,” in Activating Democracy One Voice at a Time: I Wish to Say, ed. Sheryl Oring (Bristol, UK: Intellect Books, 2016).
“Continuing to Work Toward U.S. Manhood: Contemporary Performance-Photographer Kerry Skarbakka's The Struggle to Right Oneself,” Men and Masculinities (Published online 08 September 2015, doi:10.1177/1097184X15604687. In print April 2017).
“Photographic Moments Inside of Gravity: Kerry Skarbakka Struggles to Right Himself,” in Gravity in Art: Essays on Weight and Weightlessness in Painting, Sculpture, and Photography, ed. Mary Bailey and Elizabeth Edwards (McFarland Press, 2012).
Chief Editor, Hemisphere: Visual Cultures of the Americas, Vol. 3 (2010).
Feature article: “Analog to Digital: The Indexical Function of Photographic Images.” Afterimage: The Journal of Media Arts and Cultural Criticism 37, No. 2 (Sept/Oct 2009): 19-23.
Association of Art Historians. Edinburgh, Scotland. (April 2016). Paper: “Mixing Fiction and Reality and Believing in Lies, Making Them Come True: Dora Longo Bahia Archives History in ‘Do Campo a Cidade’ (2010).” Panel: The Artist as Historian.
College Art Association. Washington, D.C. (February 2016). Paper: “Dirtying Suburban Space: Gregory Crewdson’s Twilight and Beneath the Roses.” Panel: Something in the Dirt: Discourses of Hygiene, Health, and Progress in the North American Landscape.
The College of New Jersey Art Gallery. Ewing, NJ (March 2015). Invited speaker and panel discussant. In conjunction with the exhibit The Unfixed Image: The Photographic Across Media. Paper: “Material Matters: Investing in Photographic Transparency.”
College Art Association (CAA), Annual Conference, New York, NY (February 2015). Panel co-chair: Making and Being Made: Visual Representation and/of Citizenship. Part I: Contemporary Art; Part II: The Built Environment and Exhibition Practices.
“1st International Symposium on Men and
Masculinities: Identities, Cultures, and Societies.” Initiative for the
Critical Study of Masculinities. Izmir, Turkey (September 2014). Paper:
“From the Field to the City: Dora Longo Bahia’s Artistic
Visiting Artists Series. Prague College,
Czech Republic (June 2014). Invited speaker. Paper: “Negotiating
Normativity: Contemporary Constructed Photographs by Kerry Skarbakka,
Nikki S. Lee, and Gregory Crewdson.”
“Skin/Matters: Gendered and Racial
Economies of Skin Color.” Symposium at the Institute for Research on
Women, Gender, and Sexuality (IRWAGS), Columbia University (August
2013). Paper: “‘Forever Foreign’: Nikki S. Lee’s The Ohio Project.”
“Art as an Agent of Social Change.”
Linfield College Lacroute Art Series (May 2012). Invited participant and
speaker. Paper: “The ‘Cruel Optimism’ of Gregory Crewdson’s Suburbs and
Suzanne Opton’s Soldiers.”
“Curiouser,” Southeastern College Art
Conference (SECAC) and Mid-America College Art Association joint annual
conference. Richmond, VA (October 2010). Paper: “Performance and
Photography as Post-postmodernism: The Contemporary
Performance-Photographs of Kerry Skarbakka and Paul M. Smith.” Panel:
Conversations with Contemporary Artists—Photography (Chair: Vesna